Term
|
Definition
| Artemisia Gentileschi, Judith Slaying Holofernes, 1614-1620 |
|
|
Term
|
Definition
| Johannes Vermeer, Allegory of the Art of Painting, 1670-75 |
|
|
Term
|
Definition
| Jean-Honore Fragonard, The Swing, 1766 |
|
|
Term
|
Definition
| Elisabeth Vigee-Lebrun, Marie Antoinette with Her Children, 1787 |
|
|
Term
|
Definition
| Jacques-Louis David, Oath of the Horatii, 1784 |
|
|
Term
|
Definition
| Francisco de Goya, Third of May, 1814 |
|
|
Term
|
Definition
| Claude Monet, Impression, Sunrise, 1872 |
|
|
Term
|
Definition
| Mary Cassat, Woman in Black at the Opera, 1879 |
|
|
Term
|
Definition
| Vincent van Gogh, Night Café, 1888 |
|
|
Term
|
Definition
| Edvard Munch, The Scream, 1893 |
|
|
Term
|
Definition
| Käthe Kollwitz, Woman with Dead Child, 1903 |
|
|
Term
|
Definition
| Pablo Picasso, Portrait of Gertrude Stein, 1906-7 |
|
|
Term
|
Definition
| Marcel Duchamp, Fountain, 1917 |
|
|
Term
|
Definition
| Diego Rivera, Man, Controller of the Universe, 1934 |
|
|
Term
|
Definition
| Lasar Segall, The Meeting, 1924 |
|
|
Term
|
Definition
| Frida Kahlo, Self Portrait on the Borderline Between Mexico and the United States, 1932 |
|
|
Term
|
Definition
| Salvador Dali, The Persistence of Memory, 1931 |
|
|
Term
|
Definition
| Jackson Pollock, Autumn Rhythm, 1950 |
|
|
Term
|
Definition
| Andy Warhol, Marilyn Monroe Diptych, 1962 |
|
|
Term
|
Definition
| Banksy, Girl with Balloon, 2002 |
|
|
Term
| The practice of painting outdoors while the subject is in full view. |
|
Definition
|
|
Term
| A modern art trend that involves the appreciation and imitation of art and Practices from cultures considered to be "primitive" or at an earlier stage of human development. |
|
Definition
|
|
Term
| The early 20th-century artistic movement centered in Italy that emphasized the Dynamism, speed, energy, and power of the machine and the vitality, change, and restlessness of modern life. |
|
Definition
|
|
Term
| An art movement that aims to challenge traditional notions of reality by depicting the irrational, the subconscious, and dreams. |
|
Definition
|
|
Term
| The early phase of cubism, characterized by a fragmentary appearance of multiple viewpoints and overlapping planes. |
|
Definition
|
|
Term
| Includes characteristics like simple shapes, bright colors, and little to no depth. |
|
Definition
|
|
Term
| The work produced by a group of artists (which included Henri Matisse and André Derain) from around 1905 to 1910, which is characterised by strong colours and fierce brushwork. |
|
Definition
|
|
Term
| An negative reaction art movement formed during the First World War in Zurich. |
|
Definition
|
|
Term
| Art unapproved by the Nazi party. |
|
Definition
|
|
Term
| Often characterised by gestural brush-strokes or mark-making, and the impression of spontaneity, developed by Jackson Pollock. |
|
Definition
|
|
Term
| An art style that involves the spontaneous application of paint to a canvas, often using broad brushstrokes, drips, or splashes |
|
Definition
|
|
Term
| A metaphorical concept where a culture assimilates and transforms elements from other cultures, often in a way that subverts or reinterprets the original meanings |
|
Definition
|
|
Term
| Visual art created in public spaces for public viewing. |
|
Definition
|
|
Term
| A form of art that involves writing or drawing on public spaces, usually without permission |
|
Definition
|
|
