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| an actor who specializes in a secondary role-some become stars but most do not |
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| the style that is used to express emotions and feelings rather than realism |
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| the main subject of the shot has extra space for movement |
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| the three major parts of making a film setting, subject being filmed, and composition |
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| technique used to block out part of an image temporarily |
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| an indistinct setting or background usually black or white |
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| an actor who has immersed themselves in a character's life and mindset |
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| What are four examples of method actors/actresses? |
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| marlon brando, al pacino, jo ann woodward, robert de niro |
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| camera angle looking straight down on a subject |
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| to film while the camera is moving on a track |
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| the view of a subject from above; makes the subject smaller |
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| green, blue, violet colors |
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| soft light usually comes from a source near the camera that is used to soften shadows of lignes |
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| muted, dull, pale color used to display lack of energy |
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| the difference between dark and light in a scene |
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| when a film begins or when it shifts to a new setting, _____reveals the setting |
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| a camera is shot so it seems to the viewer's that they are in the character's eyes |
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| a scene where the foreground, background, and everything in between are in sharp focus |
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| unscattered light that is shown on a subject |
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| filming and editing so that all shots in a scene are from the same side of an imaginary straight line running between the scene's major subjects |
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| consecutive shots of a brief duration to editing dominated by brief shots |
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| a series of brief shots that fades out as another fades in; condense time; replace a series of consecutive scenes in a film |
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| What country is known for the use of montages? |
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| a group of related or consecutive scenes ina narrative film |
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| a film editing with uninterrupted time and action |
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| the last version of an edited film |
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| a shot alternating between two subjects, usually in conversation |
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| editing characterized by frequent shots of long duration |
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| the sound in a film other than spoken words or music |
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| the period of time without any sound |
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| people who watch a film and add sound effects |
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| editing that occurs after all filming is complete |
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| sounds placed in scenes of a film to create a mood |
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| reference to an earlier text or part of one |
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| when the original film is updated or created |
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| a series of drawings or photographs that represent scenes of a film |
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| the relationship betweena film and some toher types of text |
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| the version of the script used in filming |
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| humorous narrative about subjects that are not particularly funny (ex. murder, death, war) |
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| story structure in which some scenes have no necessary relation to each other |
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| a term used by the russian formalist school of literary theory and some later film theorists to mean the reconstruction of all the events of a nonchronological narrative into a chronological order |
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| a represntation of individual or group thinkin or bhaviro that indirectly exposes the subject as flawed |
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| the arrangment of the parts of the whole text |
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| popular indian films consisting of lare casts |
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| film made outside the studio system--independently funded; usually made for less money |
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| film characterized by frequent scenes with little light and many shadows |
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| a film movemtn in Italy with films that combine real and imaginary events |
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| aspect of a text that is open to two or more possible interpretations |
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| a script that describes a finished film; a written description of a finished film |
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| cutting continuity script |
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| fundamental beliefs and values of acertain soceity; taken to extreme=propoganda |
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| the belief that some filmmakers usually directors though sometimes producers writers or actors function as the dominant creators of films |
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| anything with a meaning beyond its usual literal meaning that can be interpreted |
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| the arrangment of lighting and subjects in relation to each other and to the sides of the frame |
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| the borders of the projected film, tv set or monitor |
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| a real place that is not built expressly for the filmmakers, though filmmakers often modify certain of its detail before filming |
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| leaves little space around the subject, and such settings often convey a sense of confinemnt and stress |
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| the light from one or more sources that is visible in the pupils of a subject's eyes |
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| the too rapid horizontal pivoting of a movie camera during filming that results in blurred images; the shot that results when a movie camera is pivoted too rapidly during filming and blurred footage |
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| a view of the subject as seen from below eye level |
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| light that has been diffused or reflected before illumniating the subject |
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| a shot, usually a long shot or an extreme long shot, used at the beginning of a scene to show where and sometimes when the events taht are to follow take palce |
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| a shot that briefly interrupts the representation of a subject to show someething else |
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| a transition between shots in which one shot begins to fade out as the next shot fades in, over lapping the first shot before replacing it |
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| editing that involves using a computer and software to select and combine digitized shots |
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| an uniterrupted strip of exposed motion picture film or videotape that represents a subject |
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| any sound recorded directly from the event during the filming process |
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| spoken words between characters |
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| the inclusion, recreation or imitation of part of another film; a tribute to a person, director, or other film |
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| the earliest version of a script, written before filming begins |
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| a shot, scene, or sequence that interrupts a narrative to show earlier events |
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| a shot, scene, or sequence that interrupts a narrative to show events that happen in the future |
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| a group of films that share enough similarities that both filmmakers and audiences recognize the films as members of the same group |
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| a film movement made up of a lose grouping of untraditional movies made in france in the late 1950s and early 1960s |
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| a group of people with commong interests and a broadly shared outlook who tend to generate broadly similar meanings from a text |
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| a likeness of a subject created ina text |
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| a meaning ina text that is the same as a belief of a soceity or social group |
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| If something is in deep focus it is in____foucs. |
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| color that always suggest some kind of energy |
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Definition
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| ____is used to import energy into a film. |
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| a transition between shots that causes a jarring or even shocking shift in space, time or action; may be used to shorten the representation of an event or to diorient views or both |
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| editing taht alterantes between two or more events, often suggesting that the events are related to each other or are occurin simultaneously |
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| multispeaker sound system developed by lacsfilm and used in selected movie theaters to increase frequency range, audence coverage and dialogue intelligibility while decreasing low base distortion |
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| a transition between two shots in whicha sound begins to fade out as the next sound fades in and overlaps the first sound before replacing it |
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| background sound that is so unobtrusive that people tend not to notice it |
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| unexposed and unprocessed motion picture film; film stock |
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