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| where fast falloff illumination becomes highly selective, usually leaving the background dark |
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| the scene has an abundance of bright, usually slow falloff illumination and a light background |
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| Always falls on something |
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| a shadow that is inevitably fixed to its object |
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| the deliberate manipulation of light and shadows for a specific communication purpose |
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| the selecting of information that agrees with how we want to see the world |
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| the exposure to messages that are in agreement with our existing views and attributes ignoring messages that would upset our deeply held beliefs |
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| environment that surrounds a storyline and actions |
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1.light and color
2. two dimensional space
3. three dimensional space
4. time/motion
5. sound |
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| to develop of mold an idea so that it fits the medium's technical as well as aesthetic production and reception requirements |
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| the brightness contrast between the light and shadow sides of an object and the rate of change from light to shadow |
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Definition
an element that operates as an aesthetic intensifier in a scene
Ex: lightning |
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| light that changes from high-key to low-key from general to specific from above eye level to below eye level |
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| the process that clarifies intensifies and interprets an experience |
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| a process in which we examine a number of media elements, such as lighting and sound how they interact, and our perceptual reactions to them |
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| form of radiant energy that consists of seperate bits of energy/energy particles that behave commonly as electromagnetic waves |
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| the order of surroundings into foreground figures that lie in front of, or move against a stable background |
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| in whole of the art "this relates to this" |
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| looking at the individual element details first |
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| Triangle lighting/Photographic principle |
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Definition
| The arrangement of key back, and fill lights, with the back light opposite the camera and directly behind the object, and the key and fill lights on opposite sides of the camera and to the front and the side of the object |
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| reveals the basic shape of the object or event |
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| separates the figure from the background |
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| lighting type that controls falloff |
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| light that comes from the side of the object acting as an additional fill light and providing contour |
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| a light that acts as an extension of the back light and rims the object from below what the back light can reach |
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| background light/ set light |
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| a light that illuminates the background |
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Definition
lighting for fast falloff and for light/dark contrast
-creates volume and gives drama to a scene |
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| selective form of lighting that includes fast falloff but enough fill light to render the attached shadows somewhat transperent |
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| highly directional form of lighting with fast falloff and include dense attached and sharply defined cast shadows |
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| highly diffused light with very slow falloff and highly transparent shadows |
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| type of lighting that emphasizes contour rather than volume or textur |
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| combining the positive and negative images of the same subject |
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| reducing the brightness values of an image to only a few steps |
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| lighting for discontinuous short-duration action |
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| lighting for continuous long duration shots |
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