Term
|
Definition
| Film Industry context, Broad socio-historic context |
|
|
Term
|
Definition
|
|
Term
|
Definition
| success leads to downfall |
|
|
Term
| the myth of romantic love |
|
Definition
| someone out there for everyone |
|
|
Term
| the myth of regeneration through violence |
|
Definition
| violence will solve problems |
|
|
Term
|
Definition
| hard work will lead to success |
|
|
Term
|
Definition
| Americans destined to expand out west |
|
|
Term
|
Definition
| live for yourself rather than for community |
|
|
Term
|
Definition
| living and deferring to the community rather than the self |
|
|
Term
|
Definition
| economic, social, technological, psychological |
|
|
Term
| 3 economic phases of film industry |
|
Definition
| production, distribution, and exhibition |
|
|
Term
| 4 19th century technological developments |
|
Definition
| Still photography (1831); Motion picture camera (maybridge marey); Tough flexible film stock (goodwin, eastman); Motion picture projecto |
|
|
Term
|
Definition
| individual viewing machine, arcade like urban venues; 30 secs in length, 1894-95 |
|
|
Term
|
Definition
|
|
Term
|
Definition
1905(pittsburgh)-1913 Harry K. Davis |
|
|
Term
| Average # of shots in DWG shots over the years |
|
Definition
1908-16.6 1909-24.8 1910-44.4 1911-71.4 1912-82 1913-87.8 |
|
|
Term
| Central fuctio of Myth @ levi strauss |
|
Definition
| recurring story patterns and recurring representations which present and often resolve basic cultural dilemmas, conflicts, and tensions which otherwise seem unresolvable |
|
|
Term
|
Definition
| El dorado, City on a hill |
|
|
Term
| Geographic factors in forming american culture |
|
Definition
| two ocean moat, rich and varied natural resources, spacious frontier area |
|
|
Term
| Ideological factors in forming american culture |
|
Definition
Protestant of vocations stress in value/importance of community/social cohesion stress on value of individual freedom or liberty |
|
|
Term
|
Definition
| rely on combination of familiar and the unknown, conventionality and novelt, similarity and difference |
|
|
Term
|
Definition
| familiar characters acting out a fairly predictable story pattern within a familiar setting |
|
|
Term
| Oldest continuous film genre |
|
Definition
| western (the great train robbery, 1903) |
|
|
Term
|
Definition
| Natty Bumpo sympathetic to civilization as it encroaches on the wilderness but still able to excel in skills needed for survival |
|
|
Term
|
Definition
| oklahoma land rush of 1890 |
|
|
Term
|
Definition
20-1300 30&40-1000 50-800 60-200 70&80-only a few 90&00-mini-renaissance |
|
|
Term
| Frontier most important factor in shaping american____ |
|
Definition
| history and nat'l character |
|
|
Term
| Key american values shaped by frontier |
|
Definition
freedom self-reliance practicality ingenuity Acceptance of the new social mobility physical mobility |
|
|
Term
| Powdermaker, hollywood as____ |
|
Definition
| a dream factory, art and a business |
|
|
Term
|
Definition
| Motion picture parent corporation |
|
|
Term
|
Definition
| MPPC declared in violation of Sherman Antitrust Act |
|
|
Term
|
Definition
| Paramount, MGM, Warner Bros., Fox, RKO |
|
|
Term
|
Definition
| Columbia, United Artists, Universal |
|
|
Term
|
Definition
MGM and Paramount: stars and comedies Warner Bros.: working men's studios, realism and action 20th cent. fox: crime films, mysteries RKO: no consistency Columbia: Screwball Universal Pictures: horror, melodrama, sex comedy |
|
|
Term
|
Definition
Turbulence: 30-34 Order: 34-40 |
|
|
Term
|
Definition
| Sexual propriety, social decorum, institutions of law and order |
|
|
Term
| Most prevalent types of film in TGAOT |
|
Definition
| Fallen women, gangster, anarchic/satirical comedy, social problem |
|
|
Term
| For individuals humor is a form____ |
|
Definition
| liberation, release from stress |
|
|
Term
| To study american film comedy |
|
Definition
| look at the dream work of american culture's collective unconcious |
|
|
Term
|
Definition
| upset the order and stability of society |
|
|
Term
| american film comedy gives |
|
Definition
| order to societal/cultural forms of chaos |
|
|
Term
|
Definition
|
|
Term
| @ catholic priest of 1933 |
|
Definition
M: moral menace O: obscenity V: Vulgarity I: Immoral E: Exposure S: sex |
|
|
Term
|
Definition
|
|
Term
| First un-extracinematic star |
|
Definition
|
|
Term
|
Definition
| Piety, Purity, Domesticity, Submissiveness |
|
|
Term
|
Definition
| shirley temple, Mickey rooney, Judy Garland |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
| MPB Six thematic categories |
|
Definition
why the us is fighting The nature of our enemy The nature of our allies The production front The home front The nature of US and Allies fighting forces |
|
|
Term
| Contrasing values american parents encourage |
|
Definition
achieve but be compassionate Migratory but sedantary Agressive/competative but cooperative Individualistic but be a conforming and good team player Ambitious but be caring |
|
|