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| automobile and movie projector |
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| 2 things that brought 20th century change |
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| unconscious physiological functions |
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| developed the cinematograph and demonstrated photorama in 3D |
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| what background did lumieres father have |
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| old form of projecting movies later replaced by film |
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| melies had what background |
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| editing, special effects, double exposure, stop motion, sets |
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| what did melies bring to film |
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| composed of myriad integrated techniques and concepts, connects us to the story while deliberately concealing the means by which it does so. |
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| unbroken span of action captured by an uninterrupted run of a motion-picture camer |
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| hides the instantaneous viewpoint and jarring shift from one camera viewpoint to another |
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| lies below the surface of a movies story and presentation |
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| analytical approach concerened with the film form |
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| means by wich a subject is expressed |
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| camera moves slowly toward the subject |
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| composes design elements such as lighting, setting, props, costumes, and makeup |
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| the process by which an agent, structure, or other formal element transfers something from one place to another. |
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| interest for the actual or real |
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| interest in or concern for the abstract |
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| convincing appearance of truth |
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