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| actor had made progress in being assigned roles and demonstrated box office appeal the studio picked up the actor for another six months |
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| trained students to strive for realism both social and psychological and bring their past experiences and emotions to their roles |
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| encourages actors to speak, move, and gesture not in a traditional stage manner, but just as they would in their own lives |
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| process of choosing and hiring actors for a movie and there are various ways to do it |
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| become featured principal agents in helping to move the plot forward |
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| actors who look like them in height, weight, and color |
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| double for them in scenes requiring special skills or involving hazardous actions |
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| rank second in the hierarchy, help move the plot forward, but generally do not appear in as many scenes as the featured players |
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| represent distinctive character types society leaders, judges, doctors |
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| hold small speaking parts |
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| usually appear in non-speaking or crowd roles and receive no screen credit |
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| small but significant roles often taken by famous actors |
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| smaller roles reserve for highly recognizable actors or personalities |
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| alienation effect or distancing effect |
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| remind the audience of the artificiality of the theatrical performance |
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| extemporizing, delivering lines based only loosely on the written script or without preparation that comes with studying a script before rehearsing it |
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| which emphasizes the interaction of others not the individual actor, evolved as a further step in creating verisimilar mise-en scene for both the stage and on the screen |
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