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| presentation of info generally presented as true and sincere about contemporary affairs of general public interest and importance |
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| events, people, documents, proceedings |
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| organizing information, synthesizing information, digesting information, and making info engaging |
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| order info in a way that makes it meaningful |
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| recognize how things relate to each other |
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| break it down and add your own analysis |
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| make interesting and compelling by narrating |
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| journalist comes up with a story by paying attention to what's going on around them |
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| timeliness, impact, currency, conflict, unusual/novelty, prominence, and proximity |
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| news about what's new; itself is necessary, but not sufficient enough alone for something to be news |
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| thing that happens that leads to change |
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| has something been in news going on for a while and want to continue telling subsequent parts of the story |
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| some sort of disagreement and society has competing views of future society |
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| something out of the ordinary |
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| people in power or of importance |
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| if story happens closer, more newsworthy and relevant |
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| anything unusual out of order; ex: statistical info, hottest/coldest dat ever |
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| deviance to value society has in common such as fraud |
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| intrinsic need to know about stuff we can't see of directly experience |
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| based on world statistics with all kind of data that can be used to tell a compelling story in the public interest |
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| a single large media corporation owns a number of different kinds of media products or outlets |
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| media corporation owns companies involved in different phases of the media production process such as distribution |
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| of community determines newsworthiness and how new is distriubted |
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| targeting demographic and picking news based on that |
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| one all the ads are in place, how do we fill all the remaining slots? |
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| don't want all the stories about the same topic |
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| when slow news, something not usually newsworthy become newsworthy |
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