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| arose to prominence in the 17th century; ensemble music, smaller performance venue, each player has their own part - "conversation among equals" |
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| [sonata = "to sound"] two instruments + continuo (keyboard and cello) |
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| solo instrument + keyboard |
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| dance from Sicily; moderate temp, compound meter, dotted rhythms in the melody (see: Bach sonata 2nd mvmt) |
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| right hand is written out; figured bass gone |
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| North German (Prussian) pre-Classical style in the rococo movement; "sensitive" style - C.P.E. Bach "Father of classical style" |
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| Pre-Classical style; homophonic textures, closed phrasing (dance rhythms), easily understood |
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| fugue-like section in a homophonic form (see: end of development Op. 59 no. 1) |
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| imitative form; comes dux |
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| overlapped (layered) presentation of a short motive (see: development Op. 18 no. 1) |
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| AABB; associated with dance music (see: sonata da camera) |
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| originally from opera; speech-like, declamatory character with sparse or no accompaniment |
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| improvisatory (see: 3rd movement Franck sontata; recitative-fantasy |
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| French pre-Classical style; associated with the natural (think shells) |
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| the presentation of a motive in longer note durations |
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Definition
| the presentation of a motive in shorter note durations |
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