Term
|
Definition
| Gauguin, The Yellow Christ, 1889. |
|
|
Term
|
Definition
| Gauguin, Self Porttrait with Halo, 1889. |
|
|
Term
|
Definition
| Gauguin, Nevermore, 1897. |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
| Beardsley, Salome with the Head of John the Baptist, 1893. |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Rousseau, The Dream, 1910. |
|
|
Term
|
Definition
| Picasso, Old Guitarist, 1903. |
|
|
Term
|
Definition
| Matisse, Notre Dame, 1902. |
|
|
Term
|
Definition
| Matisse, Madame Matisse, 1905. |
|
|
Term
|
Definition
| Matisse, Woman with the Hat, 1905. |
|
|
Term
|
Definition
| Matisse, Harmony in Red, 1908-9. |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Matisse, Decorative Figure, 1925. |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Ludwig, Kirchner Street, 1907. |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Marc, The Large Blue Horses, 1911. |
|
|
Term
|
Definition
| Picasso, Gertrude Stein, 1906. |
|
|
Term
|
Definition
| Picasso, Les Demoiselles d'Avignon, 1907. |
|
|
Term
|
Definition
| Braque, Violin and Pitcher, 1909-10. |
|
|
Term
|
Definition
| Picasso, Head of a Woman, 1909. |
|
|
Term
|
Definition
| Picasso, Three Musicians, 1921. |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Boccioni, Unique Forms, 1913. |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Mondrian, Broadway Boogie Woogie, 1942-3. |
|
|
Term
|
Definition
| Duschamp, Nude Descending a Staircase, 1912. |
|
|
Term
|
Definition
| Malevich, Black Square, 1929. |
|
|
Term
|
Definition
| Malevich, Suprematist Composition: White on White, 1918. |
|
|
Term
|
Definition
| Brancusi, The Kiss, 1912. |
|
|
Term
|
Definition
| Brancusi, Bird in Space, 1928. |
|
|
Term
|
Definition
| Frank Lloyd Wright, Fallingwater, Bear Run PA, 1937. |
|
|
Term
|
Definition
| Frank Lloyd Wright, Guggenheim Museum, 1959. |
|
|
Term
|
Definition
| Frank Lloyd Wright, Taliesin West, 1938. |
|
|
Term
|
Definition
| Le Corbusier, Notre Dame du Haut, 1950-4. |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Duschamp, Fountain, 1917. |
|
|
Term
|
Definition
| Man Ray, Le Violon d'Ingres, 1924. |
|
|
Term
|
Definition
| Klee, Mask of Fear, 1932. |
|
|
Term
|
Definition
| Dali, The Persistence of Memory, 1931. |
|
|
Term
|
Definition
| Halsman, Celebrity Jump: Dali, 1948. |
|
|
Term
|
Definition
| Miro, Dog Barking at the Moon, 1926. |
|
|
Term
|
Definition
| Magritte, Time Transfixed, 1938. |
|
|
Term
|
Definition
| Magritte, The Betrayal of Images, This is not a pipe, 1928. |
|
|
Term
|
Definition
| Ernst, The King Playing with the Queen, 1954. |
|
|
Term
|
Definition
| Ansel Adams, Winnowing Grain, Taos Pueblo, 1929. |
|
|
Term
|
Definition
| Ansel Adams, The Tetons - Snake River, 1942. |
|
|
Term
|
Definition
| Lin, Women's Table, Yale, 1993. |
|
|
Term
|
Definition
| Lin, Vietnam Veterans Memorial, 1981-3. |
|
|
Term
|
Definition
| Hart, Three Servicemen Statue, 1984. |
|
|
Term
|
Definition
| Goodacre, Vietnam Women's Memorial, 1993. |
|
|
Term
|
Definition
| Morimura, Self Portrait (actress)/ White Marilyn, 1996 |
|
|
Term
|
Definition
| Nauman, Self Portrait as a Fountain, 1966-70. |
|
|
Term
|
Definition
| Keifer, To the Unknown Painter, 1983. |
|
|
Term
|
Definition
| Koons, New Hoover Hoover Convertibles, 1981-3. |
|
|
Term
|
Definition
| Tansey, Action Painting II, 1984. |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Warhol, Campbell's Soup I (Tomato), 1968. |
|
|
Term
|
Definition
| Stella, Tahki-I-Sulayman I, 1967. |
|
|
Term
|
Definition
| Dubuffet, The Reveler, 1964. |
|
|
Term
|
Definition
| Bacon, Portrait of Isabel Rawsthorne, 1967. |
|
|
Term
|
Definition
| Bacon, after Velazquez's Pope Innocent X Painting, 1950. |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Nevelson, Silent Music II, 1964. |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Hamilton, Just what is it that makes today's homes so different, so appealing?, 1956. |
|
|
Term
|
Definition
| Jasper Johns, Three Flags, 1958. |
|
|
Term
|
Definition
| Jasper Johns, Painted Bronze (Ale Cans), 1960. |
|
|
Term
|
Definition
| Rauschenberg, Retroactive I, 1964. |
|
|
Term
|
Definition
| Henry Moore, Reclining Figure, 1957-8. |
|
|
Term
|
Definition
| Wood, American Gothic, 1930. |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Wyeth, Christina's World, 1948. |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
| Steiglitz, Equivalent, 1923. |
|
|
Term
|
Definition
| Steiglitz, The Steerage, 1907. |
|
|
Term
|
Definition
| Stieglitz, The Terminal, 1911. |
|
|
Term
|
Definition
| Weston, Two Shells, 1927. |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
| O'Keeffe, Cow's Skull with Calico Roses, 1931. |
|
|
Term
|
Definition
| Moses, The Old Checkered House, 1944. |
|
|
Term
|
Definition
| Pippin, Domino Players, 1943. |
|
|
Term
|
Definition
| Hofmann, The Gate, 1959-60. |
|
|
Term
|
Definition
| Albers, Study for Homage to the Square, 1968. |
|
|
Term
|
Definition
| Pollock, Going West, 1934-5. |
|
|
Term
|
Definition
| Pollock, Guardians of the Secret, 1943. |
|
|
Term
|
Definition
| Pollock, Autumn Rhythm: No. 30, 1950. |
|
|
Term
|
Definition
|
|
Term
|
Definition
| de Kooning, Woman and Bicycle, 1952-3. |
|
|
Term
|
Definition
| Mapplethorpe, Self Portrait, 1980. |
|
|
Term
|
Definition
| Chuck Close, Self Portrait, 1968. |
|
|
Term
|
Definition
| Chuck Close, Self Portrait, 1997. |
|
|
Term
|
Definition
| Estes, Solomon R. Guggenheim Museum, 1979. |
|
|
Term
|
Definition
| Estes, Williamsburg Bridge, 1987. |
|
|
Term
|
Definition
| Hanson, The Cowboy, 1995. |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Brancusi, Sleeping Muse, 1909-10. |
|
|
Term
|
Definition
| Holzer, Truisms, 1989-90. |
|
|
Term
|
Definition
| Barney, Cremaster 4, 1994-5. |
|
|
Term
|
Definition
| Fuller, American Pavilion, Expo, 1967. |
|
|
Term
|
Definition
| Moore and Hersey, Piazza d'Italia, 1978-9. |
|
|
Term
|
Definition
| Pei, Louvre Pyramid, 1988. |
|
|
Term
|
Definition
| Gehry, Guggenheim Museum, Bilbao, Spain. 1993-7. |
|
|
Term
|
Definition
| Smithson, Spiral Jetty, 1970. |
|
|
Term
|
Definition
| Christo and Jeanne-Claude, Wrapped Reichstag, 1971-95. |
|
|
Term
|
Definition
| Christo and Jeanne-Claude, Running Fence, Sonoma and Marin Counties, California. 1972-6. |
|
|
Term
|
Definition
| Christo and Jeanne-Claude, Gates Project for Central Park, 2005. |
|
|
Term
|
Definition
| Chicago, The Dinner Party, 1979. |
|
|
Term
|
Definition
| Guerrila Girls, Billboard, 1985. |
|
|
Term
|
Definition
| Smith, Mary Magdalene, 1994. |
|
|
Term
|
Definition
| Bohemian nightclub area of Paris |
|
|
Term
|
Definition
| seurat's overlapping dots |
|
|
Term
|
Definition
| confused with Seurat, separate dots. |
|
|
Term
|
Definition
| popular description of Seurat's art |
|
|
Term
|
Definition
| Van Gogh's supportive brother |
|
|
Term
|
Definition
| Van Gogh's friend and patron |
|
|
Term
|
Definition
| a style of post-impressionist painting with bold forms separated by dark contours |
|
|
Term
|
Definition
| influential french art dealer |
|
|
Term
|
Definition
| art movement of the late 19th century painting and sculpture; characterized by exaggerated body proportions, animal totems, geometric designs, and stark contrasts. Paul Gauguin |
|
|
Term
|
Definition
| international style of art, architecture and design that peaked at the beginning of the 20th century, characterized by highly stylized, flowing, curvilinear designs often incorporating floral and other plant-inspired motifs. |
|
|
Term
|
Definition
| austrian art nouveau movement |
|
|
Term
|
Definition
| the "wild beasts" Matisse is King of Fauves, also Derain |
|
|
Term
| "you will simplify painting" |
|
Definition
|
|
Term
|
Definition
| "the bridge", a key group leading to the foundation of Expressionism in 20th century art |
|
|
Term
| concerning the spiritual in art |
|
Definition
| Kandinsky 1910, defense of abstract art. published in 1912 Kandinsky argued that art should deal with color and form in spiritual ways |
|
|
Term
|
Definition
| the blue rider, Munich avant-garde. changing network of artists who exhibited together, shared ideas. integration of all the arts across media boundaries, recruited musicians, composers, writers, architects and designers as well. |
|
|
Term
|
Definition
| book of 100 prints based on paper cutouts by Matisse. |
|
|
Term
|
Definition
| jewish american art collector, writer who lived mostly in france, painted by picasso |
|
|
Term
|
Definition
| Barcelona street of prostitutes |
|
|
Term
|
Definition
| derogatory description of picasso |
|
|
Term
|
Definition
| analyzes forms from several points of view |
|
|
Term
|
Definition
random shapes arranged to look like an object, not based on nature, idea based.
|
|
|
Term
| Filippo Tommaso Marinetti |
|
Definition
| the name Futurism, coined by him, reflected his emphasis on discarding what he conceived to be the static and irrelevant art of the past |
|
|
Term
|
Definition
| art style that consisted of a grid of vertical and horizontal black lines and the use of three primary colors |
|
|
Term
|
Definition
| in nyc celebrated modern art 1913 |
|
|
Term
|
Definition
| Russian minimalist form of cubism and Futurism. black square by malevich |
|
|
Term
|
Definition
|
|
Term
|
Definition
| Frank Lloyd Wright's winter home and school in the desert from 1937-59. Wisconsin |
|
|
Term
|
Definition
| designed to blend in with the flat prairie landscape, an idea the revolutionized homes |
|
|
Term
|
Definition
|
|
Term
|
Definition
|
|
Term
|
Definition
| non-nyc art point of view that country life is better |
|
|
Term
|
Definition
| 240 unknown and secret paintings scanal, wife didnt know, revealed in 1986, public speculation and intrigue |
|
|
Term
|
Definition
| Wyeth's model, on covers of Time and Newsweek. question relationship between artist and muse |
|
|
Term
|
Definition
| calls Helga a national treasure, buys them for 6 mil |
|
|
Term
|
Definition
Stieglitz's Gallery in NYC, introduced modern art.
|
|
|
Term
|
Definition
| one of the most influential events in the history of American art that shocked and outraged the public and rasied questions about the boundaries of art |
|
|
Term
|
Definition
| O'Keeffe's companian and heir |
|
|
Term
| Anne Mary Robertson Moses |
|
Definition
| "grandma moses", american folk artist, |
|
|
Term
|
Definition
| pollock's new way of painting |
|
|
Term
|
Definition
| pollock able to achieve a more immediate means of making art, paint flies from tool to canvas, used whole body to paint. |
|
|
Term
|
Definition
| school of painting that flourished after WW2 til the 60s, characterized by the view that art is nonrepresentational and chiefly improvisational |
|
|
Term
|
Definition
| school creates center of art world |
|
|
Term
|
Definition
| style that reduces shapes into a clear, simple signature style with geometric control, varying shapes of triangles, circles. done with compass, intense, bright colors. |
|
|
Term
|
Definition
| featured in painting by Bacon, famous artist's model |
|
|
Term
|
Definition
| 1964, Bacon meets burgler, turns to lover, alcohol and drugs took his life. |
|
|
Term
|
Definition
| American sculptor, wood assemblages painted in either jet black or later, in white and gold. |
|
|
Term
|
Definition
| art dealer, launched the career of pop artists like Jasper Johns and Rauschenberg |
|
|
Term
|
Definition
| hot wax painting, beeswax with pigment, liquid/paste applied to a surface |
|
|
Term
|
Definition
| printing process, Benjamin Day, similar to pointillism |
|
|
Term
|
Definition
| photographer known for black and white stylized portraits, photos of flowers and male nudes, |
|
|
Term
|
Definition
| painting based on making a painting of a photograph, also called hyperrealism technique |
|
|
Term
|
Definition
| director of Cincinnati Comtemporary Arts Center and First Art Museum director indicte on April 7, 1990 for pandering obscenity |
|
|
Term
|
Definition
| famous Mapplethrope exhibition 1990 |
|
|
Term
|
Definition
|
|
Term
|
Definition
| American performance artist, whose theatrical pieces and recordings have often been labeled as "obscene" due to their graphic depictions of sexuality, abuse, and disenfranchisement. |
|
|
Term
|
Definition
| Holzer's short statements, some are common myths, other just phrases on random subjects in the form of slogans |
|
|
Term
|
Definition
| eclectic borrowing from different styles, new, enhanced, not old idea of form follows function |
|
|
Term
|
Definition
|
|
Term
|
Definition
| use of organic material and environment. Earth art is best seen in Robert Smithson's spiral jetty |
|
|
Term
|
Definition
| corporate name of artist, wife and staff; skill in prganizing others; 3.2 mil; paid for by selling drawings, models, and student volunteers |
|
|
Term
|
Definition
| assumption that art is made for men |
|
|
Term
|
Definition
| 1985, challenges sexist and racist museum practices |
|
|
Term
|
Definition
| first female Yale student |
|
|
Term
|
Definition
| young Shoshone woman who assisted Lewis and Clark |
|
|
Term
|
Definition
| art of bad taste, cheap and tacky |
|
|
Term
|
Definition
| porn star, Italian parliament, marries Koons |
|
|
Term
|
Definition
| use of borrowed elements in the creation of new work |
|
|
Term
|
Definition
| major comtemporary art exhibition that takes place once every two years in Venice |
|
|
Term
|
Definition
| Warhol, Elvis I and Elvis II, 1964. |
|
|
Term
|
Definition
| Lichtenstein, Torpedo...Los!, 1963 |
|
|
Term
|
Definition
| Wesselmann, Great American Nude, 1964 |
|
|
Term
|
Definition
| Oldenburg, Soft Light Switches-Ghost Version, 1971 |
|
|
Term
|
Definition
| Oldenburg,Clothespin, 1976 |
|
|
Term
|
Definition
| Oldenburg, DroppedFlower, 2006 |
|
|
Term
|
Definition
| Segal, Chance Meeting, 1989 |
|
|
Term
|
Definition
|
|
Term
|
Definition
| De Saint-Phalle, Black Venus, 1965-67 |
|
|
Term
|
Definition
Escobar, The Last Supper, 1982. |
|
|
Term
|
Definition
|
|