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| used for creating form, it outlines the edges of shape |
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| artist depth description by diagnosis |
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| not straightened or well defined lines |
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| emerging from the darkness |
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beginning of taking up space
- spacial depth |
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| ability of artist to show 3D shape on 2D surface through color |
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| metal plate and dig into it, and ink halls into lines |
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| coated with acid resin to easily engrave |
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| deals with gradation from light to dark |
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| the way the visual elements of art are arranged in a work of art |
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| purity of form, line and color reflecting |
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| tendency for the eye to blend colors placed next to each other |
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| when you state at a color and then look at plain white, the first color's complimentary colors are shown |
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| used by Van Gogh, broken brush strokes |
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| size of one object relative to another |
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| a system using diagonal parallel lines to communicate depth |
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| a circle in which the primary, secondary, and intermediate hues (colors) are arranged in orderly intervals. |
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| the surface of a painting or drawing |
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| a particular shade of a given color |
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| a balance achieved through the use of unequal parts or elements. |
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Rembrent
- Modeling, showing volume or mass
- Crosshatching, showing dark shading
- Highlight and shading
- 3 Dimensional |
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- Leonardo Da Vinci
- Shading deals with a gradation from light
- Emerging from the darkness |
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Seurat, Study for Le Cahet, c 1889
- Used pointilism
- Dots and diagnoals |
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- Disney Studio, film Cinderella 1950
- Lines used to create emotion
-Happier lines are pointed upwards
- Sad lines are pointed downwards |
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- Leonardo Da Vinci, Last Supper 1495-98
-One point perspective
-Parallel lines (orthogonals)
-Jesus' head is the vanishing pt. |
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| -Qu Ding, Summer Mountains, 11th Century |
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Egyptian Book of the Dead, c 1280 BC
- Guide book after death
-Birds eye view
-Disjointed
-Combining two vantage points |
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Picasso, "Blind Man's Meal" 1903
-Monocromatic
-Reflecting "blue period" of his life |
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Matisse, "Roofs of Callioure" 1905
-Warm colors |
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| Light Spectrum, Sir Isaac Newton |
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Van Gogh, Starry Night 1889
-Broken color
"I use color abitrarily to express myself forcebly" |
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Mary Evans, "Baltimore Album Quilt" c 1850
- Unity and Variation
- Floral Arrangements
- Circles and squares
Theme of Patriotism |
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Unity and Variation
Demuth, I Saw the Figure 5 in Gold 1928
-Repetition |
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Focus, Emphasis and Subordination
-Callis, Parrot and Sail Boat 1980
-Color placement and scale direction |
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Balance
-Leonardo Da Vinci, The Vitruvian Man c 1485
Symmetry: distribution of equivalence along a dividing axis |
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Balance
Picasso, Acrobat 1936
Asymmetrical balance: when non equivelant forms balance each other |
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Rhythm and Pattern
Jacob Lawrence, The Migration Gained the Momentum 1941
Lawrence, The Death Rate was Very High |
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Rhythm and Pattern
Mondrian, Victory Boogie Woogie 1944
-Diamond
-Grid Pattern
-Movement of a city |
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Munch, "The Scream" 1893
Simultaneous contrast: when complementary colors are juxtaposed, we see them more intense |
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Pantheon, Rome 118-126
-Temple
-Circles and rectangles are repeated
-Dome: symbolizes heaven
-Cofers: rectangular niches
*visually lighten massive dome
*physically lighten the dome
*marble floors, repeated shapes |
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School of Athens, Raphael 1509-1511
-Celebrating philosophers
*law
*poetry
*theology
*philosophy |
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Van Gogh, Night Cafe 1888 oil
-Intense lighting |
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