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Chiaro= light
Oscuro= dark
Italian word describing the contrast of light and dark in a painting/drawing or print. It depticts spatial depth with the creation of shadows |
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"smoky"
gives an effect of a soft and mellow haze in a painting |
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| Heroic figures of nude young men |
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A full-scale drawing used to transfer
or guide a design onto a surface to be painted, carved, or woven. |
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Pontificate 1503-1513
Born Giuliano della Rovere
[1443-1513; Pope 1503-1513]
Life of an aristocrat
Entered church after brother took family Duke title
Warrior Pope- put troops to war
Couldn't leave court life behind |
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looking at an object and painting exactly what you see
opposite of idealism |
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| painting the ideal/perfect form of an object, scene, person based on social values. e.g. Botticelli's Birth of Venus c.1484-86 |
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| Like realism, takes an interest in depicting the observable world accurately, with a focus on the natural world/ form. |
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| paintings and works that depicted scenes of country life/ the countryside |
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from the Italian maniera "meaning
style"; an anti-Classical movement in which artificiality, grace, and elegance took priority over the ordered
balance and lifelike references |
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| Practice of artists painting their own image |
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Sought to reform the church. started the Protestant Reformation in 1517 with his "95 theses". Condemned the selling of indulgences, and and the excessive veneration of saints and their relics; emphasized
individual faith and regarded the Bible as the ultimate religious
authority |
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| Rococo Art; taking part excessively in the luxuries of life |
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| newspaper done with woodblock printing with the use oif pictures and texts, so the iliterate could understand their meaning; very popular for the Prot Reform |
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| the smashing of religious images |
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| led by Martin Luther in 1517, it was a call for he reform of the catholic church from, what is was seemed at the time, it's frivolous and condemning ways |
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| known as a period of spiritual renewal, it was the response to the Protestant reformation, with the revival of the Catholic Church. Led by Members of the Jesuits, who began to use art as a method of propaganda |
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| paintings with no overt religious content, although it could be seen as a reflection of God's works on Earth. |
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A French country house
or residential castle |
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which images are stretched horizontally
with the use of a trapezoidal grid so that they must be viewed from the side to appear correctly proportioned. |
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| paintings depicting scenes of everyday life |
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type of painting that has as its subject
inanimate objects |
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| a large decorative canopy for the pope; mix between architecture and sculpture. e.g. Urban XIII's [blank] in St. Peter's Basilica by Bernini |
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| use of strong chiaroscuro, where forms emerge from a dark background into a strong light that often falls from a single source outside the painting |
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| study of style to assess quality and determine authorship |
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documenting the membership of social/ corporate organizations; a
Dutch specialty |
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| artist uses a sharp needle to scratch shallow lines in a metal plate |
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thick applications of paint that
give a painting a palpable surface texture |
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| an image all the objects symbolize the transience of life |
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An absolute monarch whose reign was the longest in
European history, became known as le Roi Soleil and was sometimes glorified in art through identification with the Classical sun god, Apollo. |
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| describes the refined and fanciful style that became fashionable |
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| rooms that held intimate, fashionable, and intellectual gatherings |
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painting depicting well-dressed people at leisure in a park or country
setting |
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