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| Perspective in which the illusion of depth is created through parallel planes that appear to recede from the picture plane |
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| 18th Century style revival of Greek and Roman Art |
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| 19th Century style seeking extremes of emotion through brushwork and vibrant palette |
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| Non-exprimental style promoted by the Royal French Academies |
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| 19th Century style observed by the naked eye |
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| Use of broad areas of un-natural color and primitive, symbolic subject matter |
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| Painting characterized by implied motion in brush stroke, splattered, and dripped paint on the canvas. |
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| Non-objective art in which a minimal number of elements are arranged in a simple fashion |
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| Rejected the decorative aspects of impressionist subject matter |
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| Method of applying painting in minute dots of unmixed pigments |
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| Cezannes technique of blending adjacent shapes |
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| 1960's art style that used commercial and popular images and themes |
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| Artists used basic forms, particularly cubes, horizantals, and verticals. |
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| Sought to destroy art,underscoaring the paradoxes and absurdities of mordern life |
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| Stems from the unconcious, Irrational sources taking on fantastic forms |
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| Artists expressionistically distorted abstract images with loose, gestural brush stroke |
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| Artists attempt to use minimums of mass in volume in space |
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| Captured the fleeting moments effects of light by painting in short strokes of pure color |
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| Portrayed modern machines and the dynamic chracter of modern life |
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| emphasized the constructive of form through collage |
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| Objects are analyzed and then reconstructed on the canvas |
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| Juxta position of areas of bright color unrelated to the objects they represent |
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| Emotional impact is achieved through agitated brushwork, inense coloration, and violent, hullicinatory imagery |
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