| Term 
 
        | What are the two standards for booking sessions? |  | Definition 
 
        | Hourly Blocks of Time and Lockouts. |  | 
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        | Term 
 
        | How long are hourly blocks generally booked for? |  | Definition 
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        | Term 
 | Definition 
 
        | A situation where a client books a room for a lengthy amount of time preventing another client from using the room.  Anywhere 3 days to 6 months is a normal time period |  | 
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        | Term 
 
        | What are some of the advantages to booking a lockout session? |  | Definition 
 
        | Artist can leave the studio and come back with the room how they left it.  It generally costs less than a day rate or hourly blocks of time |  | 
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        | Term 
 
        | What is the most common method of payment for label sessions? |  | Definition 
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        | Term 
 
        | When booking a cash session what does it take for it to be considered a hard booking? |  | Definition 
 
        | Half of the cost of the session up front |  | 
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        | Term 
 
        | What is considered when deciding which room to book a session in? |  | Definition 
 
        | The Amount of people in the room, the type of session being booked, How much equipment is needed, the style of music being produced |  | 
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        | Term 
 | Definition 
 
        | Documentation that logs the takes within each voice |  | 
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        | Term 
 | Definition 
 
        | Documentation that identifies the different parts of the song and the timecode that part starts at |  | 
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        | Term 
 | Definition 
 
        | Documentation that maps the inputs and instruments that are assigned |  | 
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        | Term 
 
        | Who is the only member of the session that logs an invoice? |  | Definition 
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        | Term 
 
        | What is the Assistant Engineers role in a Pre production session? |  | Definition 
 
        | Set up and breakdown.  Occasionally changing tape or setting up another pro tools session |  | 
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        | Term 
 
        | What is the Assistant Engineers role in a Tracking session? |  | Definition 
 
        | Instrument set up, Microphone set up, documentation, making patches, etc.  Most demanding session type for Assistants |  | 
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        | Term 
 
        | What is the Assistant Engineers role in a Overdub session? |  | Definition 
 
        | Same as tracking session on a smaller scale |  | 
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        | Term 
 
        | What is the Assistant Engineers role in a Vocal Overdub session? |  | Definition 
 
        | Labeling the desk and mic set up |  | 
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        | Term 
 
        | What is the Assistant Engineers role in a Mix session? |  | Definition 
 
        | Minor Equipment Set up and a bunch of time at the patch bay |  | 
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        | Term 
 
        | What is the Assistant Engineers role in a Recall session? |  | Definition 
 
        | Setting up the room referencing the recall pack |  | 
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        | Term 
 
        | When are technical difficulties the fault of the studio? |  | Definition 
 
        | When an equipment failure delays the session for more than 15 minutes (Downtime) |  | 
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        | Term 
 
        | When are technical difficulties the fault of the client? |  | Definition 
 
        | When the session start is delayed due to session materials not being delivered on time |  | 
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        | Term 
 | Definition 
 
        | Taking the best takes of each part of the song and combining them into a composite track |  | 
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        | Term 
 | Definition 
 
        | Mixing two or more seperate tracks on one track |  | 
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        | Term 
 
        | Define topping and tailing tape |  | Definition 
 
        | splicing leader tape to the begginning and end of the tape |  | 
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        | Term 
 | Definition 
 
        | Media that can be easily copied.  IE DATS and CD's |  | 
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        | Term 
 
        | What is the difference between a purchase order and an invoice? |  | Definition 
 
        | A purchase order promises the label will pay for a certain maximum amount of time and an invoice is the statement of how much time was actually used |  | 
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        | Term 
 | Definition 
 
        | Adjustment of tape recorder electronics to recieve the best possible performance for the tape being used |  | 
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        | Term 
 | Definition 
 
        | Recording timecode on the tape |  | 
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        | Term 
 | Definition 
 
        | The end of the tape is the side hanging out when the tape is stored |  | 
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        | Term 
 | Definition 
 
        | Stereo mix of the first reel is added to tracks one and two of the second reel |  | 
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        | Term 
 | Definition 
 
        | When a tapew is cut in half to record a 48 track session |  | 
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        | Term 
 | Definition 
 
        | Massaging the sound into a complete stereo image |  | 
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        | Term 
 | Definition 
 
        | A mixdown with different edits or parameters than the final mix |  | 
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        | Term 
 | Definition 
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        | Term 
 | Definition 
 
        | track 24 where the SMPTE is printed |  | 
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        | Term 
 | Definition 
 
        | Track next to SMPTE track to prevent tape bleed into the SMPTE Track 23 |  | 
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        | Term 
 | Definition 
 
        | Designated start time of a session |  | 
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        | Term 
 | Definition 
 
        | When a session is delayed more than 15 minutes due to technical failure, the client is not charged for this time |  | 
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        | Term 
 | Definition 
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        | Term 
 | Definition 
 
        | When information on Analog tape is transferred to adjacent tape |  | 
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        | Term 
 | Definition 
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