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| struggle between opposing forces |
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| between character, outside force, nature, society, and fate. |
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struggles with opposing feeling
man vs. himself |
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| shows what happens to the characters |
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relationship of narrator to story
-1st person, 3rd person limitied, 3rd person omnicient |
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message conveyed to reader
-stated and implied |
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-contrast between appearance and real life
situational irony, dramatic irony, verbal irony |
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| to show or indicate something beforehand |
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| language that doesnt mean exactly what you say |
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| different sections of play |
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center on religious or supernatural material
-no dates |
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more historically based
-dates
-may be exaggerated |
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| stories told generation through generation |
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| realism, twentieth century, absurd |
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tragedy-inner struggle that leads to the downfall or the main character
drama-generic-entire body of theater, specific-a problem play
comedy-human failings and mans relationship to society using humor
farce-anythings goes as long as its funny
melodrama-exaggerated form designed to shock the audience |
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| words, phrases, or sentences that show the relationship between or bridge ideas |
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| Interlopers-main characters |
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Saki
-olric gradwitz, georg znaeym |
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| A sound of thunder-main characters |
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ray bradbury
-eckels, mr. travis, mr. davis |
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| appetizer-main characters |
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robert h. abel
-narrater, mr. bear, ms. bear |
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| contents of a dead mans packet-main characters |
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| catch the moon-main characters |
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judith oritz cofer
-naomi, luis, mr. cintron |
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| everyday use-main characters |
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alice walker
-maggie, mother, wangero, hakim-a-barber |
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