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        | refers to the surface quality of things. It makes objects appeal to our sense of touch and sight. |  
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        Tactile Texture   and    Visual texture (or Implied Texture)  |  
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        Definition 
        
        Our appreciation of the environment comes not only from visual but tactile perception or SENSE OF TOUCH     (pictures of hands touching another hand, hand touching rocks, photo of just rocks.)  |  
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        | Tactile Texture in Art and Design |  
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        -Textile and apparel -ceramics -wood -metal -folk art -interior -landscape     Impasto -impressionism   Collage -hand cut and paste collage   Assemblage -installation -site specific installation      |  
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        We experience an illusion or impression of real texture through its visual representation   Much of how we appreciate visual texture is how we remember our own haptic experience  |  
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        Term 
        
        | Visual Texture in Art and Design |  
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        Definition 
        
        Painting (Trompe l'oeil technique) Wood or Lino Cut Printing and Dyeing Photography Faux Finish Computerized Collage  |  
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        | Words to Describe texture |  
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        Definition 
        
        | smooth, rough, refined, shiny, dull, glossy, matte, sheen, iridescent, lustrous, sheer, bumpy, crude |  
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        the shape, depth, contour or color of a texture can be perceived through the way light falls on the surface   "Reflected light"  |  
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        | 3 Types of ways light falls on the surface |  
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        Definition 
        
        1. Reflected Light 2. Refracted Light 3. Diffused Light  |  
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        -Pattern in nature and art -pattern/repetition and rhythm -specific terms relating to patterns -pattern networks and the basic grid -variations of the basic grid    |  
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        | from the repetition of line, shape, size, color and value which have predictable rhythmic effect |  
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        | while repetition creates structure, rhythm gives life and movement to pattern |  
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        -regular -irregular -random  |  
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        Repetition Structure *Regular repetition*  |  
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        -simple repeat -alternate repeat -inversion repeat -gradation/progression repeat    |  
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        Term 
        
        | Repetition Structure in Pattern Design |  
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        Definition 
        
        When unit forms are repeated at regular intervals with an equal amount of space surrounding each of them, they may be said to be in a "repetition structure" The repetition structure is formal and is the simplest of all structures. It is particularly useful in the construction of all-over pattern.  |  
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        Term 
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        | a design composed through the repetition of visual elements and attributes within a single composition. |  
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        Term 
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        | the unit that gets repeated |  
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        | can produce different visual effect to the whole pattern |  
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        Super motif   again... not motive...  |  
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        Definition 
        
        | a single unit that is repeated in four-fold symmetry the form a new combined motif |  
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        | the lines of one shape form the boundaries of another usually through alternating the color |  
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        -units repeated in a visible grid -some may be in an invisible grid (shape bound)  |  
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        | each row of structural subdivisions can slide in either a horizontal or vertical direction |  
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        the vertical or horizontal lines or both can be tilted in any direction   (Diamond Pattern)  |  
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        the set of vertical or horizontal lines are regularly curved into the same size and shape   (Scale pattern)  |  
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        the tilting of the direction of the structural lines and then subdividing  |  
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        | The combining of adjacent spatial units of a triangular grid |  
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        The element of space   2-D space  |  
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        -a two- or three- dimensional area defined by visual elements -defined as a flat plane with only length and width -depth is created through illusion  |  
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        | Actual Three-Dimensional Space |  
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        Definition 
        
        -boundless and limitless in all directions -In design, we refer to 3-D space as the environment or building interior  |  
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        Definition 
        
        | As white light travels through the prism, the light bends and the colors spread out |  
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        | the ultraviolet radiation itself is invisible to the human eye, but illuminating certain materials with UV radiation prompts the visible effects of fluorescence phosphorescence. |  
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        Definition 
        
        Infared has a longer wavelength than red. Red is a long wavelength.... Violet is the shortest wavelength  |  
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        | Color perception results from a system of phenomena |  
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        | The color seen in an unaffected setting under a balanced light source |  
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        | Our perception of the color of objects remains relatively constant under varying illumination conditions. |  
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        Definition 
        
        | The colors that reflect from surfaces of natural and man-made objects come from pigments or chemical compounds |  
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        | Additive Color Theory = RGB |  
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        Definition 
        
        [image] when all three primaries are added together, they produce white.   These are the "additive" combinations: Red + Green = Yellow  Red+ Blue = Magenta  Blue + Green = Cyan     |  
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        used for sharp central vision (reading, watching tv, driving)  |  
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        Subtractive Color Theory   Physicist Color Theory CMYK  |  
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        Definition 
        
        [image] used in color printing in the middle, black is created  |  
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