| Term 
 | Definition 
 
        | "Nude Descending the Staircase" Duchamp Dadaism 1912 |  | 
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        | "Danseuse" Edgar Degas Impressionism 1874 |  | 
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        | "The Scream" Munch Expressionism 1893 |  | 
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        | "Raft of Medusa" Gericault Romanticism 1819 |  | 
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        | "Starry Night" Van Gogh Post-Impressionism 1889 |  | 
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        | "Aldobrandini Madonna" Raphael High Renaissance 1510 |  | 
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        | "Munich-Schwabing with the Church of St. Ursula" Kandinsky Abstract Art |  | 
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        | "Nostalgia of the Infinite" de Chirico Surrealism 1913 |  | 
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        | "Ruins of a Temple (Detail)" Bellotto Rococo 1767 |  | 
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        | "Lavander Mist" Pollock Abstract Expressionism 1950 |  | 
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        | "American Gothic" Wood Realism 1930 |  | 
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        | "Marilyn" Warhol Pop Art 1967 |  | 
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        | "The Slave Ship" Turner Romanticism 1840 |  | 
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        | "Sunday On the Island of Le Gran Jatte" Seurat Post-Impressionism 1866 |  | 
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        | "Le Moulin de la Galette" Renoir Impressionism 1876 |  | 
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        | "The Departure of the Folkestone Boat" Manet Realism 1869 |  | 
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        | "Liberty Leading the People" Delacroix Romanticism 1830 |  | 
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        | "The Calling of St. Matthew" Caravaggio Baroque 1600 |  | 
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        | "The Last Supper" Leonardo da Vinci High Renaissance 1498 |  | 
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        | "The Conversion of St. Paul" Caravaggio Baroque 1601 |  | 
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        | "Mona Lisa" da Vinci High Renaissance 1505 |  | 
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        | "The Broken Column" Frida Kahlo Surrealism 1944 |  | 
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        | "March Snow" Grabar Post-Impressionism 1909 |  | 
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        | Someone's interpretation of reality manifested in a medium and shared with others |  | 
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        | the aspects of culture that look into what it means to be human |  | 
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        | A long, thin mark, a color edge, or an implication of continuation |  | 
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        | A type or genre; the shape, structure, configuration, or essence of something; the organization of ideas in time or space |  | 
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        | in painting, an opaque watercolor medium, referring to ground pigments and their color binders such as gum, glue, or egg |  | 
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        | a painted, drawn, or sculpted freeform or design suggestive in shape of a living organism, especially an ameba or protozon |  | 
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        | The use of light and shade to develop 3D form; dark subjects with dramatic lighting from a single unseen source |  | 
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        | the subtle and minute graduation of tone and or color used to blur or veil the contours of a form in painting; "Mona Lisa" |  | 
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        | Printmaking process in which ink is transferred from the grooves of a metal plate to a piece paper by extreme pressure. It includes engraving, etching, and drypoint |  | 
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        | Saturation: The amount of white in a hue; the more white, the less saturated the hue Intensity: purity of the hue |  | 
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        | "trick the eye" in French; 2D art that appears to be 3D when viewed |  | 
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        | the range of tones from white to black |  | 
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