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| the natrue and judgement of art; the study of beauty |
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| the pioneers of innovators in any art |
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| shallow sculpture on a background |
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| little or no referenct to objects in nature |
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| of the Eastern empire (Constantinople) 6th to 8th C AD; early Christianity |
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| with restraint, rationality and use of strict forms in art, idealized, as in ancient Greece and Rome |
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| the notation and recording of dance steps |
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| a place of religious seclusion and contemplation |
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| the breaking up and fracturing of images toe be used in a new context |
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| 2 paneled altarpiece or secular painting |
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| art that is impulsive, emotional, distorted and personal |
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| a thin transparent coating over underpainting |
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| an image taht is an object of worship |
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| the representation of things according to a preconceived ideal |
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| mid 19th cent. realism concerned with the diffusion and effects of light on color |
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| the material with which an artist works |
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| the ancient Near East, example Sumeria |
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| a figure of speech to ipart an implied comparison |
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| medieval or dark ages, the period between ancient and modern times |
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| reductive, austere, impersonal, totally non-objective |
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| the building up of 3 dimensional forms in clay, stone or wood |
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| small squares of stone embeded in mortar to creat an image |
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| a recurrent theme used in the development of an artistic work |
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| a large painting done on a wall |
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| any real or fictional story, a recurring theme somtimes common to many cultures, often achieving status of legend and tradition |
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| close adherence to appearance of the natrual world |
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| without any hint of recognizable imagery |
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| those culture not associated with European influence and tradition |
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| a board on which painters hold and mix their paint |
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| the technique for representing space and 3 dimensional objects on a 2 dimensioanl surface |
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| the colored substance found in paint |
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| painting ans culpture rather than literature and music |
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| celebration of the everyday object |
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| red, yellow and blue, from which all other hues are made |
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| untutored or not in the Western tradition |
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| are that represents natrue without idealizing it |
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| the projection of a shape from the background on which it is modeled |
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| cultural rebirth in Europe |
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| dramatic, theatrical, emotional |
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| free standing forms (3 dimensional) |
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| concerned with the affairs of this world, not sacred or religious |
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| subject matter in painting |
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| portrait, landscape, still life, narrative, non-objective |
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| a manner or treatment which is representative of a civilizations or individual |
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| dream imagery (the unreal made to appear real) |
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| balance of forms around a central axis |
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| a wall hanging woven and stiched with thread or fiber to create a scene or decoration |
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