Post-Modern

Expressive Stylization (music, choreographed image, calls attention to how movie is made. Not high-tech because of the failure of the shark) 

Modern or Post-Modern (Nothing really happens in movie, just about moral values

Psycho/Sociological Realism  (nitty gritty, about the  interior of the man, had method acting, accents, about high and low culture, deglamorizing costume, about work, more about character than plot)

Post-Classical (Demyth of classical genre)

Psychological/Sociological Realism (nitty gritty, deglamorized character, emphasis on character, emphasis on class differences, speech very telling)

Post-Modernist (Has ending)

Social Realism (trying hard to create real life, man against social institutions, cynical, commentary about society, common man protagonist, ) 

Classical (Typical example of hero, pretty girl)

Hollywood Classical Realism (immersing spectator in characters, life is idealized and larger than life, young and beautiful characters, good vs. evil and good triumphs, all societal or sociological tensions are eventually smoothed over, heterosexual romance)

Post-Modern

Expressive Stylization (different ways of telling the story: episodic, thematic use of color, awry/split/secentered framing, crazy camera motion, handheld camera, modern and eclectic music, heavy awareness of spectator that it is a film, makes you notice or appreciate film as medium)

Post-Classical and Modernist (cusp of both, not a real ending)

Hollywood Classical Realism (about immersion of the spectator in the character and realness, protagonists are pretty, heterosexual, triumph of good vs. evil, disruptions are eventually smoothed out, ending is upbeat and happy)

Expressive Stylization (some choreographed passages, specific scoring and source music)

Post-Classical

Expressionist (focuses on inner-feelings, subjective states, interiority, personal reality, visual design used to draw viewer to mind, about psychological breakdown, subjective and intense lighting, puts the camera inside Mary)

Post-Classical

Documentary Realism (like it's depicting "real-life" events, nitty gritty subject matter, aimed to portray police work just like it really happens, audience learns how drugs are really smuggled, shot on location, deglamorized, available light, no score)

Post-Classical and Classical (The ending is classical)

Documentary Realism (although fiction made to look like non-fiction, shot on location in washington, about human reaction to one subject matter, emphasis on tv news reels and radio, interviews, attempt to teach)

Classical

Social Realism (focus on individual against social institutions, cyical attitude)

Psychological/sociological realism (emphasis on character, gender)

Post-Classical

Expressive Stylization (different ways of telling story: flashback, extravagant lighting, intense music)

Modernist

Expressive Stylization(thematic use of color, available light, focus on off-screen space, subjective shots, long-takes, intense scoring, awareness of film as art)

Post-Modernist

Psychological/Sociological Realism (emphasis on character-mostly the inner psychy of Barbara, about class and gender, method acting, deglamorizing character costume and makeup)

Post-Classical

Expressive Stylization (they break into song and dance, something that isn't normal, calling attention to the fact that it's a movie, emphasis on the scoring, cinemascope, choreographed passages) 

Classical

Social Realism (biography, tries to erase the fliming techniques, emphasis on individual within social institutions, common man as protagonist, ordinary "man-in-the-street" looks) 

Modernist (Social critique, no real plot, more about character)

Documentary Realism (emphasis on news articles, objects that a person owned, interviews, attempt to teach and not just enlighte)

Expressive Stylization
(different ordering of stories: episodic, interview-based, thematic light  and music)