Term
|
Definition
| Cinematography/Editing (Soviet montage) |
|
|
Term
|
Definition
| Sound, offscreen space, graphic match, camera angles |
|
|
Term
|
Definition
| Continuity editing, music, blocking, lighting |
|
|
Term
|
Definition
| Deep focus, triangle blocking, low camera angles, fetishes, non-diegetic insert, Oedipal structure |
|
|
Term
|
Definition
| The abyss of desire, film noir, supermarket scene |
|
|
Term
|
Definition
| Italian neorealism/neutral transparency, back and forth movement |
|
|
Term
|
Definition
| The signifier and signified, myth of spontaneity, myth of integration, musical as a ritual that involves celebration of shared beliefs and values |
|
|
Term
|
Definition
| POV shots/subjective camera, abyss of desire, feminism |
|
|
Term
|
Definition
| Against Hollywood conventions, graphic matches |
|
|
Term
|
Definition
| Static shot/staring/long shots, shooting through frames, sound |
|
|
Term
|
Definition
| Mise-en-scène, seedy underbelly |
|
|
Term
|
Definition
| Not cinema-verité, people turn into characters |
|
|
Term
|
Definition
| Moving camera, binary oppositions, narrative structure |
|
|
Term
|
Definition
| Mise-en-scène, absence of organizing structures, cartoon/comic book cinematography |
|
|