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        | 1st century. Greek. Hymn composer. |  
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        | 16th century. German. Composed hymns that inspired the development of congregational singing within Christianity |  
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        | 16th century. German. Hymn text writer. |  
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        | 16th century. German. Hymn text writer. |  
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        | 16th century. French. Poet who began translated the Psalms, worked for Calvin. |  
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        | 16th century. French. Finished translating the Psalms and finished the book started by Marot. |  
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        | 16th century. French. Composer who wrote “Old 100th”. |  
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        | 16th century. English. The editor of text of the first English metrical version of the Psalms ("Old Version"). |  
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        | 16th century. English. Editor of music that worked with Sternhold on the first English metrical version of the Psalms ("Old Version"). |  
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        | 17th century. English. Author, who promoted the introduction of hymn singing in the Baptist churches, also wrote about hymnody. |  
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        | 18th century. English. The first prolific and popular English hymn writer and composer. |  
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        | 18th century. English. Hymn writer and composer. |  
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        | 18th century. English. Hymn text writer, wrote "Amazing Grace". |  
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        | 18th century. English. Mystical hymn writer. |  
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        | 19th century. English. Translated Latin hymns into English. |  
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        | 19th century. English. Translated German hymns into English. |  
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        | 19th century. English. Composer and collector of English folk music and song. |  
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        | 20th century. English. Hymn composer. |  
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        | 20th century. English (but born in the Netherlands). Hymn composer. |  
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        | 20th century. American. Hymn composer. |  
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        | 20th century. American. Hymn composer. |  
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        | 20th century. American. Hymn tune composer. |  
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        | 18th century. American. Hymn tune composer. |  
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        | 18th century. American. Hymn tune composer. |  
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        | 19th century. American. Composer, wrote about hymnody and wanted to teach everyone about music. |  
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        | 19th century. American. Publisher of hymn collections. |  
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        | 19th century. American. Gospel singer and composer. |  
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        | 19th century. American. Lyricist of gospel songs. |  
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        | 19th century. American. Tune composer for Crosby’s hymns. |  
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        | 19th century. American. Composer. |  
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        | 20th century. American. Publisher and served on the committee that created the 1982 Episcopal hymnal, hymn writer. |  
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        | 20th century. American. Hymn writer. |  
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        | 20th century. American. Hymn lyricist and author. |  
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        | Hymn based on New Testament canticle |  
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        | “While Shepherds Watched Their Flocks” |  
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        | “O Come, O Come, Emmanuel” |  
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        | “O for a Thousand Tongues to Sing” |  
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        | “God Moves in Mysterious Ways” |  
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        | Hymn form the Oxford Movement |  
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        | “All Glory, Laud, and Honor” |  
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        | Hymn tune from the Victorian Era |  
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        | Hymn tune by Oliver Holden |  
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        | Hymn tune by Lowell Mason |  
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        | English translation of a German hymn |  
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        | “Spread, O Spread, Thou Mighty Word” |  
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        | English translations of a Latin hymn |  
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        | “Jesus, the Very Thought of Thee” |  
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        | Hymn about the Holy Spirit |  
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        | "Come, Holy Spirit, Dove Divine" |  
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        | The first book printed in British North America. The book is a Psalter, first printed in 1640 in Cambridge, Massachusetts. The Psalms in it are metrical translations into English. |  
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        | Musical Characteristics of American folk hymn tunes |  
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        | simple language, ballad form, and country colloquialisms. |  
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        | wrote the first collection to include tunes for folk hymn, United States’ Sacred Harmony. |  
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        | principle leader in the Regular Singing movement; wrote Introduction which went through 11 editions and was frequently bound with the Bay Psalm Book |  
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        | wrote “Shine, Jesus, Shine” in American pop-hymn style and gained worldwide popularity, was British |  
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