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        | The basic element in any artwork. |  
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        | Created through shading to give things dimension. |  
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        | A composition is made up of various shapes, both negative and positive. |  
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        | Has to do with how much black white or gray is in a color. |  
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        | Texture is used to make a flat surface look more realistic, like something you want to touch. |  
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        | What the artist uses to create moods or ideas. |  
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        | When the right and left side of the art piece looks the same, it is considered to be symmetrically balanced. |  
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        | Has been created if one's eye moves freely through the composition. |  
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        | When an element of design is repeated, it creates a pattern. |  
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        | Concerned with the sense of wholeness which results from the successful combination of the component elements of an artwork. |  
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        | When dark areas are next to light areas, this creates contrast. |  
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        | Has to do with the inclusion of differences in the elements of a composition to offset unity. |  
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        | When a very dark area is next to a white area, it creates a focal point. |  
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        | In the visual arts, color theory is a body of practical guidance to color mixing and the visual impacts of specific color combinations. |  
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        | The name of a color ie: Yellow is a Hue. |  
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        | The brightness or saturation of a color. Intensity can be lessoned by adding a complimentary gray to it. |  
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        | Red, Yellow and Blue-from these colors, all other colors are created. |  
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        | Orange, Green and Purple (violet). These colors are formed by mixing two primary colors together. |  
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        | Formed by mixing a primary and secondary color together. |  
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        | Colors directly opposite on the color wheel (used to lessen the intensity of a color). |  
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        | Hues containing Red, Orange or Yellow (like the sun). |  
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        | Hues containing green, blue and violet (like the ocean). |  
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        | The uniform color of objects when they are hit by white light. |  
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        | Paintings with dominant light values. |  
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        | Paintings with dominant dark values. |  
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        | Technique of painting the pigments pre-mixed, flat and crispy onto the canvas or painting. |  
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