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| an accurate estimate of a prospective audience is essential for the development of workable funded projects and marketable media ideas |
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| age, gender, income, education, religion, culture, language |
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| taking the production through a broker to the consumer or wholesale |
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| taking the production to the consumer or retail. |
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| coming together of previous technologies. example computers and tv |
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| Sending audio and video signals to home receivers through the airwaves. |
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| Sending audio and video signals from satellite dish(es) to the home. |
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| Sending audio and video signals via Web Sites to the home through internet connections. |
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| Sending audio and video signals from a satellite to the home. |
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| Household using television |
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| Media/productions that are distributed to and exhibited in theaters and educational institutions. |
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| non-theatrical distribution |
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| Media/productions that are distributed and exhibited in homes on personal viewers, Computers, Televisions, Cell Phones, MMD’s. |
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| treatments, scripts, and budgets |
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| brings together the audio and visual elements of production and smoothes out all the rough edges |
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| producer, director, and talent |
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| Technical Director, Stage Manager, and Camera Operator |
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| communicating with pictures and sounds |
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| waging a successful argument |
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| feelings and thoughts toward a person, object, event or idea |
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| creates and sustains the illusion of reality |
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| self-expression, form and techniques are central, subjectivity |
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| beyond modernism, a menagerie of styles and techniques, no one controlling presence, who are we… |
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• Marketable package
• Goals and objective of the project
• Researching
• Audience analysis
• Audience demographics |
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• A document designed to help raise money
• Opening statement of purpose
• Budget and schedule
• Information on the Audience
• Summaries of the involved personnel |
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• Provides schedules
• Budgets
• Base on settings and locations
• Scheduling |
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• Above the line costs
• Below the line costs
• Total Running Time-duration
• Shooting ratios medium shot to used |
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| a script is a production _______________ |
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| a script must be _________ |
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| novelistic or journalistic |
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| "what if" a simple idea or concept |
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| 1 or more paragraphs that describe the story |
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| develops the plot and characters |
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| third person narrative summary of story |
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| Full page master scene script |
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• Single Column both visuals and audio
• Organized by scenes |
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• Two Columns
• One side visuals the other audio |
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| Semi-scripted two columns |
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| • Rundown Sheet or outline of a show from start to end |
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| actions performed by actors |
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Starts with powerful images or words
• The main plot is introduced and limited |
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The first turning point
• Subplot development
• Secondary character development |
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Sense of urgency
• Build to the climax |
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• Crisis or crises
• Progression of complications |
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• Resolution
• Overcoming the conflict |
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| Characters can be revealed through 2 primary vehicles: |
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| a relatively faithful translation of a play, short story, a novel, or even a comic strip into a film or television program |
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| • Difference between real and screen time |
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| • Difference between historical and screen chronology |
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• How something is presented
• Objective vs. subjective |
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| emotional, ethical, demonstrative |
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| informative and persuasive |
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| Nonfiction scriptwriting is ______________ and ______________ |
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