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| the combo of two halftone reproductions with different from than the same single color orgional |
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| represents the range of variations of a color combo such as RGB or CMYK |
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| slope of colors that can be reproduced by a display or output device, or by primary color system (RGB CMYK) |
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| distribution of colors within the entire image which can be used in a variety of software |
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| Name three color books, why do we use them? |
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| Pantone, Trumatch, Toyo. insure color accuracy and consistency |
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| conversion of visible light into a different form of energy as it interacts with matter |
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| RGB colors that are used on computers |
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| CMYK 4 processing colors used in printing |
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| measure of how large the color range of a monitor is |
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| computer process that selects the best pieces of capture data for representation |
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| process of reducing an image using a series of various sized dots within a fixed space |
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| a pattern of horizontal or vertical lines that occurs in solid colors, continuous tone tints |
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| High quality positive color film that is used by professionals ( 2 1/4" by 2 1/4") |
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| software/hardware that coordinates color match between a two digital devices |
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| a digital color processing tool for converting color from color space or device to another |
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| an image comprised of a collection of pixles arranged in a rectangular array |
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| uses points, lines, polygons, ect to make up a mathematical description of the graphic |
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| addition of a black layer to the process colors CMY when converting an RGB to CMYK |
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| Simulates color variations or shades of gray by varying the sizes and shapes of pixel groupings |
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| closed vector path, cuts out 2d image in editing software, anything inside the path is included |
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| File compression that loses info each time an image is saved |
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| lightest one seen in an image, all values paler than this threshold appear as white |
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| contains color components of a layer, RGB (3) or CMYK (4) |
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| Next wave of color demand, consults on everything (hair color, flowers, appliances, buildings, ect..) |
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| the ability to detect different wavelengths of light |
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| the point of which an individual can no longer detect a difference between two close samples |
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| According to Munsell is the relative degree of light and dark in a sample |
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| operates in two strategies dark to light or light to dark |
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| the lowest possible value |
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| the midpoint between black and shite |
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| a series of progressive intervals creating a seamless transition between value differences |
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| refers to hue intensity or the contract between dull and vivid |
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| Value is described in two forms:arithmetic series consisting of even intervales and Geometric series consisting of alternating intervals or steps |
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| creates a sense of sparkle, chroma, or brilliancy, to a composition, values ranges from 1-10 to obtain vividness |
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| features extremely dark shades of gray ranging from 5-10 or 6-10 |
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| Restricted to middle gray values ranging from 1-15 gradations. this gradual spreading of values creates a subtle effect that tends to glow. the center field recommends a #5 value |
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| describes a general lightness in the tonal expression of a design. stresses light gray series. value ranges from 1-3 creates a sense of mistiness and overall softness. a darker gray can be introduced for contrast (#5) value for the center field |
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| Joint photographic group, contains lousy compression squeezes into smaller files |
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| tagged image file format, stores images in both GB and CMYK |
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| Photoshop Doc, native file format for Adobe PS |
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| Portable Doc Format, captures all elements of a printed doc |
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