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| european enclaves (surat, bombay, calcutta, madras) |
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| 1757: Bengal ruled by Nawab who was pissed at England because factory was getting too much power. He attacks Calcutta. British succeed in bribing Nawab and then execute him. End of independent bengal. Shift into colonialism |
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| grant of the diwani of bengal |
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| 1765 - when british began picking rulers. Diwani becomes governship |
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| indian artists adapting to new patrons - scientific drawings of botany, architecture, indian pop. 2 of each. want british to know their india. |
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| prestigious rank- highest. use style to depict contemporary events |
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| the indian rebellion or mutiny of 1857 |
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| led to dissolution of british east india co. indian soldiers in army against treatment - leads to civilians who didnt ant to be treated badly. |
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| no company, british crown rules. british self conscious about being universal rulers, want to be next mughal empire (continue it) |
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| elaborate military parades. expensive. occurs when power cracks in india b/c it's an attempt to show power |
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| 1848-1906. wealthy, told not to be an artist. he was self taught. angel told mom when pregnant. first modern artist. professional, not trained labor. operated like a business. portraits of wealthy/powerful artist as labor - artist as aristocratic. ethnographic: indian women, god portraits |
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| 1871-1951 founded bengal school and swadeshi |
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| 'own goods' economic boycott |
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| make your own cloth, don't import cheap labor |
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| (calcutta) watercolor washes- does not mimic western art. all students became teachers, style spread. |
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| 'gentlemen' upper middle class who critiqued british when talked about equality. western education responsible for flowering literature and arts |
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| 'gentlemen' of the bengali renaissance |
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| East vs. West (Bengladesh). dont divide but also move capital to delhi so they look like they still have authority. |
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| in delhi, the grand boulevard (kings way) |
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| built the viceroy's house (mimcs stupa and white house). the delhi project was to blend indian and british architecture to make selves relatable |
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| built the 2 twin secretary buildings, lutyens did not like them, thought he should be only one |
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| region controlled by sikhs (divided into pakistan and india later) |
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| period of the 10 living gurus |
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| golden temple in amritsan |
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| 'there is no hindu, there is no muslim' . established some of the fundamental institutions of sikhism. |
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| pictures of the guru life |
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| 10th guru who founds the Khalsa in 1699 |
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| golden temple in amritsar |
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| the five beloved ones, the first volunteers initiated into the khalsa |
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| indian army going into the golden temple to get rid of some man with weapons |
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'factory of the dutch east india co in bengal' by a visiting dutch artist
1665
patroned by an employee of the dutch trading co in india |
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'lord clive meeting mir jafar, the new Nawab of Bengal, after the Battle of Plassey' by Francis Hayman
1761-2
EIC |
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'lord clive receiving form the mogul the gran of the diwani of bengal'
by benjamin west
1795
lord clive |
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natural history drawings (co paintings)
'a custard apple plant' 1785
a branch of a mango tree' 1780
unnamed artists in calcutta
EIC |
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'the taj mahal' from 'fifteen drawings mughal monuments' (co paintings0
unnamed artist in delhi
1820
eic |
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'a volume of 30 folios depicting castes and occupations':
'three religious mendicant couples'
'a textile craftsman and his wife, a basket weaver and his wife'
unnamed artist in tanjore
1830
EIC |
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'portrait of hte nizam of hyderabad'
by raja ravi varma
1902
oil on canvas |
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'lady in moonlight'
raja ravi varma
1899
oil on canvas |
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'saraswati'
raja ravi varma
1875
oil on canvas
oleograph done in 1890 |
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'damayanti and the swan'
raja ravi varma
1899
oil on canvas
1910 matchbox cover |
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'bharat mata'
by abanindranath tagore
1905
watercolor on paper |
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'diwali'
abanindranath tagore
1903
watercolor on paper |
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'sita in captivity in lanka'
by abanindranath tagore
1907
watercolor on paper |
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'parthasarathi'
by nandalal bose
1912
watercolor on paper |
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'the all india war memorial'
sir edwin lutyens
british colonial government
1911-1931
new delhi |
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| the raj path with india gate in the distance |
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'the raj path with india gate in the distance'
sir edwin lutyens
the british colonial govt.
1911-1931
new delhi |
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'the viceroy's house'
sir edwin lutyens
the british colonial govt.
1911-1931
new delhi |
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'one of the twin secretariat buildings'
herbert baker
british colonial govt.
1911-1931
new delhi |
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'plan of chandigarh, the new capital and planned city of indian state of punjab'
1951-1963
le corbusier
the indian govt. |
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'the high court, chandigarh'
1951-1963
le corbusier
the indian govt. |
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'the secretariat, chandigarh'
1951-1963
le corbusier
the indian govt |
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'the assembly, chandigarh'
1951-1963
le corbusier
the indian govt |
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| flat picture of 2 guys sleeping |
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'guru nanak sleeping in the mosque at mecca'
(ex of janamsakhi painting)
late 18th C
artist unknown |
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| guru nanak meets the mughal emperor babur (janamsakhi painting) |
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'guru nanak meets the mughal emperor babur'
late 18th c
artist unknown |
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| 'guru gobind singh seated in majesty' |
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'guru gobind singh seated in majesty'
artist unknown
earlyh 19th c |
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| from guru nanak to guru gobind singh the 10 soverigns' |
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'from guru nanak to guru gobind singh the ten sovereigns'
early 19th c
artist unknown |
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'the golden temple'
16th c to present
in Amritsar |
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'a shrine reborn' series of photographs
Raghu Rai
1985 |
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'nineteen eighty for'
by amrit and rabindra singh (the singh twins)
1998 |
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