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| Thomas Edison invented... |
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| a box that showed moving images invented by Thomas Edison |
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| The Kiss; Serpentine Dancersl; Sandow the Strong Man |
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| First to project films onto a screen |
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| Films by the Lumiere Brothers |
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| Exiting the factory; Arival of a Train; baby's lunch; watering the gardner |
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Industrialized mode of Representation
1.) Spectator is put inside the action of the Movie
2.) Films are made for the spectator to be a middle class, straight, white male |
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Primitive mode of Representation
Spectator is outside the action of the film and views the movie like a play |
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Birth of a Nation
First feature length film |
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| First Hollywood Sound Movie |
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A film meaning comes from what shots are juxtaposed against eachother |
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| Eisenstein came up with the |
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| Theory of Montage or Collision Montage |
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| Theory of Montage or Collision Montage |
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Concrete Image + Concrete Image = Abstract Idea
Crested by Eisentstein |
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| Deep focus Cinematography |
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| Deep Focus Cinematography |
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meaning comes from long drawn out shots where the viewer can see all character of their surrondings
Created by Bazin |
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| Reasons why people stopped going to the movies in the 1950's |
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1.) Television
2.) Recreational activites
3.) People moved to the suburbs and away form theaters |
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| Ways Hollywood tried to bring people back to the theaters |
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1.) Drive-ins
2.) 3-D
3.) Big Bibical or Historical Spectacles
4.) Widescreen |
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1.) Cineroma
2.) Cinemascope
3.)Todd AO |
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| Three cameras put side by side by side |
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| A refractive lens enlarges a squished image on a reel |
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| enlarged the regular 35mm reels up to 75mm |
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For a more artistic feel, the most important images are placed in the 1/3 lines in the shot |
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| The area of the screen that attracts the spectator's attention due to form |
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| The area of the screen that counter balances the Dominant Contrast |
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| Area of the screen that attracts the spectator due to the importance in the story |
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| creates 400 Blows and launches the French New Wave |
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Everyday Situation
No big name Stars
No fake Sets |
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1.) The director is the author of the film
2.) All director's films have a unity of theme and film language |
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| Everyone is the Author of the film |
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| Effects of the Auteur Theory |
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1.) The director starts to have fans
2.) Reverse many critical judgments against directors who have been ingnored |
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| 60's flims go two directions |
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| 70's films go to directions |
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1.) Loss of Hope 2.) Chance for hope |
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Movies first come out in NY and LA.
Then bigger Cities
and finally maybe smaller towns |
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| Releasing all over the country in all types of theaters |
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1.) Young hero leavs home 2.) tutroed by a wise old man 3.) conquer evil within himself 4.) Atonement with his father 5.) Hero returns home and creates slavation |
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| Sync Sound and Non-Sync Sound |
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| Sync sound is sound that is recorded with the image |
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| Crestes the post-production Sounds |
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| Diegetic and Non-diegetic |
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A diegetic sound is a sound that in the film or the characters in the film can hear it |
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| how things are arranged in the frame |
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| Hollywood 3 point lighting |
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| Lighting that takes all shadows off the face of the characters. Uses fill light, back light and key light |
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| Sperates character from background |
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| Takes the shadows of the sides of the face |
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| The way things are arranged in a frame to create meaning. Includes: costumes, sets, colors, shots, |
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