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        | -dominated teacher training and influences current thinking and practice with respect to early childhood art.     |  | 
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        | Term 
 
        | Discipline-Based Art Education (DBAE): |  | Definition 
 
        |     -comprehensive approach to instruction and learning in art, developed sure to, provide experience with , and acquire content from several disciplines of knowledge : art making, art criticism, art history, and aesthetics.   -education in these disciplines contributes to the creation, understaning, and appreciation of art, artists, artistic processes, and the roles and functions of art in cultuires and societies.  |  | 
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        | Term 
 
        | 1. sensory experiences 2.aesthetic experiences 3. time, space, and materials for making art 4. an introduction to the world of art, artists, and a variety of art forms and styles.   (first three componments should be emphasized during early years) but the four componments are interrelated   Ex: making art is dependent on sensing and experiencing  |  | Definition 
 
        | What to include in an early childhood art program? |  | 
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        | Term 
 | Definition 
 
        | -children do not create in isolation -art originates from something personally experienced, an idea, an object of importance, an event, a feeling, or a person   ex: painting scenes from a farm experience taking  field trip to the farm allows new content   -encourage parents to take their children out |  | 
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        | Term 
 | Definition 
 
        | -study of beauty in color, form, and design -human need to make sense of one's self -can be found in nature -children can appreciate and have beautiful experiences -not confined to interior environment -beauty abounds in nature and the community |  | 
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        | Term 
 
        | Time, Space, and Materials for Making Art |  | Definition 
 
        | -teachers can encourage children to give artistic form and substance to their ideas,urges, wishes, and dreasms, fears, or interest -practice deciding what to create   -over time children practice deciding what to create and learn to focus their attention and that of others in a specific area |  | 
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        | Term 
 
        | An introduction to the world of art |  | Definition 
 
        | -Art is a basic human need -ppl make art to reflect and symbolize -children are active makers of images, and feel connected to artists whom they see as trying, as they do, to do a good job -children can learn that artists work in different media |  | 
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        | Term 
 
        | Prehistoric or Primitive Art |  | Definition 
 
        | -mixed paints out of plants, berries, and other foods as well as earth, animal blood -sharpened sticks to draw -symbolize something meant to somehow capture or control it -outlines were bold, and picrures were decorated with geometric patterns and designs   |  | 
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        | Term 
 
        | Naturalisitic or Realistic Art |  | Definition 
 
        | -became popular in the US in the 19th century -landscapes, birds, farms, etc. -people -scenes, landscape usually |  | 
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        | Term 
 | Definition 
 
        | -artistic style in which artists pain what they perceive rather than what they know to be there -fascinated with color -unmixed primary colors |  | 
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        | Term 
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        | -an offshoot of impressionism, involved a concern for color and an innovative technique for representing it -worked on large canvases -small dots or points of pure color were used instead of dashes or strokes -didnt mix colors but required the observer to fuse neighboring colors |  | 
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        | Term 
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        | -artistic  style based on an expression of the artists emotions and feelings -reacting against impressionism, searched for emotional expression in their artist statements -purposely altered space, form, line, and color to make it emotional -disorted reality to express their own views and moods -violent, depressing, and highly emotional |  | 
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        | Term 
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        | -intrigued with color and the physical qualities of paint -began after world war II -jackson pollock: practiced action or gesture by dripping, dribbling, spraying, pouring, throwing, and splashing paint -design was often left to chance or accident   |  | 
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        | Term 
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        | -offshot of expressionism -experimented with pure, bright colors in daring and innovative ways to represent postiive emotions, including joy, pleasure, comfort, love, and happiness -human skin was painted different colors   |  | 
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        | Term 
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        | -intellectual conception of form and shape -break down everything down into component geometic shapes -3D abandoned traditional treatment of space and form and instead focused on the use of the cylinder, sphere, and cube -objects appear flat, with little concern for background or foreground -collages |  | 
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        | -attempts to incorporate physical movement by using levers, gears, and movable parts -invites participation -involves wind -moving junk sculpture |  | 
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        | Term 
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        | -super-realism -attempts to create a magical, dreamlike world that is more intense than reality   ex: fish with a human head |  | 
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        | Term 
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        | -makes a social statement or critique of contemporary American culture -chose subject matter that was familiar to everyday life (ex: soda cans, movie stars, etc.) -photographic realism |  | 
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        | -artistic style that developed in the psychedelic -intrigued with effects of black and white, color, figure-ground relations, and depth -optics perception to create optical illusionswith shapes and patterns |  | 
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        | Term 
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        | -expressions of members of a cultural group -integral part of social life because it describes the beliefs, customs, values, and behaviors, and practices common to a particular cultural  |  | 
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        | Term 
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        | -teacher facilitates an aesthetic and verbal encounter between children and a work of art   |  | 
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