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| cloak-convertible cape to cloak (France) |
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| -waistline of guardinfante |
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| made with seams on outside and inside of each leg, hung from waist, had varying degrees of fullness |
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| full wide ruffles attached at the bottom of breeches |
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| high crowned small brimmed hats were associated with supporters of Puritan faction |
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| infants unable to walk were dressed in long gowns |
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| coats cut with wide full sleeves that were wide throughout the body and ended at thigh height or below |
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| fontage, a device made of a series of ruffles held in place with wire supports place on top of women’s hair |
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| long narrow scarf like pieces separate from the shirt were worn instead of collars |
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| English called clouts or nappies, linen cloth made in a checked pattern and made from unbleached linen or cotton |
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| loom that elaborately figured silk fabrics had to be produced on; required small boy to sit on top and manually raise and lower sets of yarns in order to create a pattern |
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| flat collar on shirt that replaced the ruff |
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| commode, a device made of a series of ruffles held in place with wire supports place on top of women’s hair |
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| flat soled overshoe with a toe cap for keeping it in place; during Louis XIV |
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| children old enough to walk wore these shorter dresses |
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| similar to French farthingale, skirt was more oval than FF with greater width from side to side, bodice had basque |
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| high rigid bots made of heavy leather worn for horseback riding in the latter 1600s |
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| knee length coats that replaced doublets as outer garments, fitted straight sleeves with turned back cuffs and buttoned down the front, completely covered the breeches and waistcoat |
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| shoes with large open sides and extensions that tied across the instep |
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| French and English men of fashion grew one lock of hair longer than the rest |
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| Spanish veil worn to cover the hair that has come to be associated with traditional Spanish costume, is a smaller version of the mantle |
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| construction for women’s dresses with bodice and skirt cut in one length from shoulder to hem; full in both back and front worn over a corset and an underskirt |
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| what French called the outer layer of skirts |
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| hankerchief that was pinned to the front of the dress for extra protection for children |
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English called them tail clouts, Americans-diapers, linen cloth made in a checked pattern and made from unbleached linen or cotton |
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| heel-less slippers or mules that became more popular, derives from Greek word for cork |
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| Petticoat breeches-rhinegraves |
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| divided skirt like a modern culotte, cut so full that it gave the appearance of a short skirt |
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| derived from the practice of pinning this garment to the front or forepart of the going frock |
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| small balls of wax placed in women’s cheeks to give the face a fashionably round shape |
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| ball made of perfumes worn or carried in a vase as protection against infection or to modify bad smalls, hung from neck chain or attached to a girdle 17th cent middle ages; gold or silver |
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| flat ribbons attached to help child learn to walk and control their movements |
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| what French called the under layer of skirts |
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| a flat sole attached only at the front not at the heel, slapped the ground, intended to keep heel from sinking into soft ground |
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| separate stomachers could be tied or pinned o the front of the corset to vary the appearance of a dress |
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| straights-shoes and boots that had high heels without shaping for left or right feet |
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| knee length coats that replaced doublets as outer garments, fitted straight sleeves with turned back cuffs and buttoned down the front, completely covered the breeches and waistcoat |
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| flat hats with turned or cocked up at one or more points were often seen with the brim turned up at three points to form a triangle |
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| waistcoat of below the knee length worn over narrow breeches |
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| Virago sleeve-sleeves often very full on gowns and fashionable jackets, were puffed out and frequently paned |
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| vest, below the knee length worn over narrow breeches |
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| necks were edged by a wide lace collar or band of linen |
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