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Graphite or also known as a "lead" this object |
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| ancestor of the pencil, thin wire often made of pure silver |
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| What is also known as silverpoint |
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| opposite of metalpoint that makes dark, harsh lines |
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| Difference between Crayon and Chaulk |
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one is non fat and dry one is fatty and greasy |
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| No better exercise in art than... |
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| to take a small part of the natural world and try to draw it in all of it's detail |
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| pens hollowed out from plant stems |
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| Pens made from the shaft of a wing feather of a bird |
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liquid media also lines can range from fine to heavy |
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| also thick and thin lines |
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powdered coloring material |
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| guided work by a full-size drawing of the entire project |
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painted by Raphel depicts two Greek Philosophers Reflects the Golden Age |
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Greek philosopher abstract and metaphysical seen in The School of Athens |
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earthy and physical seen in The School of Athens |
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| mixture of white pigment and glue that sealed the wood and could be sanded and tubbed to a smooth, ivory like finish |
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a layer of paint, thinned with a medium, so as to become somewhat transparent |
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Color pigments can be easily suspended in usually made with linseed oil |
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both qualities of watercolor and oil paint can be diluted dries tough stays vibrant |
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oil watercolor fresco encaustic gouache acrylic tempera |
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Aqueous Medium pigment in a vehicle of water and gum arabic |
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| sticky plant substance that acts as a binder |
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watercolor with inert white pigment virtually colorless and can hide any ground |
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| fast-drying paint containing pigment suspended in an acrylic polymer emulsion |
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art in which the concept involved in the work take precedence over traditional aesthetic and material concerns. may look different but come from the same idea |
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commemorate the dead pigment mixed with a wax and resin wax cools |
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| pigments mixed with water and applied to a plaster support mostly mean for walls and ceilings |
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true fresco added to wet lime plaster plaster dries, lime undergoes transformation and acts as a binder, fusing with the pigment |
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| French for pasting and gluing |
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| Objects from the real world transposed into art |
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| luquid that holds the particles of pigment together w/o dissolving them |
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like medium liquid that holds the particles of pigment together w/o dissolving them |
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| ensures paint even when diluted will adhere to the surface |
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Italian for all in one go |
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| individual strokes for many different whites and tinted whites as opposed to the single uniform hue |
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