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Chapter 34: Post-Modern
Late 20th Century Art
86
Art History
12th Grade
02/24/2014

Additional Art History Flashcards

 


 

Cards

Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-01.jpg
Definition
FRANCIS BACON, Painting, 1946. Oil and pastel on linen, 6' 5 7/8" x 4' 4". Museum of Modern Art, New York (purchase).
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-02.jpg
Definition
JEAN DUBUFFET, Vie Inquiète (Uneasy Life), 1953. Oil on canvas, approx. 4' 3" x 6' 4". Tate Gallery, London.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-03.jpg
Definition
ALBERTO GIACOMETTI, Man Pointing, 1947. Bronze no. 5 of 6, 5' 10" x 3' 1' 5 5/8". Nathan Emory Coffin Collection of the Des Moines Art Center, Des Moines. (Purchased with funds from the Coffin Fine Arts Trust.)
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-04.jpg
Definition
JACKSON POLLOCK, Number 1, 1950 (Lavender Mist), 1950. Oil, enamel, and aluminum paint on canvas, 7' 3" x 9' 10". National Gallery of Art, Washington (Ailsa Mellon Bruce Fund).
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-05.jpg
Definition
Photo of Jackson Pollock painting.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-06.jpg
Definition
WILLEM DE KOONING, Woman I, 1950-1952. Oil on canvas, 6' 3 7/8" x 4' 10". Museum of Modern Art, New York (purchase).
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-07.jpg
Definition
BARNETT NEWMAN, Vir Heroicus Sublimis, 1950-1951. Oil on canvas, 7' 11 3/8" x 17' 9 1/4". Museum of Modern Art, New York (gift of Mr. and Mrs. Ben Heller).
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-08.jpg
Definition
MARK ROTHKO, No. 14, 1961 Oil on canvas, 9' 6" x 8' 9". San Francisco Museum of Modern Art, Helen Crocker Russell Fund Purchase.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-09.jpg
Definition
David Smith, Cubi XIX, 1964. Stainless steel.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-10.jpg
Definition
ELLSWORTH KELLY, Red Blue Green, 1963. Oil on canvas, 6' 11 5/8" x 11' 3 7/8". Collection Museum of Contemporary Art, San Diego (gift of Dr. and Mrs. Jack M. Farris).
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-11.jpg
Definition
FRANK STELLA, Nunca Pasa Nada, 1964. Metallic powder in polymer emulsion on canvas, 9' 2" x 18' 4 1/2". Collection of Lannan Foundation.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-12.jpg
Definition
HELEN FRANKENTHALER, Bay Side, 1967. Acrylic on canvas, 6' 2" x 6' 9". Private Collection, New York.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-13.jpg
Definition
MORRIS LOUIS, Saraband, 1959. Acrylic resin on canvas, 8' 5 1/8" x 12' 5". Solomon R. Guggenheim Museum, New York.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-14.jpg
Definition
TONY SMITH, Die, 1962. Steel, 6' x 6' x 6'. Museum of Modern Art, New York (gift of Jane Smith in honor of Agnes Gund).
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-15.jpg
Definition
DONALD JUDD, Untitled, 1969. Brass and colored fluorescent plexiglass on steel brackets, ten units, 6 1/8" x 2' x 2' 3" each, with 60 intervals. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington (gift of Joseph H. Hirshhorn, 1972). Art copyright © Donald Judd Estate/Licensed by VAGA, New York, NY.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-16.jpg
Definition
MAYA YING LIN, Vietnam Veterans Memorial, Washington, D.C., 1981-1983. Black granite, each wing 246' long.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-17.jpg
Definition
LOUISE NEVELSON, Tropical Garden II, 1957-1959. Wood painted black, 5' 11 1/2" x 10' 11 3/4" x 1'. Musée National d'Art Moderne, Centre Georges Pompidou, Paris.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-18.jpg
Definition
LOUISE BOURGEOIS, Cumul I, 1969. Marble, 1' 10 3/8" x 4' 2" x 4'. Musée National d'Art Moderne, Centre Georges Pompidou, Paris. Copyright © Louise Bourgeois/Licensed by VAGA, New York, NY.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-19.jpg
Definition
EVA HESSE, Hang-Up, 1965-1966. Acrylic on cloth over wood and steel, 6' x 7' x 6' 6". Art Institute of Chicago, Chicago (gift of Arthur Keating and Mr. and Mrs. Edward Morris by exchange).
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-20.jpg
Definition
GEORGE BRECHT, Event Scores.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-21.jpg
Definition
KAZUO SHIRAGA, Making a Work with His Own Body, 1955. Mud.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-22.jpg
Definition
CAROLEE SCHNEEMAN, Meat Joy, 1964. Photograph of performance at Judson Church, New York.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-23.jpg
Definition
JOSEPH BEUYS, How to Explain Pictures to a Dead Hare, 1965. Photograph of Performance art. Schmela Gallery, Düsseldorf.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-24.jpg
Definition
JEAN TINGUELY, Homage to New York, 1960, just prior to its self-destruction in the garden of the Museum of Modern Art, New York.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-25.jpg
Definition
JOSEPH KOSUTH, One and Three Chairs, 1965. Wooden folding chair, photographic copy of a chair, and photographic enlargement of a dictionary definition of a chair; chair, 2' 8 3/8" x 1' 2 7/8" x 1' 8 7/8"; photo panel, 3' x 2' 1/8"; text panel, 2' 2' 1/8". Museum of Modern Art, New York (Larry Aldrich Foundation Fund).
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-26.jpg
Definition
BRUCE NAUMAN, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign), 1967. Neon with glass tubing suspension frame, 4' 11" x 4' 7" x 2". Private collection.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-27.jpg
Definition
RICHARD HAMILTON, Just What Is It That Makes Today's Homes So Different, So Appealing?, 1956. Collage, 10 1/4" x 9 3/4". Kunsthalle Tübingen, Tübingen, Germany.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-28.jpg
Definition
JASPER JOHNS, Flag, 1954-1955, dated on reverse 1954. Encaustic, oil, and collage on fabric mounted on plywood, 3' 6 1/4" x 5' 5/8". Museum of Modern Art, New York (gift of Philip Johnson in honor of Alfred H. Barr, Jr.). Copyright © Jasper Johns/Licensed by VAGA, New York, NY.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-29.jpg
Definition
ROBERT RAUSCHENBERG, Canyon, 1959. Oil, pencil, paper, fabric, metal, cardboard box, printed paper, printed reproductions, photograph, wood, paint tube, and mirror on canvas, with oil on bald eagle, string, and pillow, 6' 9 3/4" x 5' 10" x 2'. Sonnabend Collection. Copyright © Untitled Press, Inc./Licensed by VAGA, New York.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-30.jpg
Definition
ROY LICHTENSTEIN, Hopeless, 1963. Oil on canvas, 3' 8" x 3' 8". Kunstmuseum, Basel (permanent loan from the Ludwig Foundation Collection).
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-31.jpg
Definition
ANDY WARHOL, Green Coca-Cola Bottles, 1962. Oil on canvas, 6' 10 1/2" x 4' 9". Collection of Whitney Museum of American Art, New York (purchase, with funds from the Friends of the Whitney Museum of American Art).
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-32.jpg
Definition
ANDY WARHOL, Marilyn Diptych, 1962. Oil, acrylic, and silk-screen enamel on canvas. Tate Gallery, London.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-33.jpg
Definition
CLAES OLDENBURG, photo of one-person show at the Green Gallery, New York, 1962.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-34.jpg
Definition
AUDREY FLACK, Marilyn, 1977. Oil over acrylic on canvas, 8' x 8'. Collection of the University of Arizona Museum, Tucson (museum purchase with funds provided by the Edward J. Gallagher, Jr. Memorial Fund)
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-35.jpg
Definition
CHUCK CLOSE, Big Self-Portrait, 1967-1968. Acrylic on canvas, 8' 11" x 6' 11" x 2". Collection Walker Art Center, Minneapolis (Art Center Acquisition Fund, 1969).
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-36.jpg
Definition
DUANE HANSON, Supermarket Shopper, 1970. Polyester resin and fiberglass polychromed in oil, with clothing, steel cart, and groceries, life-size. Nachfolgeinstitut, Neue Galerie, Sammlung Ludwig, Aachen.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-37.jpg
Definition
ROBERT SMITHSON, Spiral Jetty, 1970. Black rock, salt crystals, earth, red water (algae) at Great Salt Lake, Utah. 1,500' x 15' x 3 1/2'. Estate of Robert Smithson; courtesy James Cohan Gallery, New York; collection of DIA Center for the Arts, New York.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-38.jpg
Definition
RICHARD SERRA, Tilted Arc, 1981. Cor-Ten steel, 12' x 120' x 2 1/2". Installed Federal Plaza, New York City by the General Services Administration, Washington D.C. Removed by the U.S. Government 1989.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-39.jpg
Definition
RICHARD SERRA, Tilted Arc, 1981. Cor-Ten steel, 12' x 120' x 2 1/2". Installed Federal Plaza, New York City by the General Services Administration, Washington D.C. Removed by the U.S. Government 1989.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-40.jpg
Definition
FRANK LLOYD WRIGHT, Solomon R. Guggenheim Museum (exterior view from the northwest), New York, 1943-1959 (photo 1962).
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-41.jpg
Definition
FRANK LLOYD WRIGHT, Interior of the Solomon R. Guggenheim Museum, New York, 1943-1959.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-42.jpg
Definition
LE CORBUSIER, Notre Dame du Haut, Ronchamp, France, 1950-1955.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-43.jpg
Definition
LE CORBUSIER, Interior of Notre Dame du Haut, Ronchamp, France, 1950-1955.Text
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-44.jpg
Definition
JOERN UTZON, Sydney Opera House, Sydney, Australia, 1959-1972. Reinforced concrete; height of highest shell, 200'.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-45.jpg
Definition
EERO SAARINEN, Trans World Airlines terminal, Kennedy Airport, New York, 1956-1962.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-46.jpg
Definition
LUDWIG MIES VAN DER ROHE and PHILIP JOHNSON, Seagram Building, New York, 1956-1958.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-47.jpg
Definition
SKIDMORE, OWINGS AND MERRILL, Sears Tower, Chicago, 1974.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-48.jpg
Definition
CHARLES MOORE, Piazza d'Italia, New Orleans, Louisiana, 1976-1980.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-49.jpg
Definition
PHILIP JOHNSON and JOHN BURGEE with Simmons Architects, associated architects, a model of the AT&T Building, New York, 1978-1984.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-50.jpg
Definition
MICHAEL GRAVES, The Portland Building, Portland, Oregon, 1980.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-51.jpg
Definition
ROBERT VENTURI, JOHN RAUCH and DENISE SCOTT BROWN, house in Delaware (west elevation), 1978-1983.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-52.jpg
Definition
RICHARD ROGERS and RENZO PIANO, Georges Pompidou National Center of Art and Culture (the “Beaubourg"), Paris, 1977.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-53.jpg
Definition
GÜNTER BEHNISCH, Hysolar Institute Building, University of Stuttgart, Stuttgart, Germany, 1987.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-54.jpg
Definition
FRANK GEHRY, Guggenheim Museum, Bilbao, Spain, 1997
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-55.jpg
Definition
JULIAN SCHNABEL, The Walk Home, 1984-1985. Oil, plates, copper, bronze, fiberglass, and bondo on wood, 9' 3" x 19' 4". Broad Art Foundation and the Pace Gallery, New York.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-56.jpg
Definition
SUSAN ROTHENBERG, Tattoo, 1979. Acrylic, flashe on canvas, 5' 7" x 8' 7 1/8" x 1 1/4". Collection Walker Art Center, Minneapolis (purchased with the aid of funds from Mr. and Mrs. Edmond R. Ruben, Mr. and Mrs. Julius E. Davis, the Art Center Acquisition Fund and the National Endowment for the Arts, 1979).
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-57.jpg
Definition
ANSELM KIEFER, Nigredo, 1984. Oil paint on photosensitized fabric, acrylic emulsion, straw, shellac, relief paint on paper pulled from painted wood, 11' x 18'. Philadelphia Museum of Art, Philadelphia (gift of Friends of the Philadelphia Museum of Art).
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-58.jpg
Definition
CHRIS OFILI, The Holy Virgin Mary, 1996. Paper collage, oil paint, glitter, polyester resin, map pins, elephant dung on linen, 7' 11" x 5' 11 5/16". The Saatchi Collection, London.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-59.jpg
Definition
JUDY CHICAGO, The Dinner Party, 1979. Multimedia, including ceramics and stitchery, 48' x 48' x 48' installed.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-60.jpg
Definition
MIRIAM SCHAPIRO, Anatomy of a Kimono (section), 1976. Fabric and acrylic on canvas, 6' 8" x 8' 6". Collection of Bruno Bishofberger, Zurich.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-61.jpg
Definition
CINDY SHERMAN, Untitled Film Still #35, 1979. Black-and-white photograph, 10" x 8". Metro Pictures, New York.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-62.jpg
Definition
BARBARA KRUGER, Untitled (Your Gaze Hits the Side of My Face), 1983. Photostat, red painted frame, 6' 1" x 4' 1". Courtesy of Mary Boone Gallery, New York.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-63.jpg
Definition
ANA MENDIETA, Flowers on Body, 1973. Color photograph of earth/body work with flowers, executed at El Yaagul, Oaxaca, Mexico . Courtesy of the Estate of Ana Medieta and Galerie Lelong, New York.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-64.jpg
Definition
HANNAH WILKE, S.O.S.—Starification Object Series, 1974-82. 10 Black-and-white photographs with 15 chewing-gum sculptures in Plexiglas cases mounted on ragboard, from a series originally made for S.O.S. Mastication Box and used in an exhibition-performance at The Clocktower, January 1, 1975, 3' 5" x 5' 8".
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-65.jpg
Definition
KIKI SMITH, Untitled, 1990. Beeswax and microcrystalline wax figures on metal stands, female figure installed height 6' 1 1/2" and male figure installed height 6' 4 15/16". Collection Whitney Museum of American Art, New York (purchase, with funds from the Painting and Sculpture Committee).
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-66.jpg
Definition
FAITH RINGGOLD, Who's Afraid of Aunt Jemima?, 1983. Acrylic on canvas with fabric borders, quilted, 7' 6" x 6' 8". Private collection.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-67.jpg
Definition
ADRIAN PIPER, Cornered, 1988. Mixed-media installation of variable size; video monitor, table, and birth certificates. Collection of Museum of Contemporary Art, Chicago.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-68.jpg
Definition
LORNA SIMPSON, Stereo Styles, 1988. 10 black-and-white Polaroid prints and 10 engraved plastic plaques, 5' 4" x 9' 8" overall. Collection of Raymond J. Learsy, Sharon, Connecticut.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-69.jpg
Definition
MELVIN EDWARDS, Tambo, 1993.Welded steel, 2' 4 1/8" × 2' 1 1/4" . Smithsonian American Art Museum,Washington, D.C.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-70.jpg
Definition
DAVID HAMMONS, Public Enemy, installation at Museum of Modern Art, New York, 1991. Photographs, balloons, sandbags, guns, and other mixed media.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-71.jpg
Definition
JAUNE QUICK-TO-SEE SMITH, Trade (Gifts for Trading Land with White People), 1992. Oil and mixed media on canvas, 5' x 14' 2". Chrysler Museum of Art, Norfolk, Virginia (museum purchase 93.2).
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-72.jpg
Definition
LEON GOLUB, Mercenaries (IV), 1980. Acrylic on linen, 10' x 19' 2". Collection Mr. and Mrs. Ulrich Meyer, Chicago.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-73.jpg
Definition
MAGDALENA ABAKANOWICZ, artist with Backs, at the Musée d'Art Moderne de la Ville de Paris, Paris, France, 1982. Copyright © Magdalena Abakanowicz/Licensed by VAGA, New York, NY/Marlborough Gallery, NY.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-74.jpg
Definition
DAVID WOJNAROWICZ, "When I Put My Hands On Your Body", 1990. Gelatin-silver print and silk-screened text on museum board, 2' 2" x 3' 2". Collection of Tom Rauffenbart.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-75.jpg
Definition
KRZYSZTOF WODICZKO, The Homeless Projection, 1986-1987. Outdoor slide projection at the Soldiers and Sailors Civil War Memorial, Boston, organized by First Night, Boston.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-76.jpg
Definition
NAM JUNE PAIK, Video still from Global Groove, 1973. 3/4 videotape, color, sound, 30 minutes. Collection of the artist.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-77.jpg
Definition
DAVID EM, Nora, 1979. Computer-generated color photograph, 1' 5" x 1' 11". Private collection.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-78.jpg
Definition
JENNY HOLZER, Untitled (Selections from Truisms, Inflammatory Essays, The Living Series, The Survival Series, Under a Rock, Laments, and Child Text), 1989. Extended helical tricolor LED electronic display signboard, 16" x 162' x 6". Solomon R. Guggenheim Museum, New York, December 1989-February 1990 (partial gift of the artist, 1989).
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-79.jpg
Definition
BILL VIOLA, The Crossing, 1996. Installation with two channels of color video projection onto screens 16'-high .
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-80.jpg
Definition
TONY OURSLER, Mansheshe, 1997.Ceramic, glass, video player, videocassette, CPJ-200 video projector, sound, 11" x 7" x 8" each. Courtesy the artist and Metro Pictures, New York.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-81.jpg
Definition
JEFF KOONS, Pink Panther, 1988. Porcelain, 3' 5" x 1' 8 1/2" x 1' 7". Collection Museum of Contemporary Art, Chicago (Gerald S. Elliot Collection).
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-82.jpg
Definition
MARK TANSEY, A Short History of Modernist Painting, 1982. Oil on canvas, three panels, each 4' 10" x 3' 4".
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-83.jpg
Definition
ROBERT ARNESON, California Artist, 1982. Glazed stoneware, 5' 8 1/4" x 2' 3 1/2" x 1' 8 1/4". San Francisco Museum of Modern Art (gift of the Modern Art Council). Copyright © Estate of Robert Arneson/Licensed by VAGA, New York, NY.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-84.jpg
Definition
HANS HAACKE, MetroMobiltan, 1985. Fiberglass construction, three banners, and photomural, 11' 8" x 20' x 5'. Collection Centre Georges Pompidou, Paris.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-85.jpg
Definition
GUERRILLA GIRLS, The Advantages of Being A Woman Artist, 1988. Poster.
Term
http://schools.nashua.edu/myclass/lavalleev/Art%20History%20Pictures/ch34/34-86.jpg
Definition
MATTHEW BARNEY, Cremaster cycle, installation at the Solomon R. Guggenheim Museum, 2003.
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