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| One elemental system of film, composes of design elements such as lighting, setting, props, costumes, and makeup within individual shots |
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| another elemental system is organized into a series of dialogue, music, ambience, and effects tracks. |
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| structured into acts that establish, develop and resolve character conflict |
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| Juxtaposes individual shots, orders these juxtaposes into sequences, sequences into scenes, scenes into movies |
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Pieces of Celluloid
Light is responsible for the image we see on the screen, created with a computer or as in animation |
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| The process by which the human brain retains an image for a fraction of a second longer than the eye records it. |
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| The illusion of movement created by events that succeed each other rapidly, as when two adjacent lights flash on and off alternately and we seem to see a single light shifting back and forth |
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| Occurs when a single light flickers on and off with such speed that the individual pulses of light fuse together to give the illusion of continuous light |
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| Movie projector relies on such phenomena to trick us into perceiving separate images as one continuous image, and because each successive image differs only slightly from one that precedes i |
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| A key concept in film theory literally to mean the process by which an agent, structure, or other formal element, whether human or technological, transfers something from one place to another. |
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| A complete of plot action incorporating one or more shots, the setting of that action |
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| A series of edited shots characterized by inherit unity of theme and purpose. |
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| An interest in or concern for the actual or real, a tendency to view or represent things as they really are. |
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| An interest or concern for the abstract, speculative, or fantastic |
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| Whether a movie is realistic, anti-realistic, or a combination of the two, it can achieve a convincing appearance of truth |
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