Term
| When was Nicola Pisano active? |
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Definition
|
|
Term
| What did Nicola Pisano specialize in? |
|
Definition
| Marble reliefs and edorments for pulpits. (Sculptor) |
|
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Term
|
Definition
Nicola Pisano, pulpit of the baptistery, Pisa, Italy, 1259–1260.
Marble, 15 high. |
|
|
Term
| What are some medival influences? |
|
Definition
| Trefoil arches and supporting lions. (as seen in Nicola Pisano, pulpit of the baptistery) |
|
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Term
|
Definition
Nicola Pisano, Annunciation, Nativity, and Adoration of the
Shepherds, relief panel on the baptistery pulpit, Pisa, Italy, 1259–1260.
Marble |
|
|
Term
| When was Giovanni Pisano active? |
|
Definition
|
|
Term
| Who is the son of Nicola Pisano? |
|
Definition
|
|
Term
|
Definition
Giovanni Pisano, Annunciation, Nativity, and Adoration of
the Shepherds, relief panel on the pulpit of Sant’Andrea, Pistoia, Italy,
1297–1301.Marble, |
|
|
Term
| What was the difference between Nicola Pisano and Giovanni Pisano relief carvings? |
|
Definition
Nicola Pisano was mainly classical. (romanisque)
Giovanni Pisano was French gothic. |
|
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Term
| What were the three contributing influence for 14th century Italian art? |
|
Definition
| Classical (roman), Gothic, and Byzantine. |
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Term
|
Definition
Bonaventura Berlinghieri,
panel from the Saint Francis Altarpiece,
San Francesco, Pescia, Italy, 1235. Tempera
on wood. |
|
|
Term
| What was the name of the Italo-Byzantine style? |
|
Definition
|
|
Term
| When was Bonaventura Berlinghieri active? |
|
Definition
|
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Term
|
Definition
| The reflection of Christ's wounds. |
|
|
Term
| What are some indicators of the Byzantine style? |
|
Definition
| Lack of modeling and use of gold leaf. |
|
|
Term
| What was one of Bonaventura Berlinghieri's influences? |
|
Definition
| Byzantine illuminated manuscripts. |
|
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Term
| Bonaventura Berlinghieri's Saint Francis Altarpiece is the earliest known what? |
|
Definition
| Earliest known signed and dated representation of the saint. |
|
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Term
|
Definition
| Nave of Santa Maria Novella, Florence, Italy, ca. 1246–1470. |
|
|
Term
| Who was one of the first artists to break away from the Italo-Byzantine style? |
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Definition
|
|
Term
|
Definition
|
|
Term
| What defines Cimabue's work? |
|
Definition
| Gothic sculpture influence with naturalism. |
|
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Term
|
Definition
Cimabue,Madonna Enthroned with Angels and Prophets, from
Santa Trinità, Florence, Italy, ca. 1280–1290. Tempera and gold leaf on
wood. |
|
|
Term
| Madonna Enthroned with Angels and Prophets by Cimabue reveals what new kind of style? |
|
Definition
| While still using Byzantine models and gold leaf, Cimabue adds a new level of depth. |
|
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Term
| The word renaissance essentially means. |
|
Definition
| A rebirth of art and culture through the 14th to 16th centuries. |
|
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Term
| What was the fundamental to the development of the Italian Renaissance? |
|
Definition
|
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Term
|
Definition
Concern for human values and interests as distinct from—but not
opposed to—religion’s otherworldly values. Pointed to classical cultures as praise-worthy. |
|
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Term
| When was Giotto di Bondone active? |
|
Definition
|
|
Term
| What city was Giotto di Bondone from? |
|
Definition
|
|
Term
| Who was considered as one of the first renaissance painters? |
|
Definition
|
|
Term
| Who was Giotto di Bondone's teacher? |
|
Definition
|
|
Term
| What influence Giotto di Bondone more than anything else? |
|
Definition
|
|
Term
|
Definition
Giotto di Bondone,Madonna Enthroned, from the Church
of Ognissanti, Florence, Italy, ca. 1310. Tempera and gold leaf on wood. |
|
|
Term
| What is Fresco Italian for? |
|
Definition
|
|
Term
|
Definition
| "True" fresco, or wet fresco. |
|
|
Term
|
Definition
|
|
Term
| What is the name of a burnt-orange pigment common to frescos? |
|
Definition
|
|
Term
| What does Giotto di Bondone's Madonna Enthroned mark? |
|
Definition
| It marks the end of medieval art and the beginning of a new naturalistic period in Italy. |
|
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Term
|
Definition
| Giotto di Bondone, Arena Chapel, Padua, Italy, 1305–1306. |
|
|
Term
| What showcases Giotto di Bondone's art at its finest? |
|
Definition
| His fresco paintings in the Arena Chapel. |
|
|
Term
|
Definition
Giotto di Bondone, Lamentation, Arena Chapel (Cappella Scrovegni), Padua,
Italy, ca. 1305. Fresco. |
|
|
Term
| What was one of the first artworks to utilize forshortening and showing the backs of figures? |
|
Definition
| Lamentation by Giotto di Bondone. |
|
|
Term
| Lamentation by Giotto di Bondone. has a level of what not commonly seen before it? |
|
Definition
| Emotional impact to the viewer. |
|
|
Term
| Who took the first steps toward chiaroscuro and with what artwork? |
|
Definition
| Giotto di Bondone with his Lamentation. |
|
|
Term
| When was Duccio di Buoninsega active? |
|
Definition
|
|
Term
| Where was Duccio di Buoninsegna from? |
|
Definition
|
|
Term
| What was Duccio di Buoninsegna's most famous artwork? |
|
Definition
| Virgin and Child Enthroned with Saints, principal panel of the Maestà altarpiece, |
|
|
Term
|
Definition
Associations
of master craftspeople, apprentices, and tradespeople. |
|
|
Term
|
Definition
Duccio di Buoninsegna, Virgin and Child Enthroned with Saints, principal panel of the Maestà altarpiece, from Siena Cathedral, Siena,
Italy, 1308–1311. Tempera and gold leaf on wood. |
|
|
Term
| The faces of Duccio di Buoninsegna are |
|
Definition
|
|
Term
|
Definition
Duccio di
Buoninsegna, Betrayal of
Jesus, detail from the back of
the Maestà altarpiece, from
Siena Cathedral, Siena, Italy,
1309–1311. Tempera and gold
leaf on wood. |
|
|
Term
|
Definition
Lorenzo Maitani, west facade of Orvieto Cathedral, Orvieto,
Italy, begun 1310. |
|
|
Term
| What gothic elements are evident in the Orvieto Cathedral? |
|
Definition
| Pointed gables, rose windows, and pinnacles. |
|
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Term
|
Definition
Simone Martini and
Lippo Memmi(?), Annunciation
altarpiece, from Siena
Cathedral, Siena, Italy, 1333
(frame reconstructed in the
19th century). Tempera and
gold leaf on wood, center panel |
|
|
Term
| Who was Simone Martini's teacher? |
|
Definition
|
|
Term
| When was Simone Martini active? |
|
Definition
|
|
Term
| Who was the student of Simone Martini? |
|
Definition
|
|
Term
| When was Lippo Memmi active? |
|
Definition
|
|
Term
| Who was the teacher of Pietro Lorenzetti? |
|
Definition
|
|
Term
| When was Pietro Lorenzetti active? |
|
Definition
|
|
Term
| What did Pietro Lorrenzetti achieve with his Birth of the Virgin? |
|
Definition
|
|
Term
|
Definition
Pietro Lorenzetti, Birth of the Virgin,
from the altar of Saint Savinus, Siena Cathedral, Siena,
Italy, 1342. Tempera on wood. |
|
|
Term
|
Definition
Aerial view of the Campo with the Palazzo
Pubblico, Siena, Italy, 1288–1309. |
|
|
Term
|
Definition
|
|
Term
|
Definition
Ambrogio Lorenzetti, Peaceful City, detail from Effects of Good Government in the City and in the Country, Sala della Pace, Palazzo
Pubblico, Siena, Italy, 1338–1339. Fresco. |
|
|
Term
| When was Ambrogio Lorenzetti active? |
|
Definition
|
|
Term
| What were the three frescos Ambrogio Lorenzetti created for the Sala della Pace (Hall of Peace)? |
|
Definition
Allegory of Good Government, Bad Government
and the Effects of Bad Government in the City, and Effects of Good
Government in the City and in the Country. |
|
|
Term
|
Definition
Ambrogio Lorenzetti, Peaceful Country, detail from Effects of Good Government in the City and in the Country, Sala della Pace, Palazzo
Pubblico, Siena, Italy, 1338–1339. Fresco. |
|
|
Term
| What was one of the first artworks to showcase a landscape in Western art? |
|
Definition
| Ambrogio Lorenzetti's Peaceful Country. |
|
|
Term
| What year did the Lorenzetti brothers disappear and why? |
|
Definition
| 1348, because of the Black Death. |
|
|
Term
| When was Arnolfo di Cambio active? |
|
Definition
|
|
Term
|
Definition
Arnolfo di Cambio
and others, Florence Cathedral
(aerial view looking northeast),
Florence, Italy, begun 1296. |
|
|
Term
When was Francesco
Traini active? |
|
Definition
|
|
Term
| When was Buonamico Buffalmacco active? |
|
Definition
|
|
Term
|
Definition
| Francesco Traini or Buonamico Buffalmacco, two details of Triumph of Death, 1330s. Full fresco, Camposanto, Pisa. |
|
|
Term
|
Definition
Doge’s Palace,Venice, Italy, begun ca. 1340–1345; expanded and remodeled, 1424–1438.
|
|
|
Term
|
Definition
| Milan Cathedral,Milan, Italy, begun 1386. |
|
|
Term
| What make up the Doge's Palace? |
|
Definition
| Ogee arches(Double curving lines), and quatrefoils (clover-shaped) |
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