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| mise en scene (3 components?) |
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Definition
"Staging" everything put in front of the camera.
-Setting, Subjects (People/Actors), Composition (Arrangement) |
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| Person responsible for appearance of photographs in movies, locations, costumes, and hairstyles |
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| representation of actual subjects, may present story |
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| responsible for motion-photography during making of a film |
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| a section of a narrative that gives the impression of continuous action, taking place in cont. time/space |
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| Movies made in Italian studies, 1964s mid-1990s |
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| An uninterrupted strip of exposed motion-picture film or video tape that represents a subject during an uninterrupted segment of time |
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| constructed place for filming |
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| real place that isn't built for filmmakers, but modifications are made |
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| blank or out of focus set |
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| convince viewers that situation could exist |
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| enjoyed for creativity or whimsy |
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| a representation of unified events situated in one or more settings |
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| when the shot presents the main subject with abundant pace around |
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| any aspect of film making |
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| borders of projected film |
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| style of media used to represent not external reality in a believable way |
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| performer studies background, and immerses into character |
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| in charge of the business/administrative aspects of film making |
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| to change from one shot to the following shot, almost instataneous |
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| a shot usually of a face that shows someone or occasionally some other creature reacting to an event |
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the way that subjects are represented in a text
abstract, black comedy, expressionism |
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| technique used to black out part of an image |
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| A wide-schope process intorudced in 1953 and made possible by filming/projecting with anamorphic les |
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| changing focus from back to foreground |
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| subject is in balance with another subject |
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| something that people produce or modify to communicate meaning |
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| tribute to an earlier text |
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| likeness of a subject created in a text |
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| change brought about by a force other than a character |
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| a series of related consecutive scenes percieved as a major unit of a narrative film |
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| story structure in which some scenes have no necessary relation to each other |
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| length of exposed motion-picture film |
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| Films taht show one+ characters facing a succession of problems while trying to reach goals |
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| 1-2 characters usually don't change, brief story time, one goal, one or more obstacles, failure/success |
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| structure or arrangement of a narrative's events |
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| arrangement of the parts of a text |
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| A card/thin sheet of clear plastic on which is written/printed info included in a film |
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| info about events that supposedly transpired before the beginning of the plot |
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| reconstruction of events of a non-chronological narrative into chron. order |
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| briefly interrupts the representation of a subject to show something else |
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| shows humorous possibilities of warfare, death, illness, etc |
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| Soviet doctrine/style enforced that decreed that Soviet texts must promote communism/working class |
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| representation that indirectly exposes/perhaps ridicules individuals/groups for their short-comings |
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