Term
|
Definition
| a late 19th-C art movement that sought to capture a fleeting moment, thereby conveying the illusiveness and impermanence of images and conditions |
|
|
Term
|
Definition
| the term used to describe the stylistically heterogeneous work of the group of late 19th-c painters in France, including van Gogh, Gaugin, Seurat, and Cezanne, who more systematically examined the properties and expressive qualities of line, pattern, form and color than the Impressionists did |
|
|
Term
|
Definition
| a late-19th century movement based on the idea that the artist was not an imitator of nature but a creator who transformed the facts of nature into a symbol of the inner experience of that fact |
|
|
Term
|
Definition
French, "new art"
a late 19th-century and early 20th-century art movement whose proponents tried to synthesize all the arts in an efor to create art based on natural forms that could be mass produced by technologies of the industrial age |
|
|
Term
|
Definition
Claude Monet
Rouen Cathedral: The Portal (in sun)
Oil on canvas
1894 |
|
|
Term
|
Definition
Paul Cezanne
Still Life with a Basket of Apples
Oil on canvas
1890-94 |
|
|
Term
|
Definition
Georges Seurat
A Sunday Afternoon on the Island of La Grande Jatte
Oil on canvas
1884-86 |
|
|
Term
|
Definition
Edvard Munch
The Scream
Tempera and casein on cardboard
1893 |
|
|
