Term
|
Definition
Philip Guston, Rug, 1976, Neo Expressionism |
|
|
Term
|
Definition
Richard Hamilton, Interior, 1964-1965, British Pop Art |
|
|
Term
|
Definition
Roy Lichtenstein, Wham!, 1963, Pop Art |
|
|
Term
|
Definition
Ellsworth Kelly, Red Blue Green, 1963, Hard Edge |
|
|
Term
|
Definition
Willem DeKooning, Woman I, 1951, Abstract Expressionism |
|
|
Term
|
Definition
Georgia O'Keefe, Cow's Skull with Calico Roses, 1931, American Regionalism |
|
|
Term
|
Definition
Morris Louis, Alpha Phi, 1960, Color Field |
|
|
Term
|
Definition
Frank Stella, Thkt-Sulayman I, 1967, Hard Edge |
|
|
Term
|
Definition
| Alexander Calder, Flamingo, 1973, Organic Formalism, Federal Center Plaza, Chicago, International Style |
|
|
Term
|
Definition
Jacob Lawrence, Migration Series No.57, 1940-41, Harlem Renaissance |
|
|
Term
|
Definition
Constantin Brancusi, Bird in Space and others, 1928, Organic Formalism |
|
|
Term
|
Definition
Philip Guston, The Ladder, 1978, Neo-Expressionist with a Pop Art flair |
|
|
Term
|
Definition
Maya Lin, Vietnam Memorial, Washington DC, 1982, Minimalism |
|
|
Term
|
Definition
Grant Wood, Parson Weems' Fable, 1939, American Regionalism (Amon Carter Museum) |
|
|
Term
|
Definition
Joan Miro, Woman Addressing the Public, 1981, Organic Formalism-Surrealism |
|
|
Term
|
Definition
Richard Serra, Vortex, 2002, Minimalism |
|
|
Term
|
Definition
Louise Nevelson, Lunar Landscape Wall, 1959-60, Assemblage |
|
|
Term
|
Definition
Dan Flavin, Untitled, 1977, Minimalism |
|
|
Term
|
Definition
Andy Warhol, Triple Elvis, 1963, Pop Art |
|
|
Term
|
Definition
Edward Hopper, Nighthawks, 1942, American Regionalism-Existentialism |
|
|
Term
|
Definition
Frank Gehry, Pritzker Pavilion, Chicago Millennium Park, 2004, Deconstructive Architecture |
|
|
Term
|
Definition
Mark Rothko, Untitled, 1961, Abstract Expressionalism |
|
|
Term
|
Definition
Marsden Hartley, The Aero, 1914, American Cubist-German Expressionism |
|
|
Term
|
Definition
Georgia O'Keefe, Red Hills With Flowers, 1937, American Regionalism |
|
|
Term
|
Definition
Claes Oldenberg, Spoonbridge and Cherry, 1988, Pop Art; Coosje van Bruggen |
|
|
Term
|
Definition
IM Pei, Louvre Museum, Paris, France, 1989, Post Modernism |
|
|
Term
|
Definition
Stuart Davis, Blips and Ifs, 1963-64, American Cubism |
|
|
Term
|
Definition
Wayne Thiebaud, Cakes, 1963, Pop Art |
|
|
Term
|
Definition
Roy Lichtenstein, Pop Art |
|
|
Term
|
Definition
Eero Saarinen,TWA Terminal, NY, 1962, Organic Formalism(Postmodern) |
|
|
Term
|
Definition
Alberto Giacometti, City Square, Existentialism |
|
|
Term
|
Definition
Andy Goldsworthy, Earth Art, Ephemeral Art |
|
|
Term
|
Definition
Jørn Utzon, Sydney Opera House, 1973, Organic Formalism. |
|
|
Term
|
Definition
Judy Chicago, The Dinner Party, 1979, Feminist Installation |
|
|
Term
|
Definition
Stuart Davis, Swing Landscape, 1938, American Cubism |
|
|
Term
|
Definition
Jacob Lawrence, The Migration Series, 1940-41, Harlem Renaissance |
|
|
Term
|
Definition
Marsden Hartley, Studio 291 Artist, WPA Artist, German Expressionist, American Cubist |
|
|
Term
|
Definition
|
|
Term
|
Definition
Morris Louis, Color Field |
|
|
Term
|
Definition
James Rosenquist, President Elect, 1960-61, Pop Art |
|
|
Term
|
Definition
Mark Rothko, Abstract Expressionism (New York School) |
|
|
Term
|
Definition
Franz Kline, Abstract Expressionism(New York School) at the National Gallery of Art |
|
|
Term
|
Definition
Renzo Piano and Rogers, Centre Pompidou, Paris, 1977, Metabolic Architecture |
|
|
Term
|
Definition
Alexander Calder, Red Mobile, 1956, Organic Formalism |
|
|
Term
|
Definition
Richard Estes, Telephone Booths, 1968, Super Realism |
|
|
Term
|
Definition
Judy Chicago, The Dinner Party, 1974-79, Feminist Installation |
|
|
Term
|
Definition
Donald Judd, Untitled, 1990, Minimalism |
|
|
Term
|
Definition
Le Corbusier, Notre Dame de Haut, Organic Formalism |
|
|
Term
|
Definition
Andy Goldsworthy, Rowan Leaves With Hole, 1987,
Earth Art, Ephemeral Art |
|
|
Term
|
Definition
Helen Frankenthaler, The Bay, 1963, Color Field |
|
|
Term
|
Definition
Grant Wood, Stone City, Iowa, 1930, American Regionalism |
|
|
Term
|
Definition
Jasper Johns, Target with Four Faces, 1955, Pop Art |
|
|
Term
|
Definition
Jackson Pollock, Abstract Expressionism |
|
|
Term
|
Definition
Robert Rauschenberg, Bed, 1955, Pop Art |
|
|
Term
|
Definition
Robert Smithson,Spiral Jetty,1970, Earth Art |
|
|
Term
|
Definition
Claes Oldenberg, Trowel, Pop Art |
|
|
Term
|
Definition
Chuck Close, Mark, 1978, Super Realism |
|
|
Term
|
Definition
American Realism, WPA artist |
|
|
Term
|
Definition
Michael Graves, Denver Public Library, 1989, Post Modern Architecture |
|
|
Term
|
Definition
Jean Dubuffet, The Gossiper II, Existentialism |
|
|
Term
|
Definition
Joseph Cornell, Assemblage |
|
|
Term
|
Definition
Henry Moore, Organic Formalism |
|
|
Term
|
Definition
Michael Graves, Portland Public Service Building, 1980-82, Postmodern Architecture |
|
|
Term
|
Definition
Henry Moore, Reclining Figure, 1951, Organic Formalist Sculpture |
|
|
Term
|
Definition
Christo and Jeanne Claude, The Gates, Earth/Environmental Art |
|
|
Term
|
Definition
Duane Hanson, Super Realism/Egalitarianism |
|
|
Term
|
Definition
IM Pei, National Gallery of Art, Post Modern Architecture |
|
|
Term
|
Definition
Francis Bacon, Existentialism |
|
|
Term
|
Definition
Christo and Jeanne Claude, Surrounded Islands, 1980-83, Earth Art |
|
|
Term
|
Definition
|
|
Term
|
Definition
Piazza d'Italia, New Orleans, 1978-79, Charles Moore |
|
|
Term
|
Definition
|
|
Term
|
Definition
| often called New York School; paintings are abstract and express the artists state of mind; 1940s and 50s; action (gesture) painting, impasto, sets precedent, organic shapes |
|
|
Term
|
Definition
Borrowning from someone else's artwork in your piece |
|
|
Term
|
Definition
| artistic process in which a three-dimensional artistic composition is made from putting together found objects. |
|
|
Term
|
Definition
transition from Abstract Expressionism to Pop Art |
|
|
Term
|
Definition
| Raw Art; term coined by Jean Dubuffet after being fasicinated by the art of children and the insane. Wanted to put this raw energy in his work |
|
|
Term
|
Definition
| Building design that attempts to view architecture in bits and pieces; The basic elements of architecture are dismantled; Abstract forms |
|
|
Term
|
Definition
| Color dominates, not texture nor brushwork; fills page no negative space, soak and stain, unprimed canvases, encaustic painting, calm and inwardly directed |
|
|
Term
|
Definition
| Non-representational relief construction; Response to changes in technology & contemporary life it referenced social & economic problems. |
|
|
Term
|
Definition
| Questions existence; foreboding; advocating individual struggles; spirit of cynicism and pessimism after end of WWII; isolated |
|
|
Term
|
Definition
| inspired by Minimalism and Cubism; landscape dominates; ephemeral; work exists out in the open; nature as the canvas |
|
|
Term
|
Definition
used in earth art; exisits only briefly; transitory; short-lived |
|
|
Term
|
Definition
| straight lines (mechanically made); opposite of Abstract Expressionism; precise; controlled placement of hues (color) (primary colors) |
|
|
Term
|
Definition
| way of applying paint, specifically a thick, textured application of paint where the marks made by the brush or painting knife stay visible (Abstract Expressionism) |
|
|
Term
|
Definition
Art that has been arranged in a place as intended by the artist |
|
|
Term
|
Definition
|
|
Term
|
Definition
Art that dependes on motion for its effects; moves or has moving parts |
|
|
Term
|
Definition
Small model of a sculpture or piece of architecture |
|
|
Term
|
Definition
3D version of Hard Edge; man made sculpture; 1950s; geometric |
|
|
Term
|
Definition
coined by Alexander Calder; moving kinetic pieces of art |
|
|
Term
|
Definition
late 20th century movement; taking something classical and immitating it |
|
|
Term
|
Definition
| 1950s; usage of Primary Colors (Blue-Orange; Yellow-Violet; Red-Green); Mass consumption; Mass Media; Mass Production |
|
|
Term
|
Definition
| Reproduced exact details of commonplace objects; nearly photographic; photo vision; aka Super Realism |
|
|
Term
|
Definition
| 1930s; art movement where artists shunned the city to focus on scenes of rural life; American Heartland |
|
|
Term
|
Definition
coined by Alexander Calder; static art; stays still |
|
|
Term
|
Definition
living or natural shape that is not geometric; irregular; |
|
|
Term
|
Definition
geometric man made patterns; rythmic |
|
|
Term
|
Definition
| building is divided up by function through color coding, can see its working from the outside |
|
|
Term
|
Definition
| used by Pop Artist Roy Lichtenstien; small colored dots are closely-spaced, widely-spaced or overlapping; inexpensive way to create shading and secondary colors in the 50s and 60s |
|
|
Term
|
Definition
| coined by Robert Rauschenberg; painted surface is combined with various real objects |
|
|
Term
|
Definition
| method of painting where colors are burned in; pigments (colors) mixed with hot wax |
|
|
Term
|
Definition
transition from Abstract Expressionism to Colorfield |
|
|
