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| obj in nature imitating/representing human state |
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| christ was a man & not the son of god |
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| the threat of multiple christian sects, schisms (Vs Church of England). informed by trauma from civil wars |
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| proliferation of doubt & arguments causing appeal back to faith in authority (vs moderate/reasoned skepticism) |
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| sidesteps novel genre- christian epic quest implied instead |
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| focus on work itself, languge, char/plot/setting/structure/style |
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| focus on history, biography, economics/pol |
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| miracles, supernatural signs->bible->fiction/allegory->persuation/rhetoric/argument->characters/examples |
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| science proves the beautiful order constructed by god, aot disproving god's existence |
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| medley, mix->satire's melange of genres to attack particular & universal targets |
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| see order in nature but finding and "orderer" is like myth |
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| more about the experience of reading the poem-duration, sounds- quality of preRoman |
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| change of pol leanings; Wworth, coolridge |
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| movement through contraries to lead to higher truth (thesis->antithesis->synthesis) |
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| doubt all sensations (descartes) |
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| period when ancient values shape cultural ideals. mid18th->19th century |
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| judgment vs wit, taste vs genius, restraint vs license |
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| =eternal characteristics of humans & their surrounding universe |
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| 1) That there is one only supreme God. 2) That he chiefly is to be worshipped. 3) That virtue, goodness, and piety, accompanied with faith in and love of God, are the best ways of worshipping him. 4) That we should repent of our sins from the bottom of our hearts, and turn to the right way. 5) And lastly, that there is a reward and punishment after this life. |
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