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| comes from acacia trees; makes non-image areas hydrophilic |
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| microscopic film layer that repels ink during the printing process |
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| limestone quarries in Bavaria, Germany |
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| buff stone with cheesecloth until gum arabic is thin and even |
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| sap from a pine tree; an acid resist that is a buffer between the etch and the drawing |
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| keeps the etch from beading up; lowers surface tension |
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| photo-sensitive coating used in screenprinting; contains chemical called dichromate |
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| used to register paper to the image in lithography |
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| printing element doesn't have a change of surface (lithography and screenprinting) as opposed to relief or intaglio |
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| neutral in the chemistry of lithography; can be used for temporary drawing on the stone |
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| apparatus used in screenprinting |
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1) line
2) shape
3) color
4) value
5) texture
6) space |
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1) balance
2) harmony
3) emphasis
4) variety
5) movement
6) rhythm
[7) economy] |
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1) form
2) subject matter
3) content |
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| printmaker/lithographer who garnered many followers and made it popular in England |
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| Englishman working in Paris, he set up Atelier 17 with specialization in intaglio and shifted from Paris to New York after WWII |
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| founder of the Tamarind Institute with a Ford Foundation grant |
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| studio founded in Paris by Hayter and later relocated to New York City |
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| charismatic immigrant lady in New York City who founded ULAE and brought cutting edge artists to work there |
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| founded by June Wayne in Los Angeles; responsible for reviving the medium of lithography |
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| founded by June Wayne in Los Angeles; responsible for reviving the medium of lithography |
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| Universal Limited Art Editions; founded by T. Grossman in New York and workshop for several famous artists |
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| famous artist, worked at ULAE. "The twentieth century is no time to be drawing on rocks" -- later was converted. |
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| famous artist, printed at ULAE |
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| master printer who has established printing workshops Tyler Graphics and Gemini GEL |
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