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        | Where Recording gets done  |  
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        | Made by Mackie, 16 channel, 4 bus  |  
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        | Way to plug microphones from the live room |  
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        | (nerve center) series of of input and output tie panel correspond to this |  
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        | Used to process and route audio |  
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        | What are the 3 types of Mic |  
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        | Dynamic, Condensor and Ribbon |  
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        | Overall section of the board are found. The controls that effect the entire console |  
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        Term 
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        | Located on the back of the console all inputs and outputs of the recording console can be made |  
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        Term 
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        | any recording device capable of recording multiple signals discretely at the same time |  
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        | any channel sent to the Multi track |  
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        | Where we do all our listening, effects and EQ |  
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        | Blend of Multiple signals L/R, this ends used to provide mix that people will listen to |  
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        | Separating channels for input and monitor path, you cannot have the same inputs on one channel |  
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        | Allows you to have the input path and monitor path on the same console |  
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        Term 
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        | middle of the stereo field which will be equally loud on both monitors - 48v of direct current |  
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        | Static electrical charge, require phantom power - 48v of direct current |  
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        | Aluminum light weight in a magnetic field. Phantom power will destroy it |  
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        requires an XLR cable or a TRS 1/4 inch 
(Tip- Ring-Sleeve)  |  
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        | TS cable (Tip-Sleeve) the signal possess a hot and ground (positive & shield) |  
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        | Input any non microphone signal - 1/4 inch unbalance/balance  |  
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        | Send Signal out channel to dynamic effects from the DE we can bring the back to I/O |  
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        Term 
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        | Alter the amplitude of a signal, EQ, Compression, Gates and Expanders by threshold, ration attack and release |  
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        | The insert point on a console - signal is broken requires a "Y" cable - 1 balance connection and 2 unbalance |  
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        | Where you assign Monitor the monitor path for you to listen |  
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        | 1604 VLZ Pro Direct Ouputs |  
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        | 8 outputs that correspond with each channel that sends to the multi track |  
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        | How Many insert points on on the 1604 VLZ Pro |  
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        | 18 unbalance insert points |  
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        | an extra way to get a signal out of the console |  
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        | What are Auxiliary outputs used for |  
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        | Making headphone mixes and Making time based effects |  
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        | For musicians (monitor), should only be created from the monitor path, must be sent pre-fader and must be mono |  
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        Term 
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        | Takes multiple signals and sends them to one place |  
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        Term 
        
        | Aux/Send on the 1604 VLZ Pro |  
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        Definition 
        
        | Can only access 4 at time on any given channel however there is 6 |  
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        Term 
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        Controls output of channel  
- input path, volume recording at 
-Monitor path volume for engineer  |  
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        | Receiving feed before fade |  
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        Term 
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        | Signals that are next to one another and not broken |  
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        | Extra places to bring signals back into the console, largely used with time based effects |  
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        | Takes multi signals and sends them to 1 place, you can assign any channel to a sub group |  
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        | The output of one thing is plugged into the input of another thing |  
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        Where anything to the L/R mix ends up, 
Most live shows are mixed in mono  |  
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        | Mirror of the main output an unbalance connection that uses an RCA connector |  
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        | Able to plug into the console so you can hear stuff i.e. Ipod, Cd player |  
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        | Adjust signal in stereo field |  
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