Term 
        
        | the doctrine of affections |  
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        Definition 
        
        -union of text and music -one mood or affection per movement/piece -love -hate -sorrow -joy -wonder -desire  |  
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        Term 
        
        | What major change occurred in the Baroque era? |  
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        Definition 
        
        Added major and minor scales -tonal  |  
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        continuous bass 2-performers  |  
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        Term 
        
        | vocal music of baroque characterized by- |  
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        monody (no such thing as homophony)   solo voice with intrumental accompaniment  |  
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        Term 
        
        | Important composers of the Baroque |  
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        Definition 
        
        Florentine Camerata Vincenzo Galilei Giulio Caccini Jacopo Peri  |  
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        -Recitative -Aria -Ensemble -Chorus -Overture/sinfonia  |  
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        recitative (Stile rappresentativo)   -secco   -accompagnato  |  
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          secco- only basso continuo accompanies voice accompagnato-accompanied by orchestra  |  
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        solo song of highly emotional character   does not advance the plot  |  
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        Early opera in Italy (Composer) -famous work  |  
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        Definition 
        
        Claudio Monteverdi  (1567-1643)   The Coronation of Poppea  |  
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        Opera in England   leading composer   famous work  |  
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        Definition 
        
        Henry Purcell (1659-95)   Dido and Aeneas (1689)  |  
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        Term 
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        | Large scale sacred work for one or more solo vocalists with instrumental accompaniment and chorus |  
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        Term 
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        Definition 
        
        | sacred monophonic hymn tune espoused by reformers like Martin Luther |  
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        Term 
        
        | Later chorale settings... |  
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        Definition 
        
        4 part harmony with soprano voice given the choral tune   (cantionale)  |  
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        Term 
        
        | Unifying thread of Protestant cantatas |  
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        Definition 
        
        -woven into the movements   i don't even know  |  
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        Term 
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        1685-1750   -wrote 500-600 cantatas -usually 5-8 movements -many movements based on chorale tune -several choral numbers aaB  |  
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        Term 
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        Definition 
        
        Large-scale vocal work perfromed by solo voices, chorus and orchestra -not staged -same components as opera otherwise  |  
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        Term 
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        George Frideric Handel   Messiah (1742)    |  
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        Term 
        
        | Instrumental Music in Baroque |  
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        Definition 
        
        | Becomes just as important as vocal music |  
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        -sonata de camera (chamber)  (uses dances)   -sonata de chiesa (church)      |  
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        2 solos and Basso Continuo  |  
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        How many movements in a Sonata?      |  
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        | important sonata composers |  
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        | Archengelo Corelli (1653-1713) |  
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        Term 
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        2 masses of sound opposed to each other   usually instrumental  |  
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        Term 
        
        | Types of Baroque Concertos |  
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        Definition 
        
        1.  Solo Concerto Large group (orchestra, ripieno, tutti) and soloist   2.  Concerto Grosso Large group (orchestra, ripieno, tutti) and small group (concertino)  |  
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        Term 
        
        | stylistic characteristics of concertos |  
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        Definition 
        
        3 movements fast, slow, fast   I and III are most important  both use ritornello form  |  
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        Term 
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        ritornello (ripieno) episode (solo/concertino) ritornello episdoe ritornello   cadenza befor end  |  
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        Term 
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        Definition 
        
        1678-1741 The four seasons -4 solo violin concertos -each accompanied by poem (program music) -music depcts specific lines in poem   no cresecendos/ decrescendos terraced dynamics    |  
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        Term 
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        | A group of dances for any combination of instruments or type of ensemble usually unified by a single key aria, and each dance in binary or ternary form |  
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        | Allemande, Courante, Sarabande, Gigue |  
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        German dance in duple simple meter  at a moderato tempo  |  
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        Term 
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        French dance in triple simple  meter at a moderato tempo  |  
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        Spanish dance in triple simple meter at an adagio tempo  |  
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        (Jig) an English dance in duple compound meter at an allegro tempo  |  
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        Term 
        
        | Additional Suite Movements |  
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        Definition 
        
        -overture (optional) -other dances (usually added between the sarabande and gigue) a. minuet b. gavotte c.  bourree d.  passepied e. hornpipe*  |  
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        Term 
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        Definition 
        
        -Usually binary or ternary structure with each part repeated -on the repeat the melody is to be embellished -often times part I of the structure will modulate from the home key to a contrasting key (dominant or relative minor) then back to tonic in part II  |  
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        Term 
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        1735-1805   music for music's sake  |  
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        | balance, order, form, symmetry, simplicity, objectivity |  
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        -diversion- chamber ensemble for light entertainment   -Mozart  |  
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          The String Quartet   Prominant Composer  |  
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        Definition 
        
        Franz Joseph Haydn (1732-1809)    |  
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        Term 
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        Definition 
        
        Strings -violin 1-4 players -violin 2-4 players -viola-2 players -Violoncello and Double bass- 4 players total Woodwinds flutes -2 oboe-2 Brass Horn-2 Trumpet-2 Percussion Timpani  |  
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        Term 
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        Definition 
        
        Ended the classical era   -made musicianship a respectable art form      |  
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        Term 
        
        | components of classical opera |  
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        Definition 
        
        overture recitative (half spoken half sung-starts drama) aria ensembles  |  
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        Term 
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        Definition 
        
        Opera seria- serious opera, sung all the way   Opera Buffa/Opera Comique/ Ballad Opera- comic opera can have spoken word   singspiel- forerunner of the musical  |  
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        Term 
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        died at 35- assited by Lorenzo da Ponte   operas-  La nozze de Figaro (1786) Don Giovanni (don Juan) (1787) Cosi fan Tutte (1790)  |  
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        Term 
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        | a short musical pattern that is repeated persistently throughout a performance or composition |  
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