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| One of the things the foley supervisor will look for in a stage is the _______, to ensure the artist will be able to move from one surface to another with as little setup and tear-down as possible. |
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| Solve for drop frame: Start:02:07:35:20 End: 05:05:30:22 |
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| The supervising sound editor calls you while you are out and tells you the backgrounds need to be rerecorded because they are conflicting with the dialogue. Which mic pattern will leave open space in the center of the stereo image? |
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| I need to export my region definition on my PC |
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Conceptualizing sounds often requires the use of _________, whereby a sound is derived as a result of visual |
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| What is the most commonly used microphone for recording foley? |
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| The part of the script you could read to determine the backgrounds needed |
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| With command focus mode (A-Z) engaged you can move a selection down onto the next track by pressing __ key |
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| What would you find in the upper left corner of the screen on a video transfer? |
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| What is the Pro Tools shortcut key combination for Repeat Paste to Fill Selection? |
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| In order to help the viewer identify the location of the car as being in a parking garage, as well as to put the viewer in that place, the editors will need to build ___________. |
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| When the ADR recordist loads the production audio into the DAW it will come from normal channel ___ on the S-VHS tape. |
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| When making a work tape the hour should match the _____. |
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| When building an effect what will result from the use of too many sounds in a particular frequency range? |
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| After a few ineffective punches, the bad guy finally connects, knocking our hero off of her feet. The director tells you he wants that punch to be HUGE, and sound very HEAVY and MEAN. This would indicate he wants a __________ sound effect. |
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| Once you start designing the backgrounds you find you are having trouble with an obviously repetitive loop. This phenomena is known as the. |
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| What is the process of converting the film to video called? |
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| A reference that tells you how fast the media is moving is a _____ reference. |
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| The fundamental frequencies of the female vioce are____ ? |
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| When DIALOGUE EDITOR balances room tone and ambiences for dialogue. |
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| The F key will fade files if _____ is engaged. |
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| How many time is VITC written in a frame of video? |
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| A scene cuts to an on-screen shot of a car window being smashed. This would be a _______ sound effect. |
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| Last person to handle foley before it goes to the dub stage, removes silence between takes. |
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| Once the dialogue has been prepared, the dialogue editor will split out tracks that most likely will NOT be used during rerecording; These are known as |
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| In Pro Tools, you can move the end of the three beep cue to the beginning of the ghost region, representing the line you are going to record, by pressing _______. (PC) |
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| As you are designing your backgrounds you should create layers for foreground, midground and background so the mixer can match the __________. |
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| The foundation of your ambiences will be made up of____. |
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| What are the numbers printed on both the workprint and the mag stripe film to maintain sync between the two |
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One of the reasons that the director wanted to cut digitally is because they would only have the _________ of the production audio on the Mag Stripe, if they cut on film. |
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| Which position in Audio post deais with arming tracks and documenting what has been recorded? |
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| I WRITE CUSTOM MUSIC FOR FILMS. |
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| What would be a responsibility of the foley recordist? |
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| This type of editing would require a DigiBeta with no sound to be sent to the picture editor. |
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| When you get back to the studio, after a field recording excursion, you will prep the files for______, by trimming and cleaning ambiences, as well as removing artifacts. |
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| While you are recording your Bys, you note that the X-Y pattern you are using is giving too. much of a bump in the center of the image. Which pattern listed would be a better alternative to retain smooth panning information? |
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| This is what the picture editor recieves from the film lab when cutting on film. |
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When using the Pop Up takes menu, to comp a line of dialogue, it is important to have "__________" Operates On All Related Takes checked. |
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| In order to make the most ______frequencies in the human voice stand out, you could boost the frequencies between 1 kHz -3.1kHz |
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| This the material contained on the PFX track |
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| When editing the dialogue, you should monitor at a level of 70-90 dB, in order to ensure the best _________. |
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| Once the session is complete, you hand it off to the editor. In order to reduce the noise floor, they will need to |
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| Common sync signal used to ensure Pro Tools and VTR run @ same speed, better known as blackburst or video reference. |
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| When reading a script for sound what will tell you the location, time of day, and possibly the mood of the scene? |
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| I AM RESPONSIBLE FOR MUSIC DOCUMENTATION, MAKING SURE SHEET MUSIC HAS WELL PLACED PAGE TURNS & ASSIGN CUE NUMBERS. |
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| Who cuts in basic six such as door slams and lever pulls? |
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| USING PREEXISTING MUSIC TO EDIT TOGETHER MUSIC TO GIVE PEOPLE AN IDEA OF HOW THE SCORE AND MUSIC FOR THE FILM WILL SOUND. |
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| USED TO SHOW AN AUDIENCE HOW A FILM WILL LOOK WITH A TEMP SCORE AND PRODUCTION SOUND EFFECTS. |
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The dialogue that will need to be rerecorded during an ADR session will be placed on the _______. |
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| Due to their understanding of the props they will be recording, the foley artist will choose the _____ for the session. |
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A ______ group such as the LA Mad dogs would be used to provide effort sounds for the fight sequence at the beginning of the reel. |
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| This mic is great for recording stereo ambiances or groups of animals |
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| The director has decided to shoot on film, as a result the frame rate of the picture will be ____fps. |
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| While cutting perspective splits, you come across a scene where a character sitting just offscreen is speaking to a character on screen. Since they are sharing the same space the line should be placed on the ________. |
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| ______ are not often used for movies due to the fact that in Hollywood directors and producers want things bigger, and louder. |
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| Telling the story of a film through sound |
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| The _______ will choose the mic for the foley session. |
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| After your basic effects are in place you can ______ them by adding elements such as subconscious sounds or processed sounds to enhance the overall designed sound. |
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You start replacing ghost regions with sound effects by selecting a ghost region, holding _______and dragging the file you wish to use onto the track. (MAC 7.1) |
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| Our course director does not just want us to regurgitate facts for quizzes and tests, he wants us to be able to ____ them to practical applications. |
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| Record Online at Time Code or ___ lock is one of the two online record preferences |
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| keeping with industry standards, the _____ will be written twice per every field of video, in lines 17 & 19 of the work tape. |
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| This is considered to be the content of a film |
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| A recording made at a specific time or a line of dialogue for animation that is recorded three times. |
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| Justifies why a line needs to be replaced, connection between the talent and director. |
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| As soon as the goon hot-wires the car, the director wants the Van Halen song "Running With The Devil" to play from the car stereo. This would be an example of ____________ source music. |
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| With the movements done, according to the foley order of operations, the next thing the artist will begin to record is the |
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| SOUNDS WITH NO VISUAL CONGRUENCE |
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| When the goon's car explodes at the end of the chase you decide to use the sound of cellophane being handled as a layer of the fire. This would be an example of using ______to conceptualize. |
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What parameter of a 5.1 surround pan window is used to bleed signal into the other channels of the path? |
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| Re-syncing cues that are not in time is the job of the foley ____. |
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| When the sound designer bounces his designed sounds to 5.1 tracks this as known as _________. |
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| In Pro Tools, to create ghost regions for your spot session, you highlight the duration of the effect and press __________ to consolidate the region. |
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| When you recieve a Quicktime export make sure the video is not compressed with _____ turned on |
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| With the project being shot on film, the frame rate of the audio will be 30 fps with a ____ Hz speed reference. |
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| You are beginning to prepare to build your backgrounds for the reel. The first thing you build is a template that is known as |
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| Not counting interns or runners, what is the first rung in the SFX editor hierarchy? |
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| Which type of Mag Stock has a guide track |
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| When creating your template, scene changes will have a _________overlap |
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| True or False - When spotting foley, it is always necessary to spot each individual step. |
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| After a film has been converted to video a ________ will need to be applied to slow the audio down to match the new video. |
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| What person is responsible for levels going to tape during a foley session? |
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| Once you have the sound effect in sync you should Timestamp Selected, by pressing ________. |
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| What surface might you use in place of tile? |
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| This is a large acoustically treated room with cement floors. |
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| When creating a worktape the timecode framerate that should be used is |
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| When the reels of dialogue arrive, the digital assistant will record in the guide track and use the ____to assemble the original production audio onto the work track. |
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| What is the 1st film to utilize foley? |
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| What is the name of the document that contains a list of vehicle all sounds |
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| One method discussed to help organize your sound recording library for quick access was |
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| What answer is one of the method of sweetning sound effects |
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| In a professional sound design session, where would i look to find the output for the track ________________? |
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| The supervisor said to adjust the center percentage to _________% in order to keep the sound effect from intruding |
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| Where would I loof for for the notes from the director? |
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| In order to make use of the OMFI in Pro tools, you must have the option Pro Tools features___________ |
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| Re-calibrating the audio sample rate to compensate for speed change that occur as part of the telecine process is _________ |
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| Once you have your connections set you will set the clock to |
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| When you set the clock source properly, what references appear that are needed synchronizing multiple pieces of gear |
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| Tells both machines how fast to go |
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| Enables sync by measuring & controlling the clock, speed or rate of material |
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| When using house sync set clock reference to ? |
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| speed cal will blink and lock will turn off |
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Definition
| What will happen if you set an invalid clock source |
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| LTC, VITC, Byphase Tack, and Auto LTC/VITC |
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Definition
| What are the four positional available in Pro Tools session set-up window? |
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| Redundancy in case one fails |
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| What is the benefit of using Auto LTC/VITC? |
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Definition
| how many generations is LTC good for |
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| How many time is VITC written in a second of NTSC video? |
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| When using maching control external machine connects to the sync I/o via |
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Record at ADAT time code Lock Record at insertion |
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| What are the two online recording preferences? |
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| When working with non-linear video before importing video you must verify_______ matches the video engine rate |
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| Shift + option + Apple + I |
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| The quick combinations to import a quicktime movie are _________ |
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| Open media framework interchange is made up of what two components |
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| _________________ are two components that make up the advanced authoring format |
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| Bi-phase Tach. communicates____________ and ____________only |
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| With the machine control option enabled, your external machine connects to Pro Tool's sync I/O via a______ cable |
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| ______________is a specific timing address |
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| __________________is the difference between two specific timing addresses |
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| Black burst or Video reference |
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Definition
| House sync is sometimes referred to as ________or as __________? |
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Definition
| When cutting digitally, the picture editor receives a _________ with no sound on it |
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Maintain reference test commercial success |
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| What is the purpose of cutting digitally with film to conform |
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Definition
| when cutting digitally with film to conform, the work print and Mag stripe are conform to a _____________ |
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| You will often need to _____ the sound effects you are layering with EQ's or filters to make them all work together. |
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What would you find on channel two of the video transfer? |
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