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| The particular style painting of plaster. Most popular in 14-15th century art |
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| Early 16th century style. Exaggerated proportions, balance and beauty |
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| Resurgence of Catholic ideals and art in response to Protestants. |
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| Central portion of a church or cathedral where people would sit. Generally found with columns all the way up and down with high ceilings |
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| The cross section of a church. Perpendicular to the nave. Separates nave from apse. |
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| Saint who a person was named after. Often above and beyond them in paintings |
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| Depiction of Gabriel coming to Mary to inform her of her pregnancy with Jesus. Very popular painting |
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| objects are drawn to scale based on converging lines in the back round of the image. |
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| grey sand stone used for architecture. like Michael Angelo's Medici Chapel |
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| intrence to temple, often found in southern india |
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| Japanese woodblock paining. Cheap and easy to mass produce |
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| painting style where the focus is not on realism but on the artist's brush strokes. Skill is communicated through brush strokes |
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| elevated dome shaped pavilions in Indian architecture. often a memorial marker for a funeral |
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| Persian style tower. often found near or adjacent to a mosk. (Taj Mahal) |
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| long narrow scroll displaying artwork. meant to be viewed and then put away |
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| person capable of reaching Nirvana. Choses not to in order to help others |
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| meant to be unrolled and hung out for display |
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Ambrogio Lorenzetti, The Effects of Good Government in the City and in the Country. Sala dei Nove (Salle della Pace), Palazzo Pubblico, Siena. 1338-9. Fresco |
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Vesperbild (pieta), middle Rhine region, Germany, c. 1330. Wood and polychromy
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Master of Mary of Burgundy (fl. 1475-1490). Hours of Mary of Burgundy codex: Mary of Burgundy at her Devotions. Before 1482. Colors and ink on parchment
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Workshop of the Master of Flémalle (Robert Campin, active 1406-44), Mérode Altarpiece (Triptych of the Annunciation), c. 1425-1430s. Oil on wood panel
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Jan van Eyck (Flemish, active 1420s-1440s), Man in a Red Turban, 1433. Oil on wood panel
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Roger van der Weyden (c. 1400-1464), St. Luke Drawing the Virgin and Child, c. 1435-38. Oil and tempera on wood panel
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Foundling Hospital. Florence (1419 and later). Filippo Brunelleschi
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Palazzo Rucellai. Florence (1450-70). Leon Battista Alberti.
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Piero della Francesca, Portrait of the Duchess and Duke of Urbino, tempera on wood panel. After 1472.
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Perugino (c. 1445-1523), Christ Giving the Keys to St. Peter, c. 1480-82. Fresco.
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Raphael, School of Athens, fresco in the Stanza della Segnatura, Vatican, Rome
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Michelangelo (1475-1564), David, 1501-04. Marble
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Michelangelo Buonarroti (1475-1564), Laurentian Library, vestibule. 1524-50
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Andrea Palladio (1508-80), Villa Rotonda, “suburbano,” 1566. Vicenza, Italy.
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Parmigianino 1503-40), Madonna of the Long Neck, 1534-40. Oild on wood panel
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da Vinci (1452-1519), 1495-98. The Last Supper. Refectory of Santa Maria delle Grazie (Milan, Italy). Oil with some tempera grassa
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Bodhisattva Avalokiteshvara, from Kurkihar, Bihar, India. Pala dynasty, 12th century. Gilt bronze
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Walking Buddha, bronze, height 220 cm. Thailand, Sukhothai period, 14th-15th century
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Taj Mahal, Agra, India, 17th century. By Mughal Emperor Shah Jahan
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| They Bayon, Angkor. 13th Century. (Plan) |
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The Bayon, 13th century, Angkor
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Ni Zan (1306-74), Rongxi Studio. Yuan-Ming, dated 1372. Hanging scroll, ink on paper
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