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| refers to the subjects, symbols, and motifs used in an image to coney its meaning |
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| It is the design and execution of lettering with a broad tip instrument or brush in one stroke |
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| Moving in, consisting of, bounded by, or characterized by a straight line or lines |
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| of a function of two variables is a curve along which the function has a constant value |
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| means "not just from someone’s point of view." An objective matter is one that everyone (who is sane, rational, and appropriately informed) will agree about |
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| not representing objects known in physical nature; nonrepresentational: some nonobjective works by Kandinsky and Mondrian. |
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| refers to distances or areas around, between or within components of a piece. Space can be positive (white or light) or negative (black or dark), open or closed, shallow or deep and two |
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| is the area or part of a painting's composition that the subject occupies |
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| in art, is the space around and between the subject(s) of an image |
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| the physical bulk of a solid body of material |
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| a form that does not openly interact with the surrounding space |
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| interacts with the surrounding space |
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| the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power |
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| the expression of application of creative skill and imagination |
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| is an activity or creation by people that has importance because of an attraction to the human senses. |
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| a particular material along with its accompany technique. Plural of medium is media. Mixed Media |
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| putting together parts in order to create a unified whole |
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| handmade, utilitarian function, created by untrained specialist, use of common or indigenous materials |
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| handmade, created by trained specialist, used specialized material |
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| mass produced, made by machines, not made by specialist |
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| based mostly on one color |
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| is the basic means for recording and symbolizing ideas, observations, and feelings; it is a primary means of visual communication |
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| circles, triangles, and squares - tend to be precise and regular |
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| are irregulare, often curving or rounded, and seem more relaxed and informal than geometric shapes |
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| suggest visual connections |
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| sometimes called tone, refers to the relative lightness and darkness of surfaces |
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| color schemes emphasize two hues directly opposite each other on the color wheel, such as red and green |
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| color shemes are based on colors adjacent to one another on the color wheel, each containing the same pure hue, such as a color scheme yellow-green, green, and blue - green |
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| is the appearance or condition of oneness |
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| is the achievement of equilibrium, in which acting influences are held in check by opposing forces |
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| is near or exact matching of left and right sides of three-dimensional form or a two-dimensional composition |
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| the left and right sides are not the same |
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| to draw our attention to an area |
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| an artist creates neutral areas of lesser interest that keep us from being distracted from the areas of emphasis |
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| to influence the way we look at a work of art |
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| is the juxtaposition of strongly dissimlar elements |
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| the fact of two things being seen or placed close together with contrasting effect |
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| is the size relation of one thing to another |
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| is the size relationship of parts to a whole |
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