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| any organization of form, often using repetition |
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| forms in order of visual importance |
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| reducing to basicessentials for visual clarity |
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| relationships between shapes |
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Definition
| comparative relationship between parts of a whole |
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| eye travel directed by visual components |
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| repeated use of an element or visual effect |
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| a visual feeling of equilibrium |
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| dissimilarity caused by contrast and elaboration |
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| "sameness" of properties/ repetition |
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| Principles of Organization |
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Definition
| includes harmony, variety, balance, repetition, rhythm, movement, proportion, spatial tension, dominance, and economy |
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| visual response to wavelengths of light/ properties of hue,intensity, and value |
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| 2D surface on which the artist works |
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| total effect of a work's component parts |
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| unoccupied space around positive shapes |
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| a design that is repeated |
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| flow or rhythmic movement caused by repetition |
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| balance "felt" or implied equilibrium |
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| radiating from a central point |
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| exact likeness on either side of a central axis |
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| real or implied surface characteristics |
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| relative degree of light or dark |
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| defined or implied 2D configuration |
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| path of a moving point made by a tool or material |
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| the basic visual essentials of line, shape, value, texture, and colour |
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| total appearance, organization, or arrangement of visual elements |
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