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 | Definition 
 
        | point at which the receding parallel lines in a painting appear to meet |  | 
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 | Definition 
 
        | the art of fancy doodling, using line and pattern |  | 
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 | Definition 
 
        | a path of a point that travels through space |  | 
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 | Definition 
 
        | rapidly executed or casual portrayal of a subject |  | 
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 | Definition 
 
        | a drawing technique which employs many small dots or flecks to construct the image, or shading. |  | 
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 | Definition 
 
        | a drawing or other artwork an artist does of themself |  | 
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 | Definition 
 
        | red, blue, and yellow; the colors that can be mixed to produce other colors |  | 
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 | Definition 
 
        | Sixties movement led by Andy Warhol and Roy Lichtenstein
 Involved representing thing that were popular to society at the time 
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 | Definition 
 
        | A form of ceramic art, in which wet clay is shaped, dried, glazed and fired in a kiln |  | 
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 | Definition 
 
        | A term which refers to the "depth" of a picture - that is, the illusion of three-dimensional space
 |  | 
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 | Definition 
 
        | Chalklike crayon made from pigment mixed with gum and water and pressed into a stick-shaped form. Because pastel tends to be light and chalky in tone, the word is also used to describe pale, light colours. |  | 
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 | Definition 
 
        | slab of wood, metal or glass used by the artist for mixing paint |  | 
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 | Definition 
 
        | process of applying paint.
 |  | 
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 | Definition 
 
        | three-dimensional representation of objects.
 
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 | Definition 
 
        | drawing technique that uses closely spaced parallel lines to indicate toned areas. When crossed by other lines in the opposite direction it is known as cross-hatching |  | 
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        | Term 
 | Definition 
 
        | Refers to the area of the picture space closest to the viewer, immediately behind the picture plane. The next distant area is the middleground; the most distant is the background
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 | Definition 
 
        | An upright support (typically a tripod) employed for holding an artist's canvas while it is being painted |  | 
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 | Definition 
 
        | A diagrammatic chart showing the placement of colors in relationship to each other
 |  | 
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        | Term 
 | Definition 
 
        | These colors lie directly opposite each other in the color wheel: like
 blue and orange, red and green,
 violet and yellow
 |  | 
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        | Term 
 | Definition 
 
        | Any set of three or five colors that are closely related in hue and
 usually found next to each other
 on the color wheel - such as blue,
 blue-green, and green.
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        | Term 
 | Definition 
 
        | These result from the mixing of a
 primary and a secondary color
 (like red and green) or two
 secondary colors (like green and
 orange).
 
 
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        | Term 
 | Definition 
 
        | Tints are paler variants of a particular
 color, obtained by adding white.
 For example, pink is a tint of red.
 |  | 
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        | Term 
 | Definition 
 
        | A shade is a dark value of a color
 (eg. dark blue), as opposed to a tint,
 which is a lighter hue (eg. light blue).
 Shades of a particular color are
 obtained by adding black.
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        | Term 
 | Definition 
 
        | refers only to the type of mark made on the canvas (the dot). On might just as easily call it "dottism". The actual theory of mixing paint-pigments optically, |  | 
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 | Definition 
 
        | Sunday Afternoon on the Island of La Grande Jatte (1884-86, by whom [image] |  | 
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 | Definition 
 
        | [image]     Who painted this? |  | 
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