Term
|
Definition
| Personal notation, sketch, to record an event; to/for study; to create a final product |
|
|
Term
|
Definition
| is a method of drawing widely used by art teachers, where an artist draws the contour of a subject without looking at the paper |
|
|
Term
|
Definition
| a technique in which lines are placed in parallel series to darken the value of an area |
|
|
Term
|
Definition
| is a method of line drawing that describes light and shadow. The representation of light utilizes the white or openness of the page, while shadow is created by a density of crossed lines |
|
|
Term
|
Definition
| to depict the illusion of depth, by transforming a circular shape into a three-dimensional form |
|
|
Term
|
Definition
| a drawing medium developed in late 18th century: similar to pencil in its graphic content includes clay |
|
|
Term
|
Definition
|
|
Term
|
Definition
| provides color usually in the form of a very fine powder |
|
|
Term
|
Definition
| is a sticky substance that holds the pigment particles together and attacheds the pigment to the surface |
|
|
Term
|
Definition
| the medium tool used to transfer the pigment, and binder to the canvas surface; makes the paint a liquid, and can be added to the paint for thinning |
|
|
Term
|
Definition
| a mixture of glue and chalk, thinned with water and applied as ground before painting with oil or egg tempera |
|
|
Term
|
Definition
| also aquarelle from French, is a painting method in which the paints are made of pigments suspended in a water-soluble vehicle |
|
|
Term
|
Definition
| is a type of paint consisting of pigment, a binding agent (usually gum arabic), and sometimes added inert material, designed to be used in an opaque method |
|
|
Term
|
Definition
| is a permanent, fast drying painting medium consisting of colored pigment mixed with a water soluble binder medium (usually a glutinous material such as egg yolk or some other size). Tempera also refers to the paintings done in this medium. |
|
|
Term
|
Definition
| not transparent or translucent; impenetrable to light; not allowing light to pass through |
|
|
Term
|
Definition
| thick paint applied to a surface in a heavy manner, having the appearance and consistency of buttery paste or of cake frosting |
|
|
Term
|
Definition
| A technique in which pigments suspended in water are applied to a damp lime-plaster surface |
|
|
Term
|
Definition
| is a fresco painting technique in which pigments ground in water are tempered using egg yolk or whole egg mixed with water which are applied to plaster that has been moistened (using this temper) to simulate fresh plaster. |
|
|
Term
|
Definition
| originating from an Italian word which means "a day's work." |
|
|
Term
|
Definition
| Created by china in 9th century; Then paint making came to Europe in 15th century; Used for saint prayer cards; Playing cards |
|
|
Term
|
Definition
| The printmaker cuts away all parts of the printing surface not meant to carry ink, leaving the design "in relief" at the level of original surface; The oldest relief print are woodcuts |
|
|
Term
|
Definition
| this printing process is the opposite of relief printings: Areas below the surface hold the ink |
|
|
Term
| Mechanical process (Intaglio) |
|
Definition
| through the use of brute force the artist cuts lines into the polished surface of a metal plate with a burin tool. the process also known as Engraving |
|
|
Term
|
Definition
| is similar to line engraving. Using a pointed tool with a steel or diamond tip, the artist scratches lines into a soft copper or zinc plate. |
|
|
Term
| Chemical process (Intaglio) |
|
Definition
| the process by use of acid chemicals to eat away metal from a plate |
|
|
Term
|
Definition
| begins with the perparation of a metal plate. The artist paints the surface of the copper or zince plate with a coating of either wax or varnish that will resist acid |
|
|
Term
|
Definition
| is an etching process used to obtain gray areas in black-and-white or color prints. The artist sprinkles acid-resistant powder on the plate over parts that need a gray tone. |
|
|
Term
| Advantages of Printmaking |
|
Definition
| mass production of books; redistributable |
|
|
Term
|
Definition
| is a relief printing artistic technique in printmaking in which an image is carved into the surface of a block of wood, with the printing parts remaining level with the surface while the non |
|
|
Term
|
Definition
| is a printmaking technique, a variant of woodcut in which a sheet of linoleum (sometimes mounted on a wooden block) is used for the relief surface. |
|
|
Term
|
Definition
| is a method of printing originally based on the principle that oil and water do not mix. |
|
|
Term
|
Definition
| is a thin sheet of material, such as paper, plastic, wood or metal, with letters or a design cut from it, used to produce the letters or design on an underlying surface by applying pigment through the cut |
|
|
Term
|
Definition
| is a printing technique that uses a woven mesh to support an ink |
|
|
Term
|
Definition
| is an optical device that projects an image of its surroundings on a screen |
|
|
Term
|
Definition
| is the art, science and practice of creating durable images by recording light or other electromagnetic radiation, either chemically by means of a light |
|
|
Term
|
Definition
| process (also called daguerreotypy), introduced in 1839, was the first publicly announced photographic process and the first to come into widespread use |
|
|
Term
| Collodian Wetplate process |
|
Definition
| was a manner of taking photographs which used panes of glass, coated with a chemical solution, as the negative |
|
|
Term
|
Definition
| is an optical device which transmits and refracts light, converging or diverging the beam |
|
|
Term
|
Definition
| is a hole or an opening through which light travels |
|
|
Term
|
Definition
| There are two main types, 1. Freestanding, and 2. Relief-Sculpture |
|
|
Term
|
Definition
| sculpture meant to be seen from all sides is call in-the-round, or |
|
|
Term
|
Definition
| a sculpture that is not freestanding but projects from a background |
|
|
Term
|
Definition
| the projection from the surrounding surface is slight |
|
|
Term
|
Definition
| more than half of the natural circumference of the modeled form projects from the surrounding suface, and figures are often substantially undercut |
|
|
Term
|
Definition
| the image is made by cutting the relief sculpture itself into a flat surface |
|
|
Term
|
Definition
| pliable material such as clay, wax, or plaster is built up, removed, and pushed into a final form |
|
|
Term
|
Definition
| carving away unwanted material to form a sculpture |
|
|
Term
|
Definition
| process by which a liquid material is usually poured into a mold, which contains a hollow cavity of the desired shape, and then allowed to solidify |
|
|
Term
|
Definition
| the mold is destroyed to remove the hardened cast, thus permitting the creation of only a single cast |
|
|
Term
|
Definition
| is the process of shaping liquid or pliable raw material using a rigid frame called a mold or matrix |
|
|
Term
|
Definition
| sculpture made by assembling found or cast-off objects that may or may not contribute their original identities to the total content of the work |
|
|
Term
|
Definition
| is made out of such basic preformed components as metal tubes, rods, plates, bars, and sheets; wooden laths, planks, dowels, and blocks; laminated timbers and chipboards; sheets of Perspex, Formica, and glass; fabrics; and wires and threads |
|
|
Term
|
Definition
| sculpture that incorporates actual movement as part of the design |
|
|
Term
|
Definition
| an artist transforms a space by bringing into it's items of symbolic significance. The artist treats the entire space as an artwork. |
|
|
Term
|
Definition
| metal are inserted into the surface of the art piece |
|
|
Term
|
Definition
| by treating metal sufaces with chemical solutions to give the effect of various colors |
|
|
Term
|
Definition
| coloured materials into depressions in a base object to form patterns or pictures that normally are flush with the matrix |
|
|
Term
|
Definition
| is a science to solve physics problems |
|
|
Term
|
Definition
| is system with a lintel, header, or architrave as the horizontal member over a building void supported at its ends by two vertical columns, pillars, or posts |
|
|
Term
|
Definition
| a row of columns spanned, or connected, by beams |
|
|
Term
|
Definition
| may be supported by either a column or a pier, a more massive version of a column |
|
|
Term
|
Definition
| the final stone that is set in place at the top of the arch |
|
|
Term
|
Definition
| a series of arches supported by columns forms |
|
|
Term
|
Definition
| an arch rotated 180 degress on its vertical axis |
|
|
Term
|
Definition
| is a constructive device permitting the placing of a circular dome over a square room or an elliptical dome over a rectangular room |
|
|
Term
|
Definition
| is one of the most basic curvilinear geometric shapes, thesurface formed by the points at a fixed distance from a given line segment |
|
|
