Tom Wesselmann

Still Life #12

1962

Acrylic and collage on fabric

National Museum of American Art, Smithsonian Institution, Washington, D.C.

Tom Wesselmann

Great American Nude #57

1964

Synthetic polymer on composition board

Whitney Museum of American Art

Richard Artschwager

Table and Chair

1963-4

Formica on wood

Andy Warhol

Dick Tracy

1960

Casein and crayon on canvas

Private Collection, New York

Andy Warhol

Storm Door

1960

Synthetic polymer paint on canvas

Thomas Ammann, Zurich

Andy Warhol

Storm Door

1961

Synthetic polymer paint on canvas

Private Collection, New York

Andy Warhol

32 Campbell's Soup Cans

1961-2

Acrylic on canvas

Irving Blum Collection, New York

Andy Warhol

Marilyn Monroe's Lips

1962

Synthetic polymer paint, silkscreened, and pencil on canvas

Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.

Andy Warhol

Gold Marilyn Monroe

1962

Synthetic polymer paint, silkscreened, and oil on canvas

Museum of Modern Art

Andy Warhol

Saturday Disaster

1964

Synthetic polymer paint, silkscreened, on canvas

Rose Art Museum, Brandeis University, Waltham, Massachusetts

Andy Warhol

Self Portrait

1967

Synthetic polymer paint, silkscreened, on canvas

Tate Gallery, London

Andy Warhol

Gale Smith

1978

Synthetic polymer paint, silkscreened, on canvas

Andy Warhol

Skulls

1976

Synthetic polymer paint, silkscreened, on canvas

Roy Lichtenstein

Standing Rib

1962

Oil on canvas

Museum of Contemporary Art, Los Angeles

Roy Lichtenstein

Blam

1962

Oil on canvas

Yale University Art Gallery

Roy Lichtenstein

Drowning Girl

1963

Oil and synthetic polymer paint on canvas

Museum of Modern Art, New York

Roy Lichtenstein

Little Big Painting

1965

Oil and synthetic polymer on canvas

Whitney Museum of American Art, New York

James Rosenquist

White Cigarette

1961

Oil on canvas

Museum of Contemporary Art, Los Angeles

Robert Indiana

The Demuth American Dream #5

1963

Oil on canvas

Art Gallery of Ontario, Toronto

James Rosenquist

Nomad

1963

Oil on canvas, plastic, and wood

Albright-Knox Art Gallery, Buffalo, New York

James Rosenquist

F-111

1965

Oil on canvas with aluminum

James Rosenquist

Paper Clip

1973

Oil and acrylic on canvas

Dallas Museum of Art

James Rosenquist

Through the Eye of the Needle to the Anvil

1988

Oil on canvas

Collection of the artist

H.C. Westermann

Memorial to the Idea of Man, If He Was an Idea

1958

Pine, bottle caps, metal, glass, enamel, and toys

Museum of Contemporary Art, Chicago

H.C. Westermann

Brinkmanship

1959

Assemblage of plywood, electroplated and welded metal, bottle caps, and string on plywood wood base

Hirschhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.

Peter Saul

Typical Saigon

1960s

Gladys Nilsson

1960s

Karl Wirsum

Screamin J. Hawkins

1968

Acrylic on canvas

Art Institute of Chicago

Jim Nutt

1960s

H.C. Westermann

Angry Young Machine

1960

Painted wood and metal on casters

Art Institute of Chicago

Ed Paschke

Ramrod

1969

Oil on canvas

Chicago

Roger Brown

Tropical Storm

1972

Oil on canvas

Marlene and Gene Siskel Collection, Chicago

Bruce Conner

THE CHILD

1959-60

Assemblage: wax figure with nylon, cloth, metal, and twine in a high chair

Museum of Modern Art, New York

Joan Brown

1970s

Manuel Neri

Untitled

1950s

Peter Voulkos

Sevillanas

1959

Glazed stoneware

San Francisco Museum of Modern Art

R. Crumb

1970s

Edward Kienholz

The Wait

1964-5

Tableau

Whitney Museum of American Art, New York

Joe Goode

1960s

Ed Ruscha

Large Trademark with Eight Spotlights

1962

Oil on canvas

Whitney Museum of American Art, New York

Vija Celmins

1964

Robert Arneson

John with Art

1964

Glazed ceramic with polychrome epoxy

Seattle Art Museum

Richard Shaw

1980s

David Gilhooly

Mao Tse Toad

1976

Glazed earthenware with overglaze transfers

Whitney Museum of American Art, New York

Robert Arneson

Typewriter

1966

Glazed ceramic

University Art Museum, University of California at Berkeley

Robert Arneson

Smorgi-Bob, The Cook

1971

White earthenware with glaze, vinyl tablecloth, and wood table

San Francisco Museum of Modern Art

Robert Arneson

Klown

1978

Glazed ceramic

Des Moines Art Center

Robert Arneson

The Eye of the Beholder

1982

Acrylic, oil pastel, and alkyd on paper

Eva Hesse

Several

November 1965

Acrylic paint, papier mache over seven balloons with rubber cord

Saatchi Collection, London

Frank Stella

The Marriage of Reason and Squalor

1959

Oil on canvas

Saint Louis Art Museum

Donald Judd

Untitled

1967

Galvanized iron with green lacquer on front and sides

Helman Collection, New York

Frank Stella

Lake City

1962

Copper paint on canvas

Menil Collection

Frank Stella

Hatra I

1967

Acrylic on canvas

Art Institute of Chicago

Donald Judd

Untitled

1969

Anodized aluminum and blue plexiglass

Saint Louis Art Museum

Tony Smith

Die

1962

Steel

Tony Smith

Amaryllis

1965

Steel

Carl Andre

Element Series

1971

Wood

Carl Andre

Steel Magnesium Plain

1969

Steel and magnesium

Switzerland

Carl Andre

Stone field Sculpture

1977

Glacial boulders

Hartford, Connecticut

Dan Flavin

Untitled

1963

Green fluorescent light

Dan Flavin

Monument for V. Tatlin

1968

Cool white fluorescent light

Robert Morris

Untitled ("L" beams)

1965 and 1967

Painted plywood

Original destroyed

Barry Le Va

Continuous and Related Activities: Discontinued by the Act of Dropping

1967

Glass and maroon felt

Whitney Museum of American Art, New York

Robert Morris

Untitled

1968

Threadwaste, mirrors, asphalt, aluminum, lead, felt, copper, and steel

Robert Morris

Untitled

1967-68

Felt

Philip Johnson Collection

Sol LeWitt

Wall/Floor Piece

1976

Sol LeWitt

Wall Drawing

1960s

Robert Mangold

Four Color Frame Painting

1980s

Ellsworth Kelly

Three Panels: Orange, Dark Gray, Green

1986

Oil on canvas

Douglas S. Cramer Foundation Collection, Los Angeles

Robert Ryman

1963

Brice Marden

D'apres la marquise de la Solana

1969

Oil and wax on canvas

Solomon R. Guggenheim Museum, New York

Lynda Benglis

1960s and 70s

Gunter Ucker

Table

1960s

Louise Bourgeois

1960s

Eva Hesse

Ishtar

December 1965

Cord-bound and painted hemispheres, with black cords mounted on heavy paper stapled and nailed on wood; paper gessoed and painted with acrylic

Collection of Florette and Ronald B. Lynn, New Jersey

Eva Hesse

Untitled

1970

Fiberglass over wire mesh, latex overcloth and wire

Des Moines Art Center

Eva Hesse

Untitled (Rope Piece)

1970

Latex over rope, string and wire

Whitney Museum of American Art, New York

Bruce Nauman

1960s

Bruce Nauman

Self Portrait as a Fountain

1966-7

Color photograph

New York

Bruce Nauman

1960s

Richard Tuttle

Canvas Dark Blue

1967

Dyed and shaped unstretched canvas

Sperone Westwater Gallery, New York

Richard Serra

Belts

1966-7

Vulcanized rubber belts and neon tubing

Solomon R. Guggenheim Museum, New York

Richard Serra

Splashing

1968

Lead

Castelli Warehouse, New York

Keith Sonnier

1960s

Richard Serra

Corner Prop

1969

Lead antimony

Gilman Paper Company Collection, New York

Richard Serra

Tilted Arc

1981

Cor-ten steel

Federal Plaza, New York and General Services Administration, Washington, D.C.

Eduardo Paolozzi

Real Gold

1950

Collage

Tate Gallery, London

Eduardo Paolozzi

It's a Psychological Fact Pleasure Helps Your Disposition

1948

Mixed media on paper

Tate Gallery, London

Peter Blake

Sergeant Pepper's Lonely Hearts Club Band

1967

Album cover for the Beatles

Richard Hamilton

Just what is it that makes today's homes so different, so appealing?

1956

Collage on paper

Kunsthalle Tubingen, Sammlung Zundel

David Hockney

Adhesiveness

1960

Oil on board

Winnie Fung Collection

David Hockney

Henry Geldzahler and Christopher Scott

1969

Acrylic on canvas

David Hockney

A Diver

1978

Colored, pressed colored paper pulp

David Hockney

Nichol's Canyon

1980

Acrylic on canvas

Group formed post-WWII by artists from the Institute for Contemporary Arts

These artists turned around and faught the idealism and elitism of high art

Set new ground for the British Pop movement

Opposed "the introspective and expressionistic model of artists like Bacon and de Kooning"

Movement that began with the Independent Group

Important artists - Reyner Banham, Richard Hamilton, Eduardo Paolozzi

Photographs and paintings often had a science fiction and machine feeling

Exhibition in 1956 collaborated by individual artists from the Independent Group

Focused on popular culture over individual interest

Included artists like Richard Hamilton, John McHale, John Voelcker

Italian artist influenced by Leger and other older modern masters

Most famous for his collages in the late-40s

Emphasized the commercial influence on modern-day culture

Subject matter includes popular images of Mickey Mouse, advertisements, and everyday household activities

An artist learned in traditional painting influenced by mainly Picasso and Matisse

Fresh perspective, often changing style from gesture/abstract in the 50s, narrative in the 60s, photo-collage in the 70s, back to expressionistic painting in the 80s

Homoerotic subject matter influenced by Walt Whitman, Larry Rivers, and Henry Geldzahler

Subject matter boomed by the popularity of television

Response to the diminishing relevance of existentialism and introspective individualism in art, post WWII

Warhol, Lichtenstein, and Rosenquist were its main figures in New York

Major pop art exhibition in New York formed by Sidney Janis

Connected the major pop artists with less known artists in New York

Collage artist who began with using found objects then turned to painting similar material in still lifes

Combined many popular commercial images within the same work

Well known by his "Great American Nudes" from the 60s

Slightly outside the definitely of a pop artist

Impersonal perspective on geometric images which crosses between pop and minimalism

American pop artist who painted in large scale, recalling his previous occupation as a billboard painter

Political and cultural context in fragmented and blown up images juxtaposed around each other in a way to insinuate an entirely new meaning