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- more towards the left you are communist and liberal
- more towards the more right you are the more facist and conservative |
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-neutral- issues of right and wrong are treated supifically witrh little or no analysis
-implicit- protagonist and antagonist represent conflicting value systems but are not dwelled on
- explicit- thematically oriented movies aim to reach or pursuade as much as to entertain
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body of ideas reflecting the social needs and aspirations of an individual group, class, or culture
- give a set of values |
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| the voyeristic aspects of cinema sneakily surther glaces at the forbidden and erotic |
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- loose- only an idea a situation or character is taken from a literry work
-faithful- attempt to recreate the literary source in film keeping as close as possible
-literal- usually resricted to plays
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| reports events from outside |
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| Third person point of view |
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| non participant character who tells story for concious of 1 character |
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| all knowing third person observer |
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comparison of some kind that connont be literally true
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imply additional meanings that are relativly apparent to sensetive observer
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| believed that most neuroses were sexually based, thought art was a by product of neurosis |
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| believe that movies reflected the social worries of the age and time |
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-primitive- naive, but powerful in its emotional impact becasue of novelty
-classical- stage emobodies such classical ideals as balance, richness, and poise
- revisionist- symbolic ambiguoius, less certain in its value appealing to intellect
- parodic- mockary of its conventions |
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ment to look fake
-time is oftern scrambled and rearenged |
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