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| A mark that can vary in length, width, type, and expression |
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| the lightness and darkness of a color |
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| the roughness and smoothness of something which refers to the way something looks or feels |
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| an object with two dimensions, length and width |
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| An object with three dimensions, length, width, and depth |
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| the place where everything converges and meets at one spot |
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| the place where the land and sky meet |
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| an entire piece of artwork made with different values of one color |
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| inanimate objects arranged in a specific way for the purpose of making a piece of artwork |
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| a piece of artwork where you can recognize the subject, but it is not portrayed or created in a realistic way |
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| artwork that is only about color, shape, and design and usually does not have a recognizable subject |
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| a piece of artwork where the human head is the subject |
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| the distance the eyes are apart in a portrait |
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| halfway between the top and bottom of the head on a portrait |
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| the mixture of two primary colors |
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the mixture of one primary color and one secondary color
(Primary color goes first) |
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| the art of fine handwriting |
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| a small pencil-shaped paper tool that aids in the shading process |
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| the means with which the artist creates their artwork |
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| usually three pieces of artwork; the middle panel is usually the largest and most important, flanked by two smaller and lesser but related pieces |
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| a continuous line drawing of a subject without looking |
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The Halls of Running Bulls
[image]
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15, 000 B.C.E.
Lascaux, France |
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1,500 C.E.
Leonardo da Vinci |
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