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| The psychology of looking and seeing. |
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| The art of fine hand writing. |
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| What an artist has chosen to paint or sculpt, that is normally an original idea. |
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| The meaning or significance of an artistic work. |
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| Artwork that closely resembles forms in the natural world. |
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| Resembling something in the natural world. |
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| Does not depict a person, place, or a thing in the natural world. |
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| Non- Objective/ Non- representational |
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| Abstract art that uses specific color and line. |
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| Believing ones race is superior to the rest. |
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| The story depicted in a work of art. |
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| Physically public and used to portray an idea. |
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| An artwork detailing the outside contour lines of a figure. |
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| Lines that outline an images exterior edges. |
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| Lines that form a "bridge" between each other. |
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| A line from an observer's eye to a distant point. |
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| Conveying a 3D object with no shading using other line types. |
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| Mathematically precise or rationally organized lines. |
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| Mathematically precise or rationally organized lines drawn by a vertical and horizontal lines. |
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| Mass shows a 3D image because of shading, a shape can just be a basic 2D shape. |
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| Contrasting images to form an image. |
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| To cover or extend beyond. |
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| Parallel lines are draw next to each other to give the illusion of depth and distance. |
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| 1- Point Linear Perspective |
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| Drawing in which images are scaled to 1 distant point. |
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| 2- Point Linear Perspective |
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| Drawing in which images are scaled to 2 distant point. |
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| Image leads you to a point of which image was scaled from. |
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| Point at which art work makes the most visual sense. |
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| Images are scaled going from foreground to background. Images in background are small compared to foreground. |
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| Aerial perspective that separates foreground from background via haze or much sky. |
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| Drawing a 3D object of a already existing real image. |
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| Strong difference between light and dark. Normally one light source. |
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| "Without Lines or Borders" Haze may be used to prevent lines. |
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| Heavy contrast between light and dark, darkness takes over the image. |
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| Hatching/ Cross- hatching |
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| Using straight or perpendicular lines to portray an image more clearly and to give depth and texture. |
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| Pure color picked out of a color wheel. |
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| The lightness or darkness of color. |
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| White added to make it lighter. |
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| Color added to make a darker version of that color. |
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| The greatest possible intensity of the color. |
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| Colors between main/ unmixed colors on the color wheel. |
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| Colors adjacent to the main color (to the left and the right of the main color). |
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| Colors opposite to any color on the color wheel (the opposite side). |
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| Multiple colors used to contrast the same color. |
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| "After-Image" Negative image that becomes "normal" when viewed against another surface. |
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| Artwork made up of points, dots of paint. |
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| 1 color in multiple shades was used to portray something. |
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| Using many colors to portray an image. |
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| Natural colors of an object are the only colors present, no others. |
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| Non- natural color used to portray an image. |
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| The visual or physical feel of an image. |
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| Portraying an illusion of tangibility. |
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| Art that is done in very very thick paint. |
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| Rubbing over of a object to imprint it on paper. |
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| Text which has a picture to accompany it. |
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| Image made up of smaller animals. |
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| Objects in image are constantly overlapping. |
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| Image in which multiple event are going on at different times. |
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| Basic pattern, like squares, used create a sense of movement. |
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| Even on both sides. Right and left. |
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| Art "standing on one leg". |
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| Image radiate from the center. |
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| Point of which the attention is drawn towards. |
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| No focal point. Like dots on a page. |
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| Accurate to the real world. |
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| Image place over and over in a picture. |
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