| Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Quadrille at the Moulin Rouge Artist: Henri de Toulouse-Lautrec Medium: Oil on Cardboard Origin: Paris/France Date: post-impressionism, 1892 Extra Info: Quadrille is the dance the women in the pointing is about to perform and the artist uses strong silhouettes |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: La Goulue at the Moulin Rouge Artist: Henri de Toulouse-Lautrec Medium: poster, color lithograph Origin: Paris/France Date: post-impressionism, 1891 Extra Info: The posters generally form parts of the message |  | 
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        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Mont Sainte-Victoire Artist: Paul Cezanne Medium: Oil on Canvas Origin: Cezanne is from France, the painting is in Russia Date: post-impressionism, 1900 Extra Info: artist revisited a subject that had preoccupied him for years, personal identification with mountain indicated by rich green tree in right foreground     |  | 
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        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Sunday Afternoon on the Island of La Grande Jatte Artist: Georges Seurat Medium: Oil on Canvas Origin: La Grade Jatte is an island in the river Seine, Seurat is from France Date: post-impressionism, 1884-86 Extra Info: Seurat's painstaking and systematic technique reflected his scientific approach to painting  |  | 
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 [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: The Starry Night Artist: Vincent van Gough Medium: Oil on Canvas Origin: France Date: post-impressionism, 1889 Extra Info: artist painted this while in mental asylum, seen as the reflection of a disturbed mind |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Nevermore Artist: Paul Gauguin Medium: Oil on Canvas Origin: Painted in Tahiti, artist from France Date: post-impressionism, 1897 Extra Info: depicts the Tahitian version of reclining nude, influence of Japanese prints and native designs  |  | 
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        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: The Scream Artist: Edvard Munch Medium: Oil, Pastel, and Casein on Cardboard Origin: Norway Date: post-impressionism, 1893 Extra Info: represents his own sense of disintegration, "I felt as though a scream went through nature - I though I heard a scream - I painted this picture- painted the clouds like real blood. The colors were screaming." -Munch |  | 
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        | [image] Title? Artist? Medium? Origin? Date? |  | Definition 
 
        | Title: The Dream  Artist: Henri Rousseau Medium: Oil on Canvas Origin: France Date: post-impressionism, 1910 Extra Info: painted shortly before his death and eleven years after the publication of Freud's Interpretation of Dreams, painted to seem like it is daytime contrary to when dream happen (at night) |  | 
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        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: The Old Guitarist Artist: Pablo Picasso Medium: Oil on Panel Origin: artist from Spain, bounced between Paris, Barcelona, Madrid before settling in Paris in 1904 Date: Symbolism, 1903 Extra Info: emphasizes somber quality with blue color and silver light, guitarist body style (long, thin, bony, etc.) conveys dejection, his inward focus indicates that he is blind, elongated forms of flickering silver light evoke spirituality of El Greco (1500s artist) |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Women with the Hat Artist: Henri Matisse Medium: Oil on Canvas Origin: France Date: Fauvism, 1905 Extra Info: portrait of the artist's wife, chromatic unity between figure and background |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Joy of Life Artist: Henri Matisse Medium: Oil on Canvas Origin: France Date: Fauvism, 1905-06 Extra Info: uses fauve color to create a mood of exuberant, creative eroticism, Matisse refers to the idyllic pastoral tradition of antiquity in the shepherd, to dancers circling Greek vases in the background, and to Classical nudes reclining and stretching |  | 
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        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: The Street Artist: Ernst Ludwig Kirchner Medium: Oil on Canvas Origin: Germany Date: Expressionism, 1907 Extra Info: combines exuberant Expressionist color with undulating (wavelike motion) forms reminiscent of Munch, the flat color areas can be related to Fauvism, The Street has a dreamlike quality created by unusual color and curvilinear, undulating forms |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Panel for Edwin R. Campbell No. 4 (formerly Painting Number 201, Winter) Artist: Vassily Kandinsky Medium: Oil on Canvas Origin: Russia Date: Expressionism, 1914 Extra Info: on of fours series representing seasons - this one being winter, Kandinsky creates a swirling, curvilinear motion, within which there are varied lines and shapes   |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Several Circles Artist: Vassily Kandinsky Medium: Oil on Canvas Origin: Russia Date: Expressionism, 1926 Extra Info: Kandinsky pursued  notion of the spiritual in art, did so by endowing delicate geometric shapes with a dynamic spatial tension, translucent circles float in a swirling space |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: The Large Blue Horses Artist: Franz Marc Medium: Oil on Canvas Origin: Germany Date: Expressionism, 1911 Extra Info: combines geometry with rich color, can be considered in the abstract terms of musical composition, Marc's believed animals were better suited than humans to the expression of cosmological ideas |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Harmony in Red Artist: Henri Matisse Medium: Oil on Canvas Origin: France Date: Matisse after Fauvism, 1908-09 Extra Info: women seems secondary to formal arrangement, same color on wall and table minimizes sense of perspective, despite the flattening of the form by minimal modeling, Matisse endows the women and the still-life objects with a sense of volume, Arabesques (outside window): an intricate pattern of interlaced or knotted lines consisting of stylized floral, foliage, and other motifs  |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Dance I Artist: Henri Matisse Medium: Oil on Canvas Origin: France Date: Matisse after Fauvism, 1909 Extra Info: it is the figures, rather than the arabesques, that dance, pose replicates those in the background of The Joy of Life, Matisse creates 3D illusion in the dancers themselves  |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Les Demoiselles d'Avignon Artist: Pablo Picasso Medium: Oil on Canvas Origin: Picasso is from Spain, later moved to France Date: Cubism, 1907 Extra Info: representation of five nudes and a still life launched a spatial revolution, far left nearly replicates pose of ancient Egyptian kinds, Picasso's two central figures based on traditional poses of Venus, and the two figures on the right (seated and standing nude) based on African prototypes |  | 
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        | [image] Title? Artist? Medium? Origin? Date? Extra Info |  | Definition 
 
        | Title: Violin and Pitcher Artist: Georges Braque Medium: Oil on Canvas Origin: France Date: Analytic Cubism, 1909-10 Extra Info: limited to dark greens and browns, subordinate to geometric exploration of 3D space, only reminders of space are violin and pitcher (brief reference to the horizontal surface of a table, and a vertical architectural support on the right) what would normally be air space is filled with cubism |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Three Musicians Artist: Pablo Picasso Medium: Oil on Canvas Origin: France Date: Synthetic Cubism, 1921 Extra Info: arranged flat shapes of color to form objects, a clarinetist, a Harlequin playing a guitar in the center and a monk all built from unmodeled shapes of color arranged into tilted planes, occupy a more traditional space than analytic cubism |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Guernica Artist: Pablo Picasso Medium: Oil on Canvas Origin: Spain Date: Cubism, 1937 Extra Info: combined analytic and synthetic cubism and juxtaposed in a new Surrealist way, painting is Picasso's powerful protest against the brutality of war and tyranny (bombing over the town of Guernica) |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Unique Forms of Continuity in Space Artist: Umberto Boccioni Medium: Bronze Cast Origin: Italy Date: Futurism, 1913 Extra Info: This sculpture gives Futurism a plastic form, represents a man striding vigorously, as if with a definite goal in mind, Boccioni said sculpture must "make objects live by showing their extensions in space" and by revealing the environment as part of the object  |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Broadway Boogie Woogie Artist: Piet Mondrian Medium: Oil on Canvas Origin: New York/America Date: Expressionism/Cubism, 1942-43 Extra Info: grid pattern of the NY streets, flashing lights of Broadway, and the vertical and horizontal motion of cars and pedestrians are conveyed as flat, colorful shapes. Fast shifts of color and their repetition recall the strong, accented rhythm of boogie-woogie, a popular form of music   |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Nude Descending a Staircase Artist: Marcel Duchamp Medium: Oil on Canvas Origin: New York - The Armory Show Date: Futurism/Cubism, 1912 Extra Info: very scandalous, humorous attack on Futurist proscription against traditional Academic nudity , the women in the painting is shown at different points in her descent, so the painting resembles a series of consecutive movie stills, unframed and superimposed |  | 
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        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Lucky Strike Artist: Stuart Davis Medium: Oil on Canvas Origin: America  Date: Synthetic Cubism, 1921 Extra Info: flattened box of cigarettes was influenced by collage, words and numbers recall early newspaper collages, subject itself reflects American consumerism (advertises a product by its package), thus an important early forerunner of Pop Art |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: From Slavery through Reconstruction Artist: Aaron Douglas Medium: Oil on Canvas Origin: Harlem/America Date: Synthetic Cubism, 1934 Extra Info: second in 4 part series of Aspects of Negro Life, depicts 3 events following American Civil War. At the right, there is rejoicing news of the Emancipation Proclamation. Man on soapbox in center represents the success of the black man, whose voice is now being heard. In the background, the Union army leaves the South, and Reconstruction with its anti-Black backlash follows |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Black Square Artist: Kazimir Malevich Medium: Oil on Canvas Origin: Russia Date: Suprematism (Cubism/Futurism), 1929 Extra Info: First work of suprematism, black square was an expression of the cosmic, of pure feeling, and the white was the void beyond feeling |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Fountain (Urinal) Artist: Marcel Duchamp Medium: Sculpture (urinal) Origin: New York/America Date: Dada, 1917 Extra Info: When Duchamp added a title to an object, he called the result a "ready-made". He turned the sculpted urinal upside down, signed it and called it Fountain. The work was rejected by the society, and Duchamp resigned his membership |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Collage Arranged According to the Laws of Chance Artist: Jean (Hans) Arp Medium: Torn and Pasted Paper Origin: Artist is from Switzerland, art is in American now Date: Dada, 1916-17 Extra Info: claims to have glued torn paper where it fell after some movement to prevent overlap. By tilting the rectangles slightly and leaving the edges ragged, Arp animated the image and created the impression that the shapes are trying to arrange themselves |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Le Violon d'Ingres Artist: Man Ray Medium: photograph reworked with pencil and ink Origin: France Date: Surrealism, 1924 Extra Info: Rayograph (made without a camera by placing objects on light-sensitive paper), this photo combines Dada wordplay with Surrealist imagery. The nude recalls odalisques (female slave) of Ingres while the title refers to Ingres' hobby of playing violin. By adding sound holes, Man Ray puns on the similarity between the nude's back and the shape of a violin. The combination of the nume and the holes exemplifies the dreamlike imagery of surrealism |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: The Persistence of Memory Artist: Salvado Dali  Medium: Oil on Canvas Origin: Spain Date: Surrealism, 1931 Extra Info: famous for the melting clock, in a stark, oddly illuminated landscape, a number of elements referring to time - watches, eggs, a dead fish, a dead tree - are juxtaposed with a single living fly and swarming ants. Displaced from an unidentified landscape onto the eerie landscape are two rectangular platforms at left. The one in the foreground impossibly supports the tree, just as an impossible system of lighting produces strange color combonations |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Time Transfixed Artist: Rene Magritte Medium: Oil on Canvas Origin: Artist is Belgian, Art in America, maybe from France Date: Surrealism, 1938 Extra Info: juxtaposed two familiar objects in order to evoke the unfamiliar, Poignardee in the French title, literally meaning "stabbed" with a dagger or sward, expresses the "transfixed," frozen quality of both the train and the time   |  | 
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        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Reclining Figure Artist: Henry Moore Medium: Sculpture from Roman Travertine Origin: France (outside UNESCO) Date: Sculpture derived from Surrealism, 1957-58 Extra Info: curvilinear masses and open spaces contrast with the stark rectangularity of the wall. Moor considered the mountainous quality of the forms and the majestic character of the upright head and torso a fitting metaphor for the noble aims of the UN   |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Big Red Artist: Alexander Calder Medium: Painted Sheet Metal and Steel Wire Origin: America Date: Dada/Surrealism, 1959 Extra Info: mobiles that hang from ceilings, their playful quality and the chance nature of air currents are reminiscent of Dada and Surrealism, although Calder is more abstract than many Dada and Surrealist artists. |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: American Gothic Artist: Grant Wood Medium: Oil on Beaverboard Origin: America Date: Regionalism/Social Realism, 1930 Extra Info: Although the influence of Gothic is evident in the vertical planes and the pointed arch of the farmhouse window, the figures and their environment are unmistakably those of the American Midwest |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Gas Artist: Edward Hopper Medium: Oil on Canvas Origin: America Date: Regionalism/Social Realism, 1940 Extra Info: combines regionalism and social realism and adds a sense of psychological isolation and loneliness, lone figure at gas pump (the form of which echoes his own), the road is a symbol of travel and time, seems to continue beyond the frame |  | 
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        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Migratory Cotton Picker Artist: Dorothea Lange Medium: Photo - Gelatin-Silver Print Origin: America Date: Regionalism/Social Realism, 1940 Extra Info: used to illustrate rural poverty, in such images Lange succeeded in evoking sympathy for, and identification with, her subject, thereby achieving her political goals |  | 
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        | [image] Title? Artist? Medium? Origin? Date? |  | Definition 
 
        | Title: Thinking about Death Artist: Frida Kahlo Medium: Oil on Canvas Origin: Mexico Date: Surrealism, 1943 Extra Info: The abundance of foliage, juxtaposed with the death's head in the landscape tondo on Kahlo's forehead, alludes to Mexican mythology in which life and death are seen as integral aspects of nature's continuum |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Black and White Artist: Georgia O'Keeffe Medium: Oil on Canvas Origin: America Date: Abstractionism, 1930 Extra Info: abstract depiction of various textures, motion, and form without any reference to recognizable objects, by eliminating color she further distances the image from nature and makes use of the same tonal range that is available to the black-and-white photographer |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: The Gate Artist: Hans Hofmann Medium: Oil on Canvas Origin: America Date: Abstractionism, 1959-60 Extra Info: edges vary from precise to textured. Everywhere, the paint is structured, combining bold expressive color with the tectonic qualities of Cubism and related styles |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Study for Homage to the Square Artist: Josef Albers Medium: Oil on Masonite Origin: America Date: Abstractionism, 1968 Extra Info: surfaces are smooth and the medium is subordinate to the color relationships among the squares, concentrated on the square because he believed that it was the shape furthest removed from nature |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: White Light Artist: Jackson Pollack Medium: Oil, Enamel, and Aluminum Paint on Canvas Origin: America Date: Action Painting, 1954 Extra Info: The white, as indicated by the title, is what predominates, and the intensity of Pollack's light is everywhere present |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Women and Bicycle Artist: Willem de Kooning Medium: Oil on Canvas Origin: America Date: Action Painting, 1952-53 Extra Info: the anxiety created by the woman's appearance matches the frenzy of the brushstrokes. The assault on the figure, which seems to disintegrate into unformed paint, is also and attack on the idealized Classical image of female beauty  |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? |  | Definition 
 
        | Title: Number 15 Artist: Mark Rothko Medium: Oil on Canvas Origin: America Date: Abstract Expressionism, 1957 Extra Info: By muting the colors and blurring the edges of the rectangles, Rothko softens the potential contrast between them. He likewise mutes the observer's attention to the "process" of painting by virtually eliminating the presence of the artist's hand   |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Spectrum III Artist: Ellsworth Kelly Medium: Oil on Canvas Origin: America Date: Color Field Painting, 1967 Extra Info: bands of color create a temporal sequence of visual movement though the spectrum, by aligning them this way, he produces a tactile effect, despite the absence of modeling.  |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Ocean Park No. 129 Artist: Richard Diebenkorn Medium: Oil on Canvas Origin: America Date: West Coast Abstraction (Abstract Expressionism), 1984 Extra Info: reminiscent of the open spaces of the American West and the vast expanse of the Pacific Ocean. Despite the evident influence of Matisse and Cubism on  his vision the strict geometry of the forms is relieved by the drips and the emphasis on the paint texture, which relate his work to Abstract Expressionism |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Black Wall Artist: Louise Nevelson Medium: Wood Origin: America Date: Abstract Expressionism, 1959 Extra Info: objects become abstract by virtue of their arrangement, further abstracting is the fact that it is monochrome, as a result the variety of shape and line takes precedence over the absence of color |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Black Market Artist: Robert Rauschenberg Medium: Canvas, Wood, Metal, and Oil Paints Origin: America Date: Pop Art, 1961 Extra Info: The iconography of this combine points to features of American travel, while the technique and media combine collage with assemblage, Rauschenberg is a combo of Pop Art and Abstract Expressionism  |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Campbell's Soup (tomato) Artist: Andy Warhol Medium: Screenprints on Paper Origin: America Date: Pop Art, 1968 Extra Info: The clear precision of his forms and the absence of any visible reference to paint texture intensify the confrontation with the object represented. Warhol expresses his obsession with mass production and his personal identification with the mechanical, mindless, repetitive qualities of mass consumption   |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Torpedo...Los! Artist: Roy Lichtenstein Medium: Oil on Canvas Origin: America Date: Pop Art, 1963 Extra Info: the impression of violence is enhanced by the close-up of the figure's open mouth and scarred check. The absence of shading and the clear outlined forms replicate the character of comic-book imagery |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Thirteen Books Artist: Wayne Thiebaud Medium: Oil on Panel Origin: America Date: Pop Art, 1992 Extra Info: The titles are blurred and unreadable, thereby suggesting the hidden, secret content of the proverbial "closed book"   |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Clothespin Artist: Claes Oldenburg Medium: Cor-Ten and Stainless Steel Origin: America Date: Pop Art Sculpture, 1976 Extra Info: manages to arouse tactile response by association with actual clothespins, reflects his talent for conveying paradox and metaphor |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Aubade (Dawn) Artist: Bridget Riley Medium: Acrylic on Linen Origin: America Date: Op Art, 1975 Extra Info: the changing width of each line, combined with the changing hues, makes her picture plane pulsate with movement |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Untitled Artist: Donald Judd Medium: Green Lacquer on Galvanized Iron Origin: America Date: Minimalism, 1967 Extra Info: the shadows emphasize the vertical character of the boxes by linking them visually and creating an impression of a nonstructural pilaster |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Untitled #9 Artist: Agnes Martin Medium: Synthetic Polymer and Graphite on Canvas Origin: America Date: Minimalism, 1990 Extra Info: The all-over grid has been replaced by gray horizontal bands that potentially extend beyond the confines of the frame. Their geometry and the fact that the grays lighten as they rise present and image that combines the structure of architecture with the changing, cyclical quality of nature |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Wall Drawing No. 681 Artist: Sol LeWitt Medium: Color Ink Washes (Wall Installation) Origin: America Date: Conceptualism, 1993 Extra Info: Enormous aesthetic appeal despite the artist's insistence that the concept take precedence of the final product  |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? |  | Definition 
 
        | Title: Coyote, I Like America and American Likes Me Artist: Joseph Beuys Medium: Action Sculpture Origin: America Date: 1974 Extra Info: when he moved the coyote moved and vice versa |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Self-Portrait Artist: Chuck Close Medium: Oil on Canvas Origin: America Date: Return to Realism, 1997 Extra Info: painted by grid squares |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: The Cowboy Artist: Duane Hanson Medium: Polyester Resin Polychromed in Oil Origin: America Date: Return to Realism, 1995 Extra Info: in contrapposto, has a cowboy appearance clothing wise but the five o'clock shadow and chest hair contribute to the illusion that he is also a specific individual |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: The Singing Sculpture Artist: Gilbert and George Medium: Performance, actual people Origin: America Date: 1971 Extra Info: mimed in slow motion to a recording of an old English music-hall song while standing on a low platform |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Spiral Jetty Artist: Robert Smithson Medium: Mud, Precipitated Crystals, Rocks, and Water Origin: America Date: Environmental Art, 1970 Extra Info: combo of minimalism and abstract expressionism  |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info |  | Definition 
 
        | Title: Icicles Artist: Andy Goldsworthy Medium: Ice/Snow Origin: Scotland Date: Environmental Art, 1987 Extra Info: Starlike burst of icicles radiating from a central point and balanced on natural rock |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: The Gates Artist: Christo and Jeanne-Claude Medium: Poles and Cloths Origin: America Date: Environmental Art, 1979-2005 Extra Info: two week project for central park, at first was shot down as an idea |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Carbon/Oxygen Artist: Jean-Michel Basquiat Medium: Acrylic, Oilstick, and Silkscreen on Canvas Origin: Art is in Switzerland Date: Urban Environment, 1984 Extra Info: Conveys the frenetic pace and mortal dangers of the city |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Self-Portrait Artist: Robert Mapplethorpe Medium: Unique Gelatin Silver Print Origin: America Date: Environmental Art, 1980 Extra Info: reveals Mapplethorpe's homosexual identity |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Untitled Artist: Jenny Holzer Medium: Extended Helical Tricolor LED Display Board Origin: America Date: Installations, 1989-90 Extra Info: 105 minutes and consisting of some 330 verbal messages conveyed through vivid colored lights |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Cremaster 4: The Loughton Candidate Artist: Matthew Barney Medium: Color Photograph in Cast Plastic Frame Origin: America Date: Installation, 1994 Extra Info: attacks our narcissism by challenging Classical idealization and threatens our sense of being human |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: The Dinner Party Artist: Judy Chicago Medium: Mixed Media Origin: America Date: Feminist Art, 1974-79 Extra Info: triangular feminist version of Leonardo's Last Supper with strong diagonals that are reminiscent of Tintoretto's Last Supper |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Mary Magdalene Artist: Kiki Smith Medium: Cast Silicon Bronze and Forged Steel Origin: America Date: Feminist Art, 1994 Extra Info: The figure represents the penitent Magdalene, whose long hair, combined with the ankle chain, endow the figure with a subhuman quality |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Slavery! Slavery! Artist: Kara Walker Medium: Cut Paper and Adhesive on Wall Origin: America Date: Race and Gender, 1997 Extra Info: In the Western iconographic tradition, the skull is a vanitas symbol and the monkey represents the artist as the "ape of nature" |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info? |  | Definition 
 
        | Title: Vietnam Veterans Memorial Artist: Maya Lin Medium: Photograph Origin: America Date: Plus Ca Change, 1981-83 Extra Info: 58,183 name are inscribed in the order of their deaths. Viewers become engaged in reading the names as the reflective nature of the wall mirrors the world of the living |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? |  | Definition 
 
        | Title: Untitled Artist: Cindy Sherman Medium: Color Photograph Origin: America Date: Plus Ca Change, 1989 Extra Info: satire on Renaissance inspiration, attaches false breasts and shows herself as pregnant |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? |  | Definition 
 
        | Title: The Crossing, fire still Artist: Bill Viola Medium: Video/Sound Installation Origin: America Date: Video Art, 1996 Extra Info: a votive candle at the man's feet becomes a raging fire |  | 
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        | Term 
 
        | [image] Title? Artist? Medium? Origin? Date? Extra Info |  | Definition 
 
        | Title: The Crossing, water still Artist: Bill Viola Medium: Video/Sound Installation Origin: America Date: Video Art, 1996 Extra Info: At first a few drops of water fall on the man, but then they become a flood and, accompanied by a roar, engulf him |  | 
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