Well Of Moses

Claus Sluter

late 14-early 15

Burgundian

France

-Greatest example of Regurdian(s.p) style

Annunciation and Visitation

Melchior Brodeliem

 late 14

Burgundian

France

-Monastery of Chartreuse de Champol

The Annucation

David Puccelle 

Early 14

 European Renaisance

 France

The Very Rich Hours of the Duke de Berry

Limborg Bros. (Paul, Henry, and Herman)

early 15

 European Renaisance

French

-From a rich manuscript that only the wealthy could see

Merode Alterpiece

Rober Campin

early 15

 European Renaisance

Netherlands

-very common for northern alterpieces to be hinged

Ghent-Altar piece-closed

Jan van Eyeck

early 15

 European Renaisance

Netherlands

-one of the greatest artists ever the sum of all northern artists

Ghent-Altar piece-open

Jan van Eyeck

early 15

 European Renaisance

Netherlands

-No one knows how Jan or his brother painted on this piece

Man in the Red Turban 

Eyeck 

early 15 

 European Renaisance

Netherlands

-self portiart,possibly 1st self portatit of the north

-1st man to produce independent portarits, secular portarits.

-

Depostion 

Roger Van Der Weyden

early 15

 European Renaisance

Netherlands

Portarit of a Lady

Roger Van Der Weyden

mid 15

 European Renaisance

Netherlands

A Goldsmith In His Shop

Petrus Chirstus

mid 15

 European Renaisance

Netherlands

Last Supper

Dirk Bouts

mid 15

 European Renaisance

Netherlands

Portinari Altarpiece

Hugo van der Goes

late 15

 European Renaisance

Dutch(Flanders)

Garden of Eden 

Hieronymous Bosch

early 16

 European Renaisance

Netherlands

-Never before had imagination been coupled with the skill to back it up.

-No explict sexual activity is shown 

Garden of Eden -Central pannel

Hieronymous Bosch

early 16

 European Renaisance

Netherlands

-Surrealists claim Bosch

-rather than backward, his imagination leads us in the direction of predestination that we are all doomed and employed by the surrealists.

Melun Diptych

Jean Fouquet 

mid 15

 European Renaisance

French

St. Anthony Tormented by Demons 

Martin Schongauer

late 15

 European Renaisance

German

-know his engraving.

-Engraving were very important to german art

-Most influential graphic artist of the 15 cen.

-1st fresco and panel painter that left behinf a large number of prints

 -he who elevated the print to artistic rivalry with tradistic art forms

The Battle of Issus 

Albrecht Altdorfer 

early 16

Northern Renaissance

German

-German artists surpass the quality and influence of the Netherlands, but only for a short time

-German's had instinctive use of line

Judgement of Paris

Lucas Cranach the Elder 

early 16

 European Renaisance

German

Isenheim Altarpiece (Closed)

Matthias Grunewald 

early 16

 European Renaisance

German

-Earliest nocternal crucifiction 

-Christ knows ture agony and suffering

Resurection

Matthias Grunewald 

early 16

 European Renaisance

German

-Most Astonding Resurection ever depicted in Christnity

Self Portairt

Albrecht Durer

Late 15

 European Renaisance

German

-considered the founder of German High Renaisance and the German da Vinci

-Had trouble reconciling his northern tendancy for detailed persion and Italitan monumentalism

-1st Northern artist to travel  and study in Italy.

-1st northern artist to understand the basic ideas of the Renaisance

Knight Death

Durer

early 16

 European Renaisance

German

-Durer's greatest acomplishments were in the graphic arts

Philip Melanthton

Durer

early 16

 European Renaisance

German 

-Portarit of the leader of the Protestant Reformation

Four Horsemen of the Apocolypse

Durer

late 15

 European Renaisance

German

Fall of Man (Adam and Eve)

Durer

Early 16

 European Renaisance

German

-The engraving is considered his greatest acheivement

 -This print is the summation of the artistic knowledge of the day and the search of valid candid of human proportion. 

-durer was the first northern artist to concern himself with Italian classics such as the perfect human form

Four Apostles

Durer

early 16

 European Renaisance

German

-Finally manages to reconcil his Northern Realism + Southern Monumentalism

-done towards the end of his life

-intended to be a altar piece, but never finished

Henry VIII

Hans Holbein the Younger

early 16

 European Renaisance

German/English

-last great artist of the German high Renaisance

-greatest achievement: transform the german linear into a major instrument

-and he does it all through portraitures

French Ambassadors

 Hans Holbein the Younger

early 16

 European Renaisance

German/English

-anamorphic skull in the foreground, pun on Holbein's lastname

Landscape With Saint Jerome

Joachim Patinir

early 16

 European Renaisance

Netherlands 

-frequent collaborater, he would have them do the figures

The Harvesters

Peter Brugel, The Elder

mid 16

 European Renaisance

Netherlands

-From a series that represented each month only 5 exsist now

Hunters in the Snow

 Peter Brugel, The Elder

mid 16

 European Renaisance

Netherlands

-from the same series as the Harvesters

Pesant Wedding

 Peter Brugel, The Elder

mid 16

 European Renaisance

Netherlands

-most memorable scenes of peasant life ever painted

-composition is as monumental and of any Italian master

Francias I 

Jean Clouet

early 16

 European Renaisance

French

Chateau de Chambord

Jean Clouet 

early 16

 European Renaisance

French

french gothic element and Italian ideas

-original design comes from Leonardo da vinci

The Burial of Count Orgaz

El Greco 

Late 16

 European Renaisance

Spain

-trained under icon painters and Veintian masters

-kept the Byzantine spirt, making him the last great Greek artist

Louvre

Pierre Lescot

early 15 - early 16

 European Renaisance

French

El Escorial 

Juan de Herrera; Juan de Toledo

mid - late 16

 European Renaisance

Spain

Fra. Hortensio Felix Para

El Greco

early 17

 Baroque 

Spain

-El Greco's work had little effect on spanish art

Plan for Il GESU 

Giacomo da Vignola 

mid 16

Baroque

Italian

-this approach will be universally adopted in the 17th century and becomes the main baroque plan

-One of the most influential church plans of all time

facade of Il GESU

Giacomo della Porta 

late 16-early 17

Baroque

Italian

Santa Susanna, Rome

Carlo Maderno 

late 16-early 17

Baroque

Italian 

- considered the first true baroque façade in rome

David 

Gianlorenzo Bernini 

early 17

Baroque

Italian

-undisputed king of 

-no sculpture until the early 20th century were able to get passed his sculpture techniques

-Possibly self portariat 

Apollo and Daphne

 Gianlorenzo Bernini 

early 17

Baroque

Italian

Conaro Chapel

 Gianlorenzo Bernini 

 Baroque

Italian

-designs the entire chapel for the environment for the sculpture

Ecstasy of St. Teresa

  Gianlorenzo Bernini 

early-mid 17

Baroque

Italian

Fountaine of the Four Rivers

 Gianlorenzo Bernini

early - mid 17

Baroque

Italian 

-one of the most inavative and copied designers of his time

Baldacchino

Gianlorenzo Bernini

early 17

Italian 

-the desing of st peters has been evolving since the day of michangelo, but Bernini finally finishes it

Cathedra Petri

Gianlorenzo Bernini

mid 17

Baroque

Italian 

-also know as the chair of St. Peter

Colonnade of S. Peter’s

Gianlorenzo Bernini

mid 17

Baroque

Italian 

S. Carlo alle Quattro Fontane

Francesco Borromini 

early-mid 17

Baroque

Italian

-strong countercurrent to bernini

-style was different as well

Sant’Ivo della Sapienza

Francesco Borromini 

early-mid 17

Baroque

Italian

Palazzo Carignano

Guarino Guarini 

late 17

Baroque

Italian

-uses a new type of brick architecture

Cathedral of Turin: Interior Dome

Guarino Guarini  

mid - late 17

Baroque

Italian

Sta. Maria della Salute

Baldassare Longhena 

early-late 17

Baroque

Italian

Ceiling Fresco, Palazzo Farnese

Annibale Carraci

late 16 -early 17

Baroque

Italian

-1st major undertaking of Barque painting

-Formed  academy of art is the first significant of time in the history of western art

Triumph of Bacchus and Ariadne

Annibale Carraci

late 16 -early 17

Baroque

Italian

-at the time declared as important as sistine chapel

Flight into Egypt 

Annibale Carraci

early 17

Baroque

Italian

it was him who largely dominated the course of landscape 

-established a new type of landscape

-no longer fiction but based on a real landscape

-landscape almost always derived from studies outdoors but constructed in the studio

Aurora

Guido Reni

early 17

Barque 

Italian

-Master of the boloniese style

Aurora

Il Guericino

early 17

Baroque

Italian

-final boloniese painter of baroque

-first to apply lessons of caracci and reni

Conversion of St. Paul

Caravaggio

early 17

Baroque 

Italian 

-first artist we know of that goes out of his way to shock people

-a style that revolutionizes all European art

-Draws from reality, bucking the trend of copying other painters 

-realism in the service of emotion

Last Communion of S. Jerome

Domenichino 

 early 17

Baroque

Italian

-bolonese but draws on realism of carvaggio

Judith and Maidservant with the Head of Holofernes

Artemisia Gentilesichi

early 17

Baroque 

Italian 

-trained by her father painter

Finding Moses

Salvador Rosa 

early 17

Baroque 

Italian

-Classic romantic theme of man vs. nature

-theme and style influences 18 cen Romantics + Landscape artists

Glorification of St. Ignatias

Andrea Pozzo

late 17

Baroque

Italian

Martyrdom of St. Bartholomew

Jusepe de Ribera

early 17

Baroque 

Italian

-most important link between spain and Italy

-Precusor to some of Spain's most powerful work

St. Francias in Meditation 

Francisco de Zurbaran 

early 17

Baroque

Spainish

Los Borrachos

Diego Rodriques de Silva y Velazquez 

early 17

Baroque

Spainish

-The supreme master painter of Spain before Goya

Ladies in Waiting 

Diego Rodriques de Silva y Velazquez 

mid 17

Baroque

Spainish

-his masterpiece

-no lines, subtle changes in in tone and brushstrokes

Juan de Pareja

 Diego Rodriques de Silva y Velazquez 

mid 17

Baroque

Spainish

-Velazquez's friend, student, and slave

 Raising of the Cross

Peter Paul Rubens

early 17

Baroque

Flemish

-There are no great Flemish arcitects

-conquers Italian art

Marie de Medici

Peter Paul Rubens

early 17

Baroque

Flemish

The Three Graces

Peter Paul Rubens

early-mid 17

Baroque

Flemish

-Solid forms are no longer linear, they are built up with color

Charles I

Anthony Van Dyck

early 17

Baroque

Flemish

-Through portiarts like this Van Dyck shapes the image of the aristocrasy 

Super Party 

Gerrit Van Honthrost

early 17

Dutch Golden age* Baroque 

Holland 

-Holland's iconocalsm made it's art community have to adapt

-Pieces focused on daily life with exsqusite realism 

-However chosen subject matter is very monotonous 

-no scenes of economic activy (shopping, banking, working, etc)

-

Self Portarit 

Judy Leyster

early 17

 Dutch Goleden Age* Baroque

Holland 

The Laughing Cavalier

Franz Halls 

early 17

Dutch Golden Age* Baroque

Dutch

-One of the greatest poratiart painters

-used prima style: paints appiled directly onto the canvas

Archers of St. Hadriana

Franz Halls

early 17

Golden Age of Dutch Painting* Baroque

Dutch

Anatomy Lesson of Dr. Tulip

Rembrant 

Early 17

Golden Age of Dutch Painting* Baroque

Dutch

-greatest Dutch Painter of 17 cen

-mystery was always Rembrant's artistic goal

Night Watch

Rembrant 

Early 17

Golden Age of Dutch Painting* Baroque

Dutch

-Was cropped and men were left out or obsecured

Self Portrait

Rembrant 

mid 17

Golden Age of Dutch Painting* Baroque

Dutch

-Baroque was the age of the self portrait

The Three Trees

Rembrant 

Early 17

Golden Age of Dutch Painting* Baroque

Dutch

-Rembrant was the greatest etcher that ever lived

- his landscape painting had little impact

-his etching influenced painting for many years

Christ with the Stick Around Receiving His Childern

Rembrant 

Early 17

Golden Age of Dutch Painting* Baroque

Dutch

Return of the Prodigal Son

Rembrant 

mid 17

Golden Age of Dutch Painting* Baroque

Dutch

Young Woman With a Water Jug

Vermeer

Mid 17

Golden age of Dutch painthing* Baroque

Dutch

-produced only 35 pieces

-overlooked until the 19 cen

-2nd only to Rembradt, lacks his passion + msytery

Lacemaker

Vermeer

late 17

Golden age of Dutch painthing* Baroque

Dutch

Girl with Turban

Vermeer

Mid 17

Golden age of Dutch painthing* Baroque

Dutch

View of Delf

Vermeer

Mid 17

Golden age of Dutch painthing* Baroque

Dutch

Allegory of the Art of Painting

Vermeer

Mid 17

Golden age of Dutch painthing* Baroque

Dutch

-tribute to Eyeck

Still Life with Golden Cup

Willeon Kalf

late 17

Golden Age of Dutch Painting* Baroque

Dutch

View of Harlem 

Jacob Van Ruisdael

late 17

Golden age of Dutch Painting* Baroque

Dutch

Adorations of the Shepherds

Geores de la Tour

early- mid 17

French Baroque*

French

-French hate Italian Baroque and forge their own style of Baroque

-1st important French Painter of 17 cen

Mary Magdeline

Geores de la Tour

early 17

French Baroque*

French

Family of Country People

Louis Le Nain

Early 17

French Baroque*

French

Hanging Tree

Jacques Callot

early 17

*French Baroque

French

- one of the greatest and most influeintial print makers of all time

-1st print maker to gain international fame

-Unique for depicting universal devastion + rising above national predjudice

 Cephalus and Aurora

Poussin

Early 17

French Baroque

French

- Greatest French painter of 17th cent.

- 1st French painter to get international claim

Rape of the Sabines

 Poussin

Early 17

French Baroque

French

 -highest aim of painting is to represent human action in a logical and orderly way (in a way 

that it would have happened perfectly in nature)

- Venitian glowing color is trivial to him (stresses form and composition) ((Pussinist))

- The visial arts draw closer to literature than every before with Poussin

- Visual arts drew closer to literature with Poussin’s artwork

The Burial of Phocion

  Poussin

Early 17

French Baroque

French

-Known as the Dorian Mode:Things that are stable, severe and grey

-The academy of French art put an importance on Classical art and students were taught the superiority 

of Poussin’s classical styles

Landscape with Cattle and Peasants

Claude Lorrain

early 17

French Baroque

French

-Claude Lorrain would have a great influence on landscape painters in the 18th and early 

19th cent.

-figures are important because they establish scale

Orlean’s Wing of the Chateu de Bois

Francois Mansart

early 17

French Baroque 

French

-the trutly original contribution of French art in architecture with domestic style

- the polished dignity in mansart’s work would be the

-hallmark of French baroque architecture

- Contrasts with the emotional style of Italian or german baroque architecture

east façade of the Louvre

Claud Perrault

mid-late 17

French Baroque 

French

-the design is an adjustment of Italian and French classical art which makes a new definitive 

style

Garden façade of the palace of Versailles

Claude Perrault

*late 17

French Baroque

French

Hall of Mirrors

Jules Hardouin-Mansart and Charles Le Brun

late 17

French Baroque 

Milo of Crotona

Pierre Puget

late 17

French Baroque

French

-Puget  was one of the best sculptors was but his stubbornness cost him his fame in French court

- The problem for the French is that its too emotional

-most orignal French sculpter

Apollo Attended by Nymphs

Francois Giradon

mid-late 17

French Baroque

French

- responsible for new style of freestanding tomb

Banqueting House at Whitehall

Inigo Jones

early 17

Baroque

English

-Brings back pure palladism style

-The façade is a restatement of Italian ren. Principles

-The façade and columns and pilasters and no ornamentation except for the 

sculptures on the top of the façade

S. Paul’s Cathedral

Christopher Wren

*late 17

Baroque

English

-wren’s design served as prototypes for colonial architecture